https://www.cubanartresources.org/new-index-4 daily 1.0 2019-09-11 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506445281755-Q0YSNLR6YG14DPAUNWHW/AO781-01_mid.jpg Artists Andrés Montalván https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506444278338-WITYYJA8OV8TKSUQL58Z/AO940-01_mid.jpg Artists Alex Hernández https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506522518059-VYFQFIGNE9CEIQBQVYE9/AO443-01_mid.jpg Artists José Bedia https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506538590926-F3C551MIQI8NMGJQUC4Z/AO792-01_mid.jpg Artists Rubén Torres Llorca https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506539867776-RVEPFUW1M48F0CNOJCJO/AO871-01_mid.jpg Artists Segundo Planes https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506446567426-Q3GLJBNY4NKY6HVCVMLZ/AO286-01_mid.jpg Artists Carlos Quintana https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506539863991-GTBFYW9XK3ABBAJDJUZN/AO445-01_mid.jpg Artists Sandra Ramos https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506453775973-CF0L2IK803CG0TBH9QBR/AO330-01_mid.jpg Artists Ernesto Pujol https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506524193589-W22T6MWUICM05BEV7MI0/AO772-01_mid.jpg Artists Leonel Morales https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506528831132-6MGGQP9S3O6X8595VLI3/AO531-01_mid.jpg Artists Rachel Valdés Camejo https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506538559111-WEOW6CN15U3PA3EL2GAW/AO278-01_mid.jpg Artists Roberto Diago https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506539898377-9UY82SUT4K2LXZ1RRAK1/AO1021-01_mid.jpg Artists Tania Bruguera 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Artists Alejandro Campins https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506446559168-W9YBFCK4KRE22Z67AMNY/AO888-01_mid.jpg Artists Carlos Otero Blanco https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506528759389-2SMPSLAN01R3QW5T5INY/AO771-01_mid.jpg Artists María Magdalena Campos-Pons https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506522598608-06ML14JPT19XOJ9ZXOG9/AO1-01_mid.jpg Artists Juan Carlos Alom https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506538512039-NBQ0SLTHIA8TMWV6ULNV/AO239-01_mid.jpg Artists René Francisco Rodríguez https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506541436574-7NP1PCFQRHG0ZYYVMKMR/AO613-01_mid.jpg Artists Yunier Hernández Figueroa https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506522612015-C66O54R29JBRHZWG8DLW/AO425-01_mid.jpg Artists Juan Moreira 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Elías https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506444420865-WJ8QKORUCCZL9ZZVBM04/AO452-01_mid.jpg Artists Alexis Esquivel https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506453765023-B84276PCVTW5EF4ASTWK/AO887-01_mid.jpg Artists Enrique Rottenberg https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506446524605-2AEMN3YZ0UDFEACMZD25/AO298-01_mid.jpg Artists Carlos Estévez https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506539878904-LQC2FH4WKV1XVI2LLJYK/AO339-01_mid.jpg Artists Servando Cabrera Moreno https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506539919438-RTTBJQ698L441452IDPK/AO972-01_mid.jpg Artists Tomás Esson https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506524230199-7ERGZHN2B1PFMDHODQJG/AO528-01_mid.jpg Artists Luis Enrique Camejo 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Artists Vincente Rodríguez Bonachea https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506528811551-QDN74W7MX3X50TLVEKL9/AO789-01_mid.jpg Artists Pedro Vizcaíno https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506454526013-QPAGE7SZSGM88UGAVPT0/AO590-01_mid.jpg Artists Harold Vázquez Ley https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506522578898-0PL1VI0VJOASV0J6251C/AO512-01_mid.jpg Artists José Ángel Toirac https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506522551141-3BK9E4QSHBFDFZ8DH8RY/AO949-01_mid.jpg Artists José Manuel Fors https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506528783035-Z1C6106F3OBLXJ546TI2/AO993-01_mid.jpg Artists Nicolás Guillén Landrián https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506443501352-GWWBY6CAPSBIUXD7VO0E/AO273-01_mid.jpg Artists Alejandro Aguilera 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Artists William Pérez https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506454236932-XTBDXETCWJV9MWQD6AJ7/AO103-01_mid.jpg Artists Fernando Rodríguez (Francisco de la Cal) https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506528766278-46J197TGFGJ2OKOW5UAF/AO892-01_mid.jpg Artists Meira Marrero https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506528778006-1CGCUPAHRS6U1C1V8OAE/AO335-01_mid.jpg Artists Moisés Finalé https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506528786183-V8Q60M7W162L801VXSXR/AO248-01_mid.jpg Artists Nicolás Lara https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506538485204-6C5EZ1C2VGPB5FAM52FE/AO398-01_mid.jpg Artists Raúl Cordero https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506457239208-CQAR9HBNETAAYT4BOPIC/AO50-01_mid.jpg Artists Jacqueline Brito https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506444769723-OFBGRFRFE8D3DF4FZRV4/AO1020-01_mid.jpg Artists Ana Mendieta https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506447285713-HAHG26IJJ4D1DY40Y52Y/AO200-01_mid.jpg Artists Carlos Rodríguez Cárdenas https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506454515186-DC3JXH659QLANOLCBOZG/AO990-01_mid.jpg Artists Gina Pellón https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506539847984-ZWIUBCWINNA9KDFUAQRN/AO389-01_mid.jpg Artists Ruperto Jay Matamoros https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506453161464-0QCVSJ548AUODROOS238/AO320-01_mid.jpg Artists Eduardo Roca "Choco" https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506538566730-VQXDUR7VH5U750P7ZWZM/AO293-01_mid.jpg Artists Roberto Fabelo https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506539941101-YG7RPA0WZPP9JFYYKFVP/AO922-01_mid.jpg Artists The-Merger https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506524186860-HFH4IDXB8HUQB4RZKP6U/AO44-01_mid.jpg Artists Kadir López https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506445345210-BLFBU4EGPGJ5JXQAXLYM/AO480-01_mid.jpg Artists Antonio Eligio Fernández "Tonel" https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506524248082-KK2NGJCD0EBYZDQE90I4/AO958-01_mid.jpg Artists Lázaro Saavedra https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506539891369-86FFUBBJG9DZD0FBOE8W/AO854-01_mid.jpg Artists Stainless https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506196577806-JCOTY75O3CGHVON8GKH0/AO720-01_mid.jpg Artists Alberto Lescay https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506538536439-5G7VI1SC4ZRYOT3AHX34/AO971-01_mid.jpg Artists René Portocarrero https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506447325458-NQ7KRPZTJG86EJ3QHSK2/AO968-01_mid.jpg Artists Dayron González https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506444660161-UR7N4W9Y4ID3QVIBFSL5/AO195-01_mid.jpg Artists Ana Albertina Delgado https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506524214234-AAW6JIXSB2H5JOEJ9KXQ/AO866-01_mid.jpg Artists Leslie Sardinias https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506445020770-QP0UXU30NO92LZ0AFKZ5/AO1022-01.jpg Artists Andres Serrano https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506528793093-OWO3U1ES8RKDD5J5ZDH4/AO912-01_mid.jpg Artists Niels Reyes https://www.cubanartresources.org/exhibitions daily 0.75 2017-09-29 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506699181783-7CTW00B6UFZO25G6RTLI/image-asset.jpeg Exhibitions https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506696388461-PM8V1FLKSAPFS1EXSSPM/image-asset.jpeg Exhibitions https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506611557040-WS9W3ZKPKW8O19LGYKIB/AO777-01_mid.jpg Exhibitions https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506612987632-PU2F6QQ5HAUFBKXYKM4H/image-asset.jpeg Exhibitions https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1503598793549-5UIH3QE73ZCFGC3ZX5ZS/AO1003-01_mid.jpg Exhibitions https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506617283641-78O79OTZQQWZ0T5BXCGW/AO545-01_mid.jpg Exhibitions https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506622698954-JVXMSFDMU4Y09N088MNR/AO458-01_mid.jpg Exhibitions https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506623582787-9BQG9XJ8Z9YI3ZA3CK3A/image-asset.jpeg Exhibitions https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506545071372-RTU790QB7CBX5YHBJS5A/AO854-01_mid.jpg Exhibitions https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506696582756-6EKZGRG6SOI1HU93S5G7/AO857-01_mid.jpg Exhibitions https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506624446686-6E7SPPUV5RA2QAO6XLPR/AO503-01_mid.jpg Exhibitions https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506545356774-BMWMNQUIOO1R0KI1WY03/AO784-01_mid.jpg Exhibitions https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506614072277-UR040EPEI9JTGZWZI0C9/AO531-01_mid.jpg Exhibitions https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1503592472107-0BEN79ROBXT29P86HKUI/AO311-01_mid.jpg Exhibitions https://www.cubanartresources.org/abelbarroso daily 0.75 2017-09-29 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1501258693441-IHSAID6793RCBZZD6QW9/AO472-01_mid.jpg Abel Barroso - Untitled, 2011. Wood tiles, acrylic and ink on paper. 21 3/4 x 31 in. This work depicts the skyline of the city every immigrant desires, while the foreground reveals the obstruction of this desire. A palisade is erected to impose itself between the personal aspirations and migratory politics. The detailed and codified aviaries force people to enter through a strict social qualifier that filters and categorizes the immigrants. The contradiction between two imaginary settings accentuates the notion of the border, and symbolizes the barriers that divide North and South, globalization and regionalism, the rich and the poor, the center and the periphery. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1501258970537-IUPLCW2S3HZ5H5VUTHA7/AO507-01_mid.jpg Abel Barroso - Temporary Residency of the World, 2011. Wood tiles and acrylic on paper. 22 1/2 x 30 in.   Barroso represents a polarized world where migration is necessary and vital, emphasizing the difficult task of moving abroad while maintaining a sense of national identity and traditions. Temporary Residency of the World is an appeal to resolve the migration conflict by eliminating borders, a plead to consider all people world citizens disregarding their race, color, culture, origin or personal wealth. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1501259087232-Q1YCHLBRYV350A6VOIA9/AO508-01_mid.jpg Abel Barroso - País en movimiento (Country in Motion), 2011. Wood tiles and acrylic on paper. 21 3/8 x 31 in. “País en movimiento” (Country in Motion) addresses the desire to improve a person’s living conditions by going abroad. The work represents the influx of people who immigrate every day with the hope of encountering new opportunities. This desire creates a conflict with the customs and belongings left behind in the country of origin. The person who mounts their house on a rustic cart and drags it towards a border he foresees as promising, personifies this struggle. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1501259790503-FSTH2I26HRAI6X97XL9U/AO836-01_mid.jpg Abel Barroso - Tiempo de inversión, del portafolio Contemporary Prints from Cuba (Time for Investing, from the portfolio Contemporary Prints from Cuba), 1998. Power woodcut on five ply Hangi Shina plywood printed on the etching press in one color with outer template on Rives BFK Tan. 30 x 22 in. Ed. 18/45. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1501259790565-BIQR14QK406HOLC4NAH9/AO645-01_mid.jpg Abel Barroso - Casa-Mochila (House-Backpack), 2012. Xylography on wood. 44 1/2 x 27 1/2 x 33 1/2 in. Abel Barroso uses wood veneer shingling to explore dilemmas of globalization and migration. Rudimentary raw wood tiles playfully evoke Cubans’ innovative and creative use of any and all available materials. Emblematic of transience, Casa Mochilla calls to mind the symbolic weight people carry as they move from one place to another. Straps on the uprooted house allow the inhabitants to travel with all of their memories, experiences, and possessions in tow. The playful details and careful finishing impart the hopeful sentiment that a sense of self and home are transportable. Rather than being limited to a singular place, the owners can bring their home and their identity with them as they pursue opportunity elsewhere. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1501259791118-3KVBFYEAQI4V8EARE2CP/AO580-01_mid.jpg Abel Barroso - IPod Touch, n.d. Acrylic on canvas and xylography. 12 1/2 x 8 1/2 x 3 in. Abel Barroso graduated from the Superior Institute of Art, where he trained in engraving, specializing in xylography. His pieces show an innovative technique: he works with both xylographic impressions on paper and their respective woodcuts, in a process that combines sculpture and printmaking at once. The artist’s peculiar process played a central role in renovating the tired practice of engraving in Cuba back in the nineties. His pieces are full of wit and astute humor. The materials he uses and his artisanal technique mark the fact that he is speaking from the perspective of a region that covers more terrain than just the artist’s own country. He frequently depicts a decayed South that he contrasts with the powerful and technologically developed North, as reflected in his ironic “iPod Touch.” https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1501259791186-SR876TCU4E9VQK9CBQA8/AO546-01_mid.jpg Abel Barroso - Casa-Mochila (House-Backpack), 2012. Wood tiles and acrylic on paper. 39 1/2 x 27 1/2 in. Abel Barroso uses wood veneer shingling to explore dilemmas of globalization and migration. Rudimentary raw wood tiles playfully evoke Cubans’ innovative and creative use of any and all available materials. Emblematic of transience, Casa Mochilla calls to mind the symbolic weight people carry as they move from one place to another. Straps on the uprooted house allow the inhabitants to travel with all of their memories, experiences, and possessions in tow. The playful details and careful finishing impart the hopeful sentiment that a sense of self and home are transportable. Rather than being limited to a singular place, the owners can bring their home and their identity with them as they pursue opportunity elsewhere. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1501259791637-KNS5P7TCNP76S0NCEJNM/AO515-01_mid.jpg Abel Barroso - Untitled, n.d. Xylography. 7 x 14 x 7 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506700688199-QMW8I0ADP1ULGA92LQ0R/C2012.072%3Bmain%3BOverall+image.jpg Abel Barroso https://www.cubanartresources.org/adonisflores daily 0.75 2017-09-29 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1501261415237-MFZVN363CBDKKFOO8GT3/AO805-01_mid.jpg Adonis Flores - Fe II (Faith II), 2013. Chromogenic print. 47 1/4 x 47 1/4 in. Ed. 1/3. Adonis Flores is a conceptual artist who fuses global issues with Cuban daily life. His multidisciplinary works are realized in photography, video, installation, performance, and public interventions. His practice centers on concerns that transcend international and social boundaries, such as violence, insecurity, power and death. The print "Fe II" documents the artist’s site-specific installation for "Detrás del Muro", during the 2012 Havana Bienal. Fe, “faith” in English, is written in the font used in the periodic table of elements, where “Fe” denotes iron. Made from pieces of scrap metal, the letters are also a play on the Spanish word “fue,” which translates to “it was.” The recycling of discarded and use of unusual materials has been a common practice in Cuban art since the Special Period, when artistic resources were scarce. In any case, the work is a heartfelt tribute to the Cuban people who build and solidify their faith in a better future, even if they need to use ruined and scrapped resources to establish it. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506700332837-G1YUBUWEP902EN0T7F0A/Flores2014_072.jpg Adonis Flores https://www.cubanartresources.org/aime-garcia daily 0.75 2017-09-29 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1502290056436-GJZIP3NJVY960ZHHU8ZE/AO873-01_mid.jpg Aimée García - Ventana (Window), 2014. Acrylic, oil and thread on canvas. 23 5/8 x 19 5/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1502290069513-ZPM54P2TYFVKP7WD7Z7S/image-asset.jpeg Aimée García - Nube (Cloud), 2014. Oil and thread on canvas. 23 5/8 x 19 5/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1502290173482-YJUGXB745D8IH7T5RT2G/AO875-01_mid.jpg Aimée García - Alternativa (Alternative), 2013-2014. Digital print on canvas with embroidery applique and sewn thread Two panels of 19 3/4 x 15 3/4 in. each. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506700425592-K0RD6XCIZ7375PNROA3O/Garcia2014_131.jpg Aimée García https://www.cubanartresources.org/agustin-bejarano daily 0.75 2017-09-29 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1501262355413-AO2UM05K9LSSO9U5FEJ4/AO290-01_mid.jpg Agustín Bejarano - De la serie Los ritos del silencio (Form the series Rites of Silence), 2008. Oil on canvas 40 1/2 x 39 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1501262354931-BL6SLR10XN9LU1SVNQWS/AO323-01_mid.jpg Agustín Bejarano - Untitled, 2002. Acrylic and divers emulsions on canvas 26 1/2 x 29 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1501262354618-5PWI9VCT4BNU5G5GCTIK/AO348-01_mid.jpg Agustín Bejarano - Untitled, 2008. Acrylic on canvas 27 3/4 x 33 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506700741850-AEWRWRESOUTSAU1QMB3G/Bejerano2010_006.jpg Agustín Bejarano https://www.cubanartresources.org/albertocasado daily 0.75 2017-09-29 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506111318824-MT9BSPF5E3VZWIJE5I06/AO173-01_mid.jpg Alberto Casado - Celular Fhone, 2009. Aluminum foil, paint and serigraphic ink on glass, 28 1/2 x 27 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506111318754-L3CBPF5AXE7PS45FSVOF/AO367-01_mid.jpg Alberto Casado - Homenaje a David Hockney (Homage to David Hockney), 2009. Aluminum foil, paint and serigraphic ink on glass. 15 x 11 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506197687049-L4IEX72J2Q7TRY8T12QF/AO385-01_mid.jpg Alberto Casado - En "El objeto esculturado" (At "The Sculptured Object"), 1998. Aluminum foil, paint and serigraphic ink on glass. 20 1/8 x 34 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506197687200-NF19NMCODUD9BITX4OH0/AO416-01_mid.jpg Alberto Casado - No más (Mo More), 2010. Aluminum foil, paint and serigraphic ink on glass. 12 3/8 x 12 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506197687453-O2GH373ZV0BYLW5F7W2R/AO446-01_mid.jpg Alberto Casado - Oasis, 2001. Aluminum foil, paint and serigraphic ink on glass. 26 3/4 x 17 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506197687993-E10O86ZG5KEM1IMR7XPR/AO623-01_mid.jpg Alberto Casado - Ceiba nueva (New Ceiba), 2009-2013. Aluminum foil, paint and serigraphic ink on glass. 16 1/4 x 27 7/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506197688015-QAEY3WNGV9OTTUJNFFRK/AO653-01_mid.jpg Alberto Casado - Gato tigre (Cat Tiger), 2011. Aluminum foil, paint and serigraphic ink on glass. 11 5/8 x 27 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506197688415-SEHO0MOA6ZY7KC6CJF5T/AO845-01_mid+%282%29.jpg Alberto Casado - Untitled, 2014. Aluminum foil, paint and serigraphic ink on glass. 19 1/4 x 18 5/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506199725627-7CR6570IL5YP6RUG2ARS/AO654-01_mid.jpg Alberto Casado - SOS Peashooter, 2014. Aluminum foil, paint and serigraphic ink on glass. 18 3/4 x 18 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506199735823-OS8KHX794ZN09Y486SEM/AO657-01_mid.jpg Alberto Casado - Y si cago no como (And If I Poop, I Don't Eat), 2012. Aluminum foil, paint and serigraphic ink on glass. 17 1/8 x 12 3/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506700270790-3FPKHZZDTZLM02CZQU94/Casado2009_160.jpg Alberto Casado https://www.cubanartresources.org/unconscious-thoughts daily 0.75 2020-10-15 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1503597801664-MGDLB0SMDWL8OMELUJ8B/AO1003-01_mid.jpg Unconscious Thoughts Cirenaica Moreira, No soy yo, es mi cuerpo el que recuerda, de la serie Con el empeine al revés (It Is not I, It Is My Body That Remembers, from the series With the Instep to the Wrong Side), 2003-2006. Color Lambda print, 33 x 23 in. Ed. 4/10. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1503598236199-ZHFBOR7VPUMLMEKYL475/AO1020-01_mid.jpg Unconscious Thoughts - Ana Mendieta, Untitled (Glass on Body Imprints), 1972. Estate printed color photographs (1997) https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1503598513633-RLK6NWG5UKNZ0LHAMMPC/AO998-01_mid.jpg Unconscious Thoughts - Antonia Eiriz, Mis vecinas (My Neighbors), c.a. 1960. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1503598236734-RISU70BP2CCKEKGZACRM/AO604-01_mid.jpg Unconscious Thoughts - María Magdalena Campos-Pons, The Flag. Color Code Venice 13, 2013. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1503598238363-05PJKZ5NCT5A25UVZBR9/AO601-01_midA.jpg Unconscious Thoughts - María Magdalena Campos-Pons, Songs of Freedom, 2013. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1503598244587-8H5X55IQZW6IBOZL3QJV/AO983-01_mid.jpg Unconscious Thoughts - Belkis Ayón, Sin título (Sikán, Nasakó y Espíritu Santo) (Untitled (Sikan, Nasako and Holy Ghost)), 1993. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1503598243273-0HRCLDXDSHDVOAI26IAX/AO444-01_mid-1.jpg Unconscious Thoughts - Sandra Ramos, Con mi cruz a cuestas (Carrying My Cross Around), 1993. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1503598245757-VKQSX0Y81R6XL6L8FJ3Z/AO567-01_mid.jpg Unconscious Thoughts - Cirenaica Moreira, Sin título, de la serie Ojos que te vieron ir... (Untitled, from the series Eyes That Saw You Leave...), 1994. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1503598238286-PIUMFJ18HMO68TLNCMOJ/AO117-01_mid.jpg Unconscious Thoughts - Rocco García, Sin Título, de la serie Museos (Untitled, from the series Museums), 1989. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1503598246554-VFAUPVJQY6DKLG4Y878P/AO1005-01_mid.jpg Unconscious Thoughts - Cirenaica Moreira, Déjà vu, de la serie Piel de vaca (Déjà vu, from the series Cowhide), 2006-2009. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1503598345593-KHLR4HTHCJCGP9DRH41V/AO1003-01_mid.jpg Unconscious Thoughts - Cirenaica Moreira, No soy yo, es mi cuerpo el que recuerda (It Is not I, It Is My Body That Remembers), 2003-2006.  https://www.cubanartresources.org/gestures-of-faith daily 0.75 2017-09-29 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1503591319560-GPN7ALKR6URLSA7VULMT/AO311-01_mid.jpg Gestures of Faith Manuel Mendive, detail of Compartir (Share), 2009. Acrylic on canvas; 33 x 39 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1503592874061-B8O8GN2PXHUMLESGG2WE/AO463-01_mid.jpg Gestures of Faith - Armando Mariño, Shaman 2, 2011. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1503592874111-Q8BT75BBC14ZK785QV9T/AO822-01_mid.jpg Gestures of Faith - Ernesto Pujol, Monja, de la serie Acto de Fe (Nun, from the series Loss of Faith), 2000. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1503592877196-IESSJXFF7QKIN2VHLB3Q/AO311-01_mid.jpg Gestures of Faith - Manuel Mendive, Compartir (Share), 2009. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1503592876101-R169V5R7E7QPI68OKNXH/AO805-01_mid.jpg Gestures of Faith - Adonis Flores, Fe II (Faith II), 2013. https://www.cubanartresources.org/cuba-libre daily 0.75 2017-09-29 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1503590765950-817HHAWBF0YMT3VJ58H9/AO784-01_mid.jpg Cuba Libre! Meira Marrero and José Ángel Toirac, Looking for Happiness, 2014. Archival pigment on Hahnemuhle German etching 310 gsm paper. 23 x 30 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1503590926615-IYZLQXN3WFKDR206OHIW/AO580-01_mid.jpg Cuba Libre! - Abel Barroso, Ipod Touch, n.d. Abel Barroso, Ipod Touch, n.d. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1503590926663-DE66QDRIFA6CNGKMYC47/AO480-01_mid.jpg Cuba Libre! - Antonio Eligio Fernández "Tonel", Islante (No. 2), 2008-2009. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1503590927261-Y7FR59WP251BH2VZJAPU/AO475-01_mid.jpg Cuba Libre! - Eduardo Ponjuán, El Renacimiento (The Renaissance), 1998. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1503590927434-A67RQ33ZVTTRYFH03ZV1/AO444-01_mid.jpg Cuba Libre! - Sandra Ramos, Con mi cruz a cuestas (Carrying My Cross Around), 1993. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1503590928104-H7WLZV24CYR9HOVJDJLM/AO404-01_mid.jpg Cuba Libre! - Douglas Pérez, Pictopía III: Still I Have A Dream, 2009. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1503590927965-510E8XPSDBS2NFHDQ46A/AO1000-01_mid.jpg Cuba Libre! - Jorge López Pardo, Encuentro, de la serie Avistamientos (Meeting, from the series Sightings), 2014. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1503590928487-JF7J0VHJE9WDVABEZZU6/AO784-01_mid.jpg Cuba Libre! - Meira Marrero and José Ángel Toirac, Looking for Happiness, 2014. https://www.cubanartresources.org/waiting-for-the-idols-to-fall daily 0.75 2020-10-15 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506618118362-Q1AYUHAY1K2NAGREIGON/AO405-01_mid.jpg Waiting for the Idols to Fall - Douglas Pérez, Pictopía XXVII: Hamelin, 2008. Oil on canvas, 51 1/2 x 59 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506618119288-G0TWT2LR2B00XB312T0Z/AO273-01_mid.jpg Waiting for the Idols to Fall - Alejandro Aguilera, Caridad (Lo que allí sucedió) (Charity (What Happened There)), 2008. Acrylic and collage of paper on metal, 36 x 24 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506618114462-Z1VZLKLL4V9DU72XZ6UG/AO510-01_mid.jpg Waiting for the Idols to Fall - Frank Martínez, Sin capacidad (No Vacancy), 2012. Charcoal on canvas, 53 3/4 x 78 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506618114966-N3IC68N8S2CIF3Z1ARB9/AO453-01_mid.jpg Waiting for the Idols to Fall - Alexis Esquivel, Ciudadano del futuro (Citizen of the Future), 2010. Acrylic on canvas, 57 1/2 x 76 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506618114791-QY2OIMY0R4T866ZLL1IY/AO547-01_mid.jpg Waiting for the Idols to Fall - José Ángel Toirac, Sin título (Che y Fidel), de la serie Gris (Untitled (Che and Fidel), from the series Gray), 2003. Oil on canvas, 70 1/2 x 46 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506618115269-ZOVU6APAEF5NFK3FL4MF/AO506-01_mid.jpg Waiting for the Idols to Fall - José Ángel Toirac, Sin Título (Ché) (Untitled (Che)), 2010. Acrylic and gold leaf on wood, 13 1/2 x 29 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506618119599-ZIIWPM2K3FI5HYVL3A2Y/AO1-01_mid.jpg Waiting for the Idols to Fall - Juan Carlos Alom, Sin Título #2, de la serie Ablución para el Libro Oscuro (Untitled #2, from the Series Ablution for the Dark Book ), 1995. Gelatin silver print, 17 3/4 x 14 3/4 in. Ed. 1/10. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506618115505-VH13AIY860L4SXQPYLY7/AO512-01_mid.jpg Waiting for the Idols to Fall - José Ángel Toirac, Pantócrator (Pantocrator), 2012. Gold leaf and oil on canvas, 35 1/2 x 72 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506618117511-OAGCBCUM2RVZ6I2BWGTS/AO416-01_mid.jpg Waiting for the Idols to Fall - Alberto Casado, No más (Mo More), 2010. Aluminum foil, paint and serigraphic ink on glass, 12 3/8 x 12 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506618115703-WE0GC4MGGWVKMCW0OIGF/AO511-01_mid.jpg Waiting for the Idols to Fall - Frank Martínez, Sin título (Untitled), 2012. Charcoal on paper, 35 3/4 x 51 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506618116090-2RYXSEVT4XK97Y3A3MOB/AO458-01_mid.jpg Waiting for the Idols to Fall - Pedro Álvarez, One, from the series The Romantic Dollarscape, 2003. Oil on linen, 55 1/2 x 75 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506618116236-CDR6UACPIUS6DM21I484/AO491-01_mid.jpg Waiting for the Idols to Fall - Yamilys Brito, De la serie Visitantes en La Habana (From the series Visitors in Havana), 2009. Watercolor, ink and cut-and-pasted printed paper on paper, 19 3/4 x 25 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506618116717-DIYFN9SUTLZR4P70WAAU/AO443-01_mid.jpg Waiting for the Idols to Fall - José Bedia, Ngulu, 2010. Oil on canvas, 71 x 84 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506618116627-OAYZ24GOS44SXDZWD66L/AO418-01_mid.jpg Waiting for the Idols to Fall - Roberto Diago, Velando por los míos (Watching over my People), 2003. Petroleum, latex paint and nails on wood, 72 x 60 x 2 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506618117436-KP15MESXEKMU9YC73TLJ/AO414-01_mid.jpg Waiting for the Idols to Fall - Clara Morera, El Gran Sello II (The Great Seal II), 2009. Mixed media on wood, 48 x 36 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506618118168-NKJZVLDPGXDV3BN4PNWR/AO413-01_mid.jpg Waiting for the Idols to Fall - Clara Morera, El Gran Sello (The Great Seal), 2009. Mixed media on wood, 48 x 36 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506618118719-1IOCG2O53SZ0JL6HN8RM/AO367-01_mid.jpg Waiting for the Idols to Fall - Alberto Casado, Homenaje a David Hockney (Homage to David Hockney), 2009. Aluminum foil, paint and serigraphic ink on glass, 15 x 11 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506618118996-ISX4GEU22UD1SFOT4OFB/AO355-01_mid.jpg Waiting for the Idols to Fall - Alejandro Aguilera, Restos mortales (Remains), 1994. Polychrome wood, metal, paint and fabric, 51 x 51 x 10 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506618119872-EDCT0K1GHJ2JN1VZ8HIM/AO173-01_mid.jpg Waiting for the Idols to Fall - Alberto Casado, Celular Fhone, 2009. Aluminum foil, paint and serigraphic ink on glass, 28 1/2 x 27 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506617895101-K1SV9QVON797MLGRBDTQ/AO458-01_mid.jpg Waiting for the Idols to Fall Pedro Álvarez, One, from the series The Romantic Dollarscape, 2003. Oil on linen, 55 1/2 x 75 1/2 in. https://www.cubanartresources.org/alexhernndez daily 0.75 2017-09-29 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506702806419-5E4W1ONC87JP0IU311N2/AO940-01_mid.jpg Alex Hernández - El caos del Nuevo Orden (The Chaos of the New Order), 2014. Silkscreen on paper and industrial paint on glass in wood frame, Eight panels of 26 3/4 x 22 1/16 in. each. Alex Hernández addresses the immense scope of aesthetic preferences and the contemporary way of life experienced by individuals. He explores concepts such as comfort, luxury, commodities and prosperity, and how they are assumed in social ambits. His work reflects the Cuban dream of Miami, presented similarly to a movie set, as a way to comment on the isolation of Cubans and their lack of awareness of the current realities of American life. His use of flat, shiny colors simplifies his compositions and rarify the atmosphere, making it surreal and unusual. In "El Caos del Nuevo Orden" (The Chaos of the New Order), the physical structure of a famous cruise ship is transformed into an allegory of the changes occurring in a city like Havana. Visually similar to the blueprints used by engineers and designers, the work embraces the duality of the ship’s real and symbolic functions. Metaphorically, the vessel serves as a symbol of a new era for entertainment, recreation, and interest in material culture, as well as new economic opportunities, which have been almost entirely absent in Cuba for decades. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506702902218-HMKS3AZ46JWI02QOT0UC/Hernandez2014_160%282%29.jpg Alex Hernández https://www.cubanartresources.org/andres-montalvan daily 0.75 2018-03-23 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506712279751-NV9SX4D8I3WKGVO6CUFT/AO781-01_mid.jpg Andrés Montalván - Eterna idea del regreso (Eternal Idea of the Return), 2012. Wood, 18 x 47 x 11 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506712233867-AER6OQ8LWHWVY075CCWP/Montalvan2014_039_angle.jpg Andrés Montalván https://www.cubanartresources.org/elio-rodriguez daily 0.75 2017-10-04 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507130164550-NVSRG35KHKAQAVWYG874/AO469-01_mid.jpg Elio Rodríguez - Elegguá, 2010. Stuffed fabric, ceramic, plexiglass and foam, 36 x 60 x 42 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507130164314-O4VOONY51AE18UQ7JQ37/AO467-01_mid.jpg Elio Rodríguez - Black Ceiba, 2010. Stuffed fabric, foam and papier maché car, 84 x 96 x 20 in. “Black Ceiba” is part of Rodríguez’s continued plush sculpture-making series and his exploration of forms. Referencing the tropical landscape of the artist’s homeland, the mess of claws, leaves, and animal parts take shape into a larger organism, named after the tree commonly found in tropical regions around the world. The ceiba persists as a symbol of vitality and worship. It yields wood and a light fiber applied to various uses, and spiritually connects to the underworld thanks to its enormous, tangling aboveground roots. The sculpture also adds a protruding car, reminiscent of the American cars from the 1950s still driven in Cuba today. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507130130939-DSR0RWE52734ANKHOISL/Rodriguez2011_056%281%29.jpg Elio Rodríguez https://www.cubanartresources.org/ernesto-pujol daily 0.75 2017-10-07 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507409155636-1WRZ0B0J6SLKYG9YEGSN/AO330-01_mid.jpg Ernesto Pujol - School of Sharks, 1994. Ink and dye on vintage map paper. 30 x 24 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507409155637-1ZL35Z1NU1GXGW13MRVU/AO656-01_mid.jpg Ernesto Pujol - Quilt, ca. 1999. Oil and acrylic on vintage quilt. 74 1/2 x 60 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507409155890-FB8KXKX130K67RNFDIYE/AO821-01_mid.jpg Ernesto Pujol - Monje, de la serie Acto de Fe (Monk, from the series Loss of Faith), 200.0 Oil and cut-and-pasted printed paper on canvas. 20 x 16 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507409155880-NEYAUB8OEN2NM3B54ZGN/AO822-01_mid.jpg Ernesto Pujol - Monja, de la serie Acto de Fe (Nun, from the series Loss of Faith), 2000. Oil and cut-and-pasted printed paper on canvas. 20 x 16 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507819640471-W4F9LVJIBCVAP3D9NMSX/Pujol2014_094_1.jpg Ernesto Pujol https://www.cubanartresources.org/carlos-garaicoa daily 0.75 2017-10-02 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506807897716-DGFAA0QNGG0LPPLP0OZ8/AO1011-01_mid.jpg Carlos Garaicoa - Un día cualquiera en que La Habana se detuvo a recordar Berlin III (One Random Day When Havana Stood Still to Remember Berlin III), 2012. Hand-cut adhesive tape, black-and-white photograph mounted on Plexiglas and aluminum. 26 x 39 in. Ed. 1/3. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506954610489-86WFNCC7GGKOJIQN5BJR/Garaicoa2015_040.jpg Carlos Garaicoa https://www.cubanartresources.org/emilio-sanchez daily 0.75 2018-03-23 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507406006537-YNAT0XT65174MN1SDQA3/AO447-01_mid.jpg Emilio Sánchez - Auto Glass, Late 1980's. Watercolor on paper. 22 1/2 x 30 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507406006547-NUGROST8KQCVR6C1EZ1Z/AO448-01_mid.jpg Emilio Sánchez - Orange Garage. Late 1980's Watercolor on paper. 22 x 30 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507406006795-EB5IJAW6RMINASMPA7ML/AO449-01_mid.jpg Emilio Sánchez - Untitled (Hunt's Point), Late 1980's. Watercolor on paper. 22 x 29 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507406006765-U8VJVFY89RK5A7810FO1/AO450-01_mid.jpg Emilio Sánchez - Untitled (Win Lotto), Late 1980's. Watercolor on paper. 29 x 21 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507819593558-25MYT8SLPUECWKPU0BEY/C2011.031%3Bmain%3BOverall+image.jpg Emilio Sánchez https://www.cubanartresources.org/albertolescay daily 0.75 2017-09-29 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506200118160-FOXIO2LL6YB7QCN2B2BZ/AO720-01_mid.jpg Alberto Lescay - Espíritu del tiempo (Spirit of Time), 2010. Mixed media and collage on canvas with cloth and bark of African origin. 84 x 62 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506200118458-8YDCWJBDEWCZV3FP51SB/AO776-01_mid.jpg Alberto Lescay - De la serie Ngangá (From the series Nganga), 2010. Acrylic, latex and charcoal on canvas. 76 x 92 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506200118581-NPC32RC7GL79EWNM8P1N/AO948-01_mid.jpg Alberto Lescay - Rubin, 2014. Bronze. 17 1/2 x 11 3/4 x 12 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506700458376-D2JNHT0QFH7J7OVNLLXW/Lescay2014_023.jpg Alberto Lescay https://www.cubanartresources.org/alexandre-arrechea daily 0.75 2017-09-29 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506703348367-N1UYTZP6F3DN907VE3R1/AO332-01_mid.jpg Alexandre Arrechea - Dead Bird Flying 2, 2009. Watercolor on paper, 66 x 51 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506703348456-LLN84LGE8V297WHOAMWZ/AO356-01_mid.jpg Alexandre Arrechea - Dreaming Havana, 2010. Watercolor on paper, 83 3/4 x 53 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506703348165-A8V7NXJBX12H7EHLXV95/AO451-01_mid.jpg Alexandre Arrechea - La ciudad que dejó de bailar 2 (The City that Stopped Dancing 2), 2010. Watercolor on paper, 31 1/2 x 22 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506703346953-XUZGSCIR79SZOFQQKX0R/AO833-01_mid.jpg Alexandre Arrechea - Metropolitan Life Insurance, from the series No Limits, 2013. Photolithograph with aluminum dusting, 20 1/2 x 20 1/2 in. Ed. 11/30. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506703346948-LRFCV7PAEVG4PUAQ3TGE/AO832-01_mid.jpg Alexandre Arrechea - Seagram, from the series No Limits, 2013. Photolithograph with aluminum dusting, 20 1/2 x 20 1/2 in. Ed. 11/30. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506703347258-MYTP3LWZERX60YXTC0DK/AO831-01_mid.jpg Alexandre Arrechea - Sherry Netherland, from the series No Limits, 2013. Photolithograph with aluminum dusting, 20 1/2 x 20 1/2 in. Ed. 11/30. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506703347314-ZZQ8OHFM84FAAYD1W1KC/AO830-01_mid.jpg Alexandre Arrechea - Empire State, from the series No Limits, 2013. Photolithograph with aluminum dusting, 20 1/2 x 20 1/2 in. Ed. 11/30. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506703347435-890117EG1339TE7LOPM0/AO829-01_mid.jpg Alexandre Arrechea - Metlife, from the series No Limits, 2013. Photolithograph with aluminum dusting, 20 1/2 x 20 1/2 in. Ed. 11/30. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506703347487-7Z99WI3EO6YGCDWI2JVU/AO828-01_mid.jpg Alexandre Arrechea - Citigroup, from the series No Limits, 2013. Photolithograph with aluminum dusting, 20 1/2 x 20 1/2 in. Ed. 11/30. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506703347650-SYEB9TGWXQSZV54H1T5V/AO827-01_mid.jpg Alexandre Arrechea - Court House, from the series No Limits, 2013. Photolithograph with aluminum dusting, 20 1/2 x 20 1/2 in. Ed. 11/30. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506703347699-SCWREN0WKHA06TM2VNIQ/AO826-01_mid.jpg Alexandre Arrechea - Flatiron, from the series No Limits, 2013. Photolithograph with aluminum dusting, 20 1/2 x 20 1/2 in. Ed. 11/30. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506703348076-MOKV046GBXJBFGU405XP/AO825-01_mid.jpg Alexandre Arrechea - Chrysler, from the series No Limits, 2013. Photolithograph with aluminum dusting, 20 1/2 x 20 1/2 in. Ed. 11/30. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506703347973-8YQIR95GREKOWHAACL68/AO824-01_mid.jpg Alexandre Arrechea - Hemsley, from the series No Limits, 2013. Photolithograph with aluminum dusting, 20 1/2 x 20 1/2 in. Ed. 11/30. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506703690227-W6MJP2RGUY0I4ZUWD3NZ/2010.050%3Bmain%3BOverall+image%3Bmain%3BOverall+image.jpg Alexandre Arrechea https://www.cubanartresources.org/queloides daily 0.75 2020-10-15 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506698578997-EQPQ0B93CSMSS50H4VH9/AO497-01_mid.jpg Queloides René Peña, Black Marat, 2009. Digital Inkjet print, 44 5/8 x 59 3/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506698818425-YJQN4V7V3WFURQZBVMFT/AO1-01_mid+copy.jpg Queloides - Juan Carlos Alom, the Dark Book), 1995. Gelatin silver print, 17 3/4 x 14 3/4 in. Ed. 1/10. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506698768744-LT178K24UU8NWPNX85CX/AO469-01_mid.jpg Queloides - Elio Rodríguez, Elegguá, 2010. Stuffed fabric, ceramic, plexiglass and foam, 36 x 60 x 42 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506698818529-WNM0MU9ROIW4A1MUWOLX/AO278-01_mid.jpg Queloides - Roberto Diago, La Mesa (The Table), 2009. Petroleum, latex paint and nails on wood, 47 1/4 x 31 1/2 x 2 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506698769333-RRM7DG137FDUTKRL7LUS/AO410-01_mid.jpg Queloides - Armando Mariño, Dejadnos pintar en paz (Let Us Paint in Peace), 2001. Oil on canvas, 77 1/4 x 67 x 1 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506698819381-6BU9UY8ETFWLCB5WCMP6/AO374-01_mid.jpg Queloides - Douglas Pérez, Vedado 23, de la serie Vedado, 2008. Gesso, gouache, marker and colored pencil on paper, 19 1/2 x 27 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506698769573-ZZVENOE6UU0L39X4JT9V/AO408-01_mid.jpg Queloides - Armando Mariño, Sangre y honor (Blood and Honor), 2002. Oil on linen, 71 x 87 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506698820376-UJL2I54UY0EHK071529O/AO467-01_mid.jpg Queloides - Elio Rodríguez, Black Ceiba, 2010. Stuffed fabric, foam and papier maché car, 84 x 96 x 20 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506698819512-7XPSTCXQAYXN62ONFCI2/AO376-01_mid.jpg Queloides - Douglas Pérez, Vedado 16, de la serie Vedado, 2009. Gesso, gouache, marker and colored pencil on paper, 19 1/2 x 27 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506698820224-JPSB864N64XZGU1ENYIR/AO458-01_mid+copy.jpg Queloides - Pedro Álvarez, One, from the series The Romantic Dollarscape, 2003. Oil on linen, 55 1/2 x 75 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506698769832-VTVL2CW306FDP55UGM75/AO289-01_mid.jpg Queloides - Belkis Ayón, Sin Título (Sikán con bastón) (Untitled (Sikan with Scepter)), 1991. Silk-screen print, 20 x 28 in. Ed. 3/100. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506698768729-JCRFX611HVV59HVY0FAD/AO497-01_mid.jpg Queloides - René Peña, Black Marat, 2009. Digital Inkjet print, 44 5/8 x 59 3/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506698820276-XA6X1DPEOTXSWA327Z7W/AO405-01_mid.jpg Queloides - Douglas Pérez, Pictopía XXVII: Hamelin, 2008. Oil on canvas, 51 1/2 x 59 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506698769767-OUIK4SUO34G2CN5M5D5Z/AO2-01_mid.jpg Queloides - Juan Carlos Alom, God is in the Hands of Men, from the series Ablution for the Dark Book, 1995. Gelatin silver print, 17 1/2 x 9 1/4 in. Ed. 3/10. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506698843727-0KTY1IJPTJZQ6X30BCU5/AO452-01_mid.jpg Queloides - Alexis Esquivel, Héroe postcolonial (Postcolonial Hero), 2010. Acrylic on canvas, 77 x 57 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506698843895-PCTPZMP45KJKSG7KFI88/AO453-01_mid.jpg Queloides - Alexis Esquivel, Ciudadano del futuro (Citizen of the Future), 2010. Acrylic on canvas, 57 1/2 x 76 3/4 in. https://www.cubanartresources.org/andres-serrano daily 0.75 2017-09-29 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506712065327-W7M4TFECG3L20BWQFZ3K/AO1022-01_mid.jpg Andres Serrano - Cuba (Bedroom with Fidel), 2012. Digital C-print, 60 x 50 in. Ed. 3/3. Cuba (Bedroom with Fidel) was shot on the Serrano’s first trip to the island for an investigative photography project as part of the Havana Biennial in 2013. The artist’s relationship to Cuba is both formative and illusive: his mother spent her childhood there, eventually leaving for New York City, where Serrano was raised. On the trip he planned to photograph Fidel Castro, among other leaders. Unable to meet with the former president himself, the artist photographed many members of the Castro family. Serrano shot 700 rolls of film over six weeks, gaining access to domestic spaces, such as the bedroom shown here. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506712036275-PUYGDNLJ3MNA47IDVTZ8/Serrano2016_002.jpg Andres Serrano https://www.cubanartresources.org/cuba-libre-1 daily 0.75 2017-09-27 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1503590765950-817HHAWBF0YMT3VJ58H9/AO784-01_mid.jpg Template Exhibition Individual Page Meira Marrero and José Ángel Toirac, Looking for Happiness, 2014. Archival pigment on Hahnemuhle German etching 310 gsm paper. 23 x 30 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1503590926615-IYZLQXN3WFKDR206OHIW/AO580-01_mid.jpg Template Exhibition Individual Page - Copy of Abel Barroso, Ipod Touch, n.d. Abel Barroso, Ipod Touch, n.d. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1503590926663-DE66QDRIFA6CNGKMYC47/AO480-01_mid.jpg Template Exhibition Individual Page - Copy of Antonio Eligio Fernández "Tonel", Islante (No. 2), 2008-2009. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1503590927261-Y7FR59WP251BH2VZJAPU/AO475-01_mid.jpg Template Exhibition Individual Page - Copy of Eduardo Ponjuán, El Renacimiento (The Renaissance), 1998. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1503590927434-A67RQ33ZVTTRYFH03ZV1/AO444-01_mid.jpg Template Exhibition Individual Page - Copy of Sandra Ramos, Con mi cruz a cuestas (Carrying My Cross Around), 1993. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1503590928104-H7WLZV24CYR9HOVJDJLM/AO404-01_mid.jpg Template Exhibition Individual Page - Copy of Douglas Pérez, Pictopía III: Still I Have A Dream, 2009. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1503590927965-510E8XPSDBS2NFHDQ46A/AO1000-01_mid.jpg Template Exhibition Individual Page - Copy of Jorge López Pardo, Encuentro, de la serie Avistamientos (Meeting, from the series Sightings), 2014. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1503590928487-JF7J0VHJE9WDVABEZZU6/AO784-01_mid.jpg Template Exhibition Individual Page - Copy of Meira Marrero and José Ángel Toirac, Looking for Happiness, 2014. https://www.cubanartresources.org/esterio-segura daily 0.75 2017-10-07 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507410286498-UEBTO4I9287RFJAKC96P/AO255-01_mid.jpg Esterio Segura - Aparación (Apparition), 1994. Watercolor and ink on paper. 39 1/4 x 27 in. Esterio Segura developed a totally eclectic way of making sculptures, molding small pieces in plaster that refer to Cuba’s history on one hand, and to religious imagery on the other, with a notable mixture of other cultural traditions. Segura’s earliest pieces, grouped into a series that he called “Occidente Tropical” (Tropical West), were a series of religious effigies following the tradition of the Latin American baroque sculpture, full of sensual and hyper-realist finishes. The drawing “Aparición” (Apparition) belongs to this series. During the island’s deep social and economic crisis of the 1990s, Segura’s works, like those of almost all young creators of the so-called “special period,” began to echo the harsh conditions in which the population lived. The depiction of political, religious, and cultural icons with humor, critical commentary, and personal interpretations of life itself seeped into his drawings and sculptural installations with great efficacy. This is the subject of Aparición. In the middle of the “special period,” in the deepest part of the crisis, the artist brings us an ambiguous image that is equal parts Jesus Christ and Karl Marx. The face is that of the German philosopher who founded scientific communism, but the attitude, the symbol of the Sacred Heart, the position of the hands, are those of Jesus. To make things even more confusing, the figure sits on a tank with the canon becoming a phallic symbol, highlighting the masculinity of all cultural icons. It is as if the artist, faced with the many complexities of the circumstances of life during those years, thought it was necessary to arm himself with all the weapons and resources Cuba’s historical legacy had given him to stay afloat. Or, on the contrary, perhaps his message is that none of these symbols have proven sufficient, and the artist is merely engaging in the characteristic Cuban Creole humor where nothing is sacred and almost everything is allowed as a target of mockery. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507410286580-7JQB3MJECFQWWSIAPVDK/AO487-01_mid.jpg Esterio Segura - Sobre cómo convertirse en ballena y amar a un gato (How to Become a Whale and Love a Cat), 1996. Watercolor and ink on paper. 33 1/2 x 45 3/4 in. Segura has not only been drawn to social and existential topics, he has also produced a series of wondrous installations based on his popular reinventions of cars and airplanes. This graceful watercolor shows a very different facet of his talent. It is a surprising and almost surrealist image that seems to have been created around its no less enigmatic title. Belonging to the series “Sobre cómo aprendió a caminar la Tierra” (On How the Earth Learned to Walk), this piece deepens the tension in the relationship between word and image, creating a narrative full of both eroticism and humor. An air of fable also surrounds the piece as the artist has drawn the immense body of a whale and the wings of a butterfly. The hallucinating placement of a sort of marine skeleton with the rigidity of iron inside the body of a woman creates a feeling of physical impairment that is nearly impossible to endure. This tension gives the piece an air of allegory because we realize that everything is happening in the realm of dreams. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507410286665-Z2FXRA1JRMH6MP7N50D4/AO488-01_mid.jpg Esterio Segura - Las ciudades de otros II (The Cities of the Others II), 2002. Charcoal, pencil, watercolor and acrylic on linen. 85 x 61 in. Belonging to the extensive set of works grouped under the title “Sobre cómo aprendió a caminar la Tierra” (On How the Earth Learned to Walk), “Las ciudades de otros II” (The Cities of Others II) is a delicate work on raw linen in which the artist shows himself as an imaginative and skilled illustrator. In relation to his previous period, where he focused on the “Tropical West” with delightful irony, this segment of Segura’s work has a more reflexive tone that presents great questions surrounding the human existence. The elaborate and carefully crafted titles give us verbal constructs that wrap around the intentionality of the pieces and somehow complete them. In the work, a man seems to expand his mind and imagine different architectural spaces, perhaps distant and inaccessible. The figure’s chiseled form reflects the artist’s background as a sculptor; the body is robust, his muscles artfully articulated to convey an imposing sense of heaviness and mass. Springing from his head like hair, ideas radiate outwards creating bridges between his mind and his visions. Yet the strained separation of the buildings, held awkwardly at a distance, suggests that the dreams they represent are unobtainable. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507819659996-5HGLUFKC79PSUQDCKMNT/C2012.004%3Bmain%3BOverall+image.jpg Esterio Segura https://www.cubanartresources.org/armando-mario-recent-paintings-from-the-year-of-the-protester daily 0.75 2020-10-15 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506624371813-2BJBNAVM2K2Q4QN6SGVQ/AO503-01_mid.jpg Armando Mariño: Recent Paintings from the Year of the Protester - Armando Mariño, What About the Future, 2012. Oil on paper, 22 x 30 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506624249032-H5RGYDT2S6QC7UDGHIBY/AO509-01_mid.jpg Armando Mariño: Recent Paintings from the Year of the Protester - Armando Mariño, Inferno, 2012. Oil on canvas, Two panels of 80 x 72 in. each https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506624249516-R025RR1WCYEBLZSIINEK/AO461-01_mid.jpg Armando Mariño: Recent Paintings from the Year of the Protester - Armando Mariño, Shaman, 2011. Oil on paper, 28 x 19 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506624249676-4AZWQ4MG6QAHO1OK28HI/AO460-01_mid.jpg Armando Mariño: Recent Paintings from the Year of the Protester - Armando Mariño, Crazy Horse at Disco, 2011. Oil on paper, 23 x 30 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506624246501-YG43IRDY676AFS95UXMM/AO504-01_mid.jpg Armando Mariño: Recent Paintings from the Year of the Protester - Armando Mariño, Riders, 2012. Oil on paper, 20 1/2 x 44 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506624250087-TKUWK6L6Q1WV5BJVEAPI/AO459-01_mid.jpg Armando Mariño: Recent Paintings from the Year of the Protester - Armando Mariño, Revolution in the House of Colors, 2011. Oil on paper, 38 1/2 x 40 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506624247593-RE3WF4GXUB01Z2C6SORS/AO501-01_mid.jpg Armando Mariño: Recent Paintings from the Year of the Protester - Armando Mariño, Happy Protester, 2012. Oil on paper, 30 x 44 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506624246471-HWHE024JHL3K8FJPDWL4/AO463-01_mid.jpg Armando Mariño: Recent Paintings from the Year of the Protester - Armando Mariño, Shaman 2, 2011. Oil on canvas, 72 x 48 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506624247562-FVA0CTLYL8WSJLWWTUEG/AO502-01_mid.jpg Armando Mariño: Recent Paintings from the Year of the Protester - Armando Mariño, Tree House, 2012. Oil on paper, 30 x 44 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506624248767-75C8JA1GZLLRK2E6VW64/AO462-01_mid.jpg Armando Mariño: Recent Paintings from the Year of the Protester - Armando Mariño, The Lost Rider!, 2011. Oil on paper, 38 x 40 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506624001782-FA7QDWUUM0BNIZ94QNE6/AO501-01_mid.jpg Armando Mariño: Recent Paintings from the Year of the Protester Armando Mariño, Happy Protester, 2012. Oil on paper, 30 x 44 in. https://www.cubanartresources.org/fernando-rodrguez daily 0.75 2018-03-14 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507410893542-7SIW0F8CM3RRJ2DSAA9V/AO103-01_mid.jpg Fernando Rodríguez - Economía de espacio, de la serie De una experiencia colectiva (Economy of Space, from the series Of A Collective Experience), 1998. Watercolor on paper. 44 x 29 1/2 in. Fernando Rodríguez is a unique artist within the contemporary context of the island. The popular, imperfect, and almost amateur appearance of his work has allowed him to infiltrate the humble and provincial contingencies of everyday life in Cuba with intelligence and humor. But his aim has not been to create folkloric art, but to deploy an analysis of current social structures. In his 1999 solo show “De una Experiencia Colectiva” (Of a Collective Experience) he presented a new series of works dedicated to comment on collectivism as a primary and exclusive form of human organization. The direction of social processes on the island after 1959 always celebrated the concept of the group, the collective, and the congregation as a way of grounding the radical change that the revolution sought. Educated from a perspective that often constrained individuality, Rodríguez undermines this approach with humor and the absurd. “Economía de Espacio” (Economy of Space) significantly contrasts with the topic and alludes to a more gregarious way of life. It could well be inspired by the bunk beds of the country boarding schools program which had students working in the fields while sharing large, rustic, even sometimes military-style barracks. Despite this solid critical commentary, the tone of this work always appears jocular and empathetic. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507410893258-HL1H8JMH805Y45QZ8F6Z/AO842-01_mid.jpg Fernando Rodríguez - Línea Compartida, del portafolio Contemporary Prints from Cuba (Shared Line, from the portfolio Contemporary Prints from Cuba), 1998. Flatbed offset lithograph in five colors on Arches cover white. 22 x 30. in. Ed. 18/45 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507410893653-O9ZK6MDDE6AXGUX4DD5Z/AO1008-01_mid.jpg Fernando Rodríguez - Tiempos Modernos (Modern Times), 2006. Single channel Video. 3D animation, color, sound 2:14 min. Ed. 2/5 Fernando Rodríguez refers to himself as a collaborative artist. His partner and muse is a fictional character named Francisco de la Cal, a charcoal maker who also happens to be a self-taught artist. According to Rodríguez’s declarations, de la Cal at first embraced the 1959 Cuban Revolution and its social change, but his allegiance to the cause drastically changed after 1963, causing him to go blind. Rodríguez’s mission is to translate the contingencies of everyday life in Cuba that come out of de la Cal’s humorous and caustic mind into images, since his handicap prevents him to do so. "Tiempos Modernos" (Modern Times) presents a technological future world where the sculpted image of Francisco de la Cal is no longer a naïve, poorly executed woodcarving. The usually imperfect and almost amateur appearance of his likeness has been changed into a polished, industrial, mass-produced seriality. The artist comments, once again, on collectivism as a primary and exclusive form of human organization; but in this case there is a hidden and messy outcome: after their precious and rhythmic production by intelligent technology, all elements are disposed in a chaotic and disorganized way. It is, perhaps, a metaphor about the threats that a drastic, invasive change might bring to a country that has been isolated for decades. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507819756437-B0NIA5SH2J99FTTAVVZX/2009.051%3Bmain%3BOverall+image.jpg Fernando Rodríguez https://www.cubanartresources.org/armando-marino daily 0.75 2017-09-29 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506715870820-OZJ0Y00PHOCVSKS0PQTG/AO486-01_mid.jpg Armando Mariño - Recycled Atomic Bomb, 2010. Charcoal and pastel on paper, 58 1/2 x 81 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506715883439-H76WIDD0AVNLWKJ7X124/Marino2012_073.jpg Armando Mariño - Inferno, 2012. Oil on canvas, two panels of 80 x 72 in. each. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506715870907-Y0JMC2E11ZHRA23IEJ8I/AO410-01_mid.jpg Armando Mariño - Dejadnos pintar en paz (Let Us Paint in Peace), 2001. Oil on canvas, 77 1/4 x 67 x 1 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506715878405-DL31VPN9OK2C4ZSXGCCY/AO809-01_mid.jpg Armando Mariño - House, 2007. Oil on linen, 78 1/2 x 78 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506715871343-HE2BKIF32LF14CS6SAAM/AO409-01_mid.jpg Armando Mariño - Help Me, 2001. Oil on canvas, 70 1/2 x 86 in https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506716200544-WL964MV688GGEHP13JNS/AO501-01_mid.jpg Armando Mariño - Happy Protester, 2012. Oil on paper, 30 x 44 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506715872055-KNE9K18UO0S9A8KASAKN/AO401-01_mid.jpg Armando Mariño - Plataforma II (Platform II), 2009. Oil on canvas, 57 x 66 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506716204376-Y7AVQJB03GIGJAQQNZP7/AO459-01_mid.jpg Armando Mariño - Revolution in the House of Colors, 2011. Oil on paper, 38 1/2 x 40 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506715872188-MNQ4ULYUKU6ZWGCRKOIW/AO326-01_mid.jpg Armando Mariño - Chaise lounge black leather, de la serie Herencia colonial (Chaise Lounge Black Leather, from the series Colonial Heritage), 2001. Watercolor on paper. 55 x 75 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506715881468-OOIZG2CRIJD52EFLC6SD/AO806-01_mid.jpg Armando Mariño - Waiting for God, 2013. Oil on canvas, 60 x 40 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506715871560-JS5TTXQJWDE10H8ZH6TT/AO408-01_mid.jpg Armando Mariño - Sangre y honor (Blood and Honor), 2002. Oil on linen, 71 x 87 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506715882169-UMI5JD2LTK66MIIKP223/AO538-01_mid.jpg Armando Mariño - Prayer, 2007. Oil and mixed media on canvas, 19 1/4 x 29 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506716199164-4Z3SYSN1K76384VS0EDZ/AO503-01_mid.jpg Armando Mariño - What About the Future, 2012. Oil on paper, 22 x 30 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506715882756-TMK9F6PMDARH5G2ZY08R/AO539-01_mid.jpg Armando Mariño - Two Monks, 2013. Oil on canvas, 27 1/4 x 35 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506716199085-B3WT1T4LH931J8U66G7I/AO463-01_mid.jpg Armando Mariño - Shaman 2, 2011. Oil on canvas, 72 x 48 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506716202415-QVXQHV10YPZ53JRRFZM6/AO460-01_mid.jpg Armando Mariño - Crazy Horse at Disco, 2011. Oil on paper, 23 x 30 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506716199711-Q3WIV5JDYG9Y2WDPI6AX/AO504-01_mid.jpg Armando Mariño - Riders, 2012. Oil on paper, 20 1/2 x 44 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506716200226-I49MHRK68SG97XD2PDWY/AO502-01_mid.jpg Armando Mariño - Tree House, 2012. Oil on paper, 30 x 44 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506715883254-IQ5ZG54TP9394W7X16QM/AO534-01_mid.jpg Armando Mariño - Red Boy, 2012. Oil on canvas, 47 3/4 x 36 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506716201444-7M9PO7UC0HFBHBE32QHB/AO462-01_mid.jpg Armando Mariño - The Lost Rider!, 2011. Oil on paper, 38 x 40 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506716202304-4E08CKNWA7W0A4V7X9JO/AO461-01_mid.jpg Armando Mariño - Shaman, 2011. Oil on paper, 28 x 19 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506715879599-R9TO003HPX5R9KL1UD1F/AO770-01_mid.jpg Armando Mariño - The Flower Man, 2012. Oil on paper, 30 1/4 x 22 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506715879097-Z0N1517FQ5EOIBEP9J6P/AO808-01_mid.jpg Armando Mariño - Girl Over Trouble Waters, 2013. Oil on canvas, 92 1/2 x 71 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506715880017-H6ZEIL8LYIV4E5ELYWJU/AO540-01_mid.jpg Armando Mariño - Holy Man, 2012. Oil on canvas, 39 x 31 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506716204659-PPNSNQ5MLELJBYBYQXYJ/AO597-01_mid.jpg Armando Mariño - Belfast, 2013. Oil on canvas, 92 x 80 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506715791078-Q3OVSDO6UKAMHBREDOTS/Marino2012_073.jpg Armando Mariño https://www.cubanartresources.org/template-of-individual-artist-page daily 0.75 2017-10-02 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1501261415237-MFZVN363CBDKKFOO8GT3/AO805-01_mid.jpg Template of Individual Artist Page - Copy of Fe II (Faith II), 2013. Chromogenic print. 47 1/4 x 47 1/4 in. Ed. 1/3. Adonis Flores is a conceptual artist who fuses global issues with Cuban daily life. His multidisciplinary works are realized in photography, video, installation, performance, and public interventions. His practice centers on concerns that transcend international and social boundaries, such as violence, insecurity, power and death. The print "Fe II" documents the artist’s site-specific installation for "Detrás del Muro", during the 2012 Havana Bienal. Fe, “faith” in English, is written in the font used in the periodic table of elements, where “Fe” denotes iron. Made from pieces of scrap metal, the letters are also a play on the Spanish word “fue,” which translates to “it was.” The recycling of discarded and use of unusual materials has been a common practice in Cuban art since the Special Period, when artistic resources were scarce. In any case, the work is a heartfelt tribute to the Cuban people who build and solidify their faith in a better future, even if they need to use ruined and scrapped resources to establish it. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506700332837-G1YUBUWEP902EN0T7F0A/Flores2014_072.jpg Template of Individual Artist Page https://www.cubanartresources.org/elsa-mora daily 0.75 2017-10-07 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507404137361-SU29BFE77BPYJRNMWMA7/AO18-01_mid.jpg Elsa Mora - Todo miedo tiene que ver con la impermanencia (All Fears Have to Do With Impermanence), 2001. Oil, found object and paper collage on canvas. 48 x 24 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507404137358-3LHCURCCUJZVL41TIP8I/AO19-01_mid.jpg Elsa Mora - Dos cosas extraordinarias (Two Extraordinary Things), 2002. Oil, paper and cardboard collage on canvas. 36 x 24 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507404137797-QX3YHTH5EJ9LGHD3LJ67/AO54-01_mid.jpg Elsa Mora - Mirar al vacío (Staring Off Into Space), 2002. Oil, leaves, thread and cut-and-pasted printed paper on handmade paper. 17 1/2 x 23 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507404137725-DDLK7XJ2GQ8F8XES5DWF/AO76-01_mid.jpg Elsa Mora - La economía del magnetismo (The Economy of Magnetism), 1998. Oil, pencil, pen, colored pencil, enamel, fabric, feather, thread and cut-and-pasted printed paper on paper. 20 x 28 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507404137929-T2U2FQNZM1DMDPVWHDUA/AO77-01_mid.jpg Elsa Mora - Mito siniestro del líquido (Sinister Myth of the Liquid), 1998. Acrylic, watercolor, glitter, feather and paper collage on paper. 20 x 29 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507404138011-RAQKUNQSP6X6XYYQKXUS/AO86-01_mid.jpg Elsa Mora - Untitled, 2001. Mixed media on handmade paper. 12 1/2 x 15 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507404138074-AFFZTLQEA0EX40K885D9/AO104-01_mid.jpg Elsa Mora - Todo miedo tiene que ver con la impermanencia (All Fears Have to Do With Impermanence), 2001. Oil, found object and paper collage on canvas. 48 x 24 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507404138198-F6SO2BTWYXQVIBI495PD/AO137-01_mid.jpg Elsa Mora - Tres misterios de la figura humana (Three Mysteries of the Human Figure), 1998. Oil, colored pencil and paper collage on handmade paper. 28 x 19 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507404138273-Z16BUL2Y7OQ6J4YEAV3F/AO151-01_mid.jpg Elsa Mora - Río (River), 2005. Oil, found objects and cut-and-pasted printed paper on canvas. 59 x 47 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507404138377-A2EJF1B0RAJSSMJ2SKFL/AO328-01_mid.jpg Elsa Mora - Buscador de tiempo (Time Searcher), 2004. Acrylic, leaves and cut-and-pasted printed paper on canvas. 16 1/4 x 12 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507404138445-VBM0EGCOQ58OWXZ9PFR7/AO329-01_mid.jpg Elsa Mora - La cabeza mágica (The Magic Head), 2006. Acrylic on canvas. 19 1/2 x 14 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507404138569-AYK1FXMK90Z0SKFM9PPL/AO360-01_mid.jpg Elsa Mora - ¿De dónde vienes? ¿A dónde vas? (Where Do You Come From? Where Are You Going?), 1997. Acrylic and glitter on paper. 19 3/4 x 14 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507404138640-6Q6U25JJV9FIY2AL69BP/AO361-01_mid.jpg Elsa Mora - Estar seguros (To Be Sure), 1997. Acrylic and glitter on paper. 19 5/8 x 14 3/16 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507404138747-FGKDSTRJ7F49O1B0H8ER/AO428-01_mid.jpg Elsa Mora - ELSA MORA Los hijos míos (My Children), 1997. Acrylic on paper. 19 x 14 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507404138790-OQNVT8BHBPWV4BF1K5Y7/AO500-01_mid.jpg Elsa Mora - Era princípio, não e nada fácil chegar a decisões (At the Beginning, It's Not Easy at All to Make Decisions), 2000 .Oil, cut-and-pasted printed paper, adhesive tape and shells on canvas. 27 x 19 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507819347180-FYP3GN45DLWE81A6OT1K/2010.096.jpg Elsa Mora https://www.cubanartresources.org/ana-albertina-delgado daily 0.75 2017-09-29 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506711233764-ZMSQXB263GFCUO91JFOO/AO149-01_mid.jpg Ana Albertina Delgado - Cristal (Crystal), n.d. Acrylic and canvas on board, 18 x 24 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506711231289-LHTF3KFGKKTYZWGJ01DX/AO214-01_mid.jpg Ana Albertina Delgado - The Map of the Walking Flowers, 2007. Acrylic on canvas, 44 x 52 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506711231799-WPB21R3PYQKI2BLI5YZ9/AO208-01_mid.jpg Ana Albertina Delgado - El canto de Elena (Elena's Singing), n.d. Acrylic on cavas, 18 x 24 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506711232213-8TTEM9RLWNW2RVQ2QY5I/AO196-01_mid.jpg Ana Albertina Delgado - Cosiendo mi corazón (Sewing my Heart), 2001. Acrylic and thread on canvas, 18 x 18 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506711232357-Q3Z4L2DMCCICXRLBC3RS/AO216-01_mid.jpg Ana Albertina Delgado - Buñuelo, 1998. Acrylic on canvas, 25 x 26 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506711232854-JZVP8YVDFUUNSJN3OCUG/AO195-01_mid.jpg Ana Albertina Delgado - De vuelta la cigarra (The Return of the Cicada), 2009. Acrylic on canvas, 24 x 20 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506711232609-X7TD6QMX6JV5YTQ1WHH0/AO199-01_mid.jpg Ana Albertina Delgado - Dulces sueños (Sweet Dreams), 2000. Acrylic on wooden headboard, 28 1/2 x 67 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506711231241-5LAJTCCPEVRZB59YIB4W/AO295-01_mid.jpg Ana Albertina Delgado - La noche es una reina (Night Is a Queen), 2009. Acrylic on canvas, 36 x 36 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506711231733-QFACMESEB8NESTDGYMSN/AO197-01_mid.jpg Ana Albertina Delgado - Cactus, 1998. Acrylic on canvas, 30 x 30 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506711233396-YXAJH6IBKHEFVQ053JEP/AO198-01_mid.jpg Ana Albertina Delgado - Reflejo hecho carbón (Reflex Transformed in Charcoal), 2009. Acrylic on canvas, 28 x 22 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506711232962-GSO1UOZQZUYZ7MKDJ3W1/AO296-01_mid.jpg Ana Albertina Delgado - Untitled, 2009. Acrylic on canvas, 36 x 36 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506711233392-18B2FJ9PJJWR1ZUGJLMH/AO215-01_mid.jpg Ana Albertina Delgado - Majarete, 1998. Acrylic on canvas, 25 x 26 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506711190199-GA2BWJIHV80O3DC58A64/2009.198%3Bmain%3BOverall+image.jpg Ana Albertina Delgado https://www.cubanartresources.org/angel-acosta-leon daily 0.75 2018-03-23 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506712443566-GQ0QQEG8C75U36B6YEL9/AO1016-01_mid.jpg Ángel Acosta León - Reloj (Clock), 1960. Oil on plywood, 39 1/4 x 32 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506712379612-I94AF59NX99BN3AEYG0A/AcostaLeon2015_045.jpg Ángel Acosta León https://www.cubanartresources.org/template-of-general-artist-page daily 0.75 2017-09-30 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506810607474-IQS49D2DMIJWE0KWGXR2/AO173-01_mid.jpg Template of General Artist Page https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506810793628-6YH0OBM3JD9QGU5690FR/AO173-01_mid.jpg Template of General Artist Page https://www.cubanartresources.org/belkis-ayn daily 0.75 2018-03-23 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506801380445-9FP1QOJJAZIEMDC7LBJ0/AO485-01_mid.jpg Belkis Ayón - Aunque vayamos al cielo, siempre se acordarán de nosotros (Although We Go to Heaven, They Will Always Remember Us), 1990. Collagraph 39 x 27 1/4 in. Ed. 3/4. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506801380499-GSSYJVGIKUBR6PR1VW98/AO289-01_mid.jpg Belkis Ayón - Sin Título (Sikán con bastón) (Untitled (Sikan with Scepter)), 1991. Silk-screen print 20 x 28 in. Ed. 3/100. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506801380659-FRNQDNUDJ2IX2BJZJLH3/AO835-01_mid.jpg Belkis Ayón - Sin título, del portafolio Contemporary Prints from Cuba, 1998. Collagraph printed intaglio on etching press with one color, one hand applied white on Rives BFK. 30 x 22 in. Ed. 18/45. (Untitled, from the portfolio Contemporary Prints from Cuba)     https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506801380715-7OEQJPWD3MT6KOZRCO90/AO983-01_mid.jpg Belkis Ayón - Sin título (Sikán, Nasakó y Espíritu Santo) (Untitled (Sikan, Nasako and Holy Ghost)), 1993. Collagraph 34 1/2 x 28 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506801380938-UHUYTV455B1JOXFTTCG8/AO984-01_mid.jpg Belkis Ayón - Sin título (Figura negra que carga una blanca) (Untitled (Black Figure Carrying a White One)), 1996. Collagraph 26 3/4 x 36 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506801381328-L9R0KPG0K2CNCAW0VNWQ/AO985-01_midA.jpg Belkis Ayón - ¡¡Déjame salir!! (Let Me Out!!), 1997. Collagraph 37 x 29 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506954692622-ANFSBNFSF1XZS95M7SPI/C2012.001%3Bmain%3BOverall+image.jpg Belkis Ayón https://www.cubanartresources.org/carlos-montes-de-oca daily 0.75 2017-10-02 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506969687767-IX13JE93NGAD1VMP26VR/AO877-01_mid.jpg Carlos Montes de Oca - Instantánea (Snapshot), 2014. Acrylic on canvas, 39 3/8 x 51 1/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506969595268-IJ3SV547KGFQOHX39VWL/AO877-01_mid.jpg Carlos Montes de Oca https://www.cubanartresources.org/carlos-otero-blanco daily 0.75 2017-10-02 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506972108801-88LWJ2Z6M7O8IUUVNPR0/AO888-01_mid.jpg Carlos Otero Blanco - Espejo, de la serie Dormir con... (Mirror, from the series Sleep with...), 2010. Lambda print on Fujifilm photographic paper, 29 x 18 1/2 in. Ed. 13/15. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506972054586-8HSJM0KW1RXT1TXERR4T/Rottenberg2014_145.jpg Carlos Otero Blanco https://www.cubanartresources.org/ciro-quintana daily 0.75 2017-10-03 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507057285910-1PXYOHCEVCRAO1RW9YKB/AO872-01_mid.jpg Ciro Quintana - Tempting Fate, from the series Chronicle of a Cuban Artist, 2012. Gouache and collage of paper on heavy Arches paper, 41 1/4 x 29 1/4 x 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507057286002-RKDD6NCL5RCC6SOOG2YF/AO626-01_mid.jpg Ciro Quintana - The Cuban Art, 2011. Gouache and collage of paper on heavy Arches paper, 42 1/2 x 29 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507057175518-AUDAPU3G30VN8LI137F0/Quintana2013_185.jpg Ciro Quintana https://www.cubanartresources.org/choco daily 0.75 2017-10-04 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507129933618-3ME6MGAGS7IH99C5L0RD/AO782-01_mid.jpg Eduardo Roca Salazar "Choco" - Te estoy mirando (I'm Watching You), 2011. Mixed media on canvas, 45 3/4 x 31 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507129933686-6LS1FZDRGZDJCWSKALKG/AO320-01_mid.jpg Eduardo Roca Salazar "Choco" - Cupido (Cupid), 2008. Collagraph, 35 x 24 in. AP. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507129884290-0GODTJCJTEGJP2HX5I3H/Choco2014_041.jpg Eduardo Roca Salazar "Choco" https://www.cubanartresources.org/citizens-of-the-world daily 0.75 2017-09-29 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506612258485-O616DK8YKL81K6UFF141/AO582-01_mid.jpg Citizens of the World - Alejandro Aguilera, Life After Death (E. Fernandez), 2013. Ink, coffee, and crayon on paper, 51 1/2 x 71 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506612257933-VM0YCFHGQVNI8829SVZG/AO604-01_mid.jpg Citizens of the World - María Magdalena Campos-Pons, The Flag. Color Code Venice 13, 2013. Digital photograph, 9 panels 24 X 29 in. each. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506612334318-3YUGYSL73WXFN6UF00I7/AO645-01_mid.jpg Citizens of the World - Abel Barroso, Casa Mochila, 2012. Mixed media and acrylic paint on cedar, 44 1/2 x 27 1/2 x 33 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506612258482-51FUFVGOTTSZXIX0HCOU/AO650-01_mid.jpg Citizens of the World - Carlos Rodríguez Cárdenas, Goodyear Tryptic, 2013. Watercolor, pencil, and fabric on paper, 3 panels, 30 x 22 in. each. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506612334302-DW5763P10UBFO6N8T85G/AO417-01_mid.jpg Citizens of the World - Ángel Delgado, Untitled (1242900), 1995. Mixed media collage on canvas with acrylic paint, rope, and animal bone, 47 1/4 x 37 3/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506612259079-S9ORDHF7LRMGAUMQ3FSE/AO597-01_mid.jpg Citizens of the World - Armando Mariño, Belfast, 2013. Oil on canvas, 92 x 80 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506612259032-PTQSG876X2IM0QNJH3ZH/AO530-01_mid.jpg Citizens of the World - Jorge Wellesley, Exit, from the series “Efugios” ("Subterfuges"), 2012. Acrylic on canvas, 33 x 39 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506612259300-YMSSFG57A05CUO6J0D4Z/AO488-01_mid.jpg Citizens of the World - Esterio Segura, Las ciudades de otros (Cities of Others), 2002. Charcoal, pencil, watercolor and acrylic on linen, 85 x 61 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506612260183-DDX6IPHZWIMENRA7PCB4/AO375-01_mid.jpg Citizens of the World - Douglas Pérez, Vedado 161, from the series “Vedado ST”, 2008. Tempera, ink, and pencil on paper, 25 x 32 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506612260438-25XJ4J59X9XBNI6W1P10/AO376-01_mid.jpg Citizens of the World - Douglas Pérez, Vedado 16, from the series “Vedado ST”, 2009. Tempera, ink, and pencil on paper, 25 x 32 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506612260907-1V63M5EM0BVQSLSWK45M/AO374-01_mid.jpg Citizens of the World - Douglas Pérez, Vedado 23, from the series “Vedado ST”, 2008. Tempera, ink, and pencil on paper, 25 x 32 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506612261694-H7AGDEEH6164QD7C7U19/AO373-01_mid.jpg Citizens of the World - Douglas Pérez, Vedado 10, from the series “Vedado ST”, 2008. Tempera, ink, and pencil on paper, 25 x 32 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506612261984-36L8WIOIAU9G0MLL6ACM/AO371-01_mid.jpg Citizens of the World - Douglas Pérez, Vedado 15, from the series “Vedado ST”, 2009. Tempera, ink, and pencil on paper, 25 x 32 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506612262079-1HS1MSTPW9AGSGWHMHY6/AO356-01_mid.jpg Citizens of the World - Alexandre Arrechea, Dreaming Havana, 2010. Watercolor on paper, 87 x 56 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506612388755-5BRRSPHEWKPTIY6PWDXS/AO599-01_mid.jpg Citizens of the World - Clara Morera, Sarabanda. En el año de la serpiente (Sarabanda. The Year of the Snake), 2011. Oil on canvas, cord, metal embellishment, 56 1/2 x 36 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506612512609-0RD2OOPCJNNZ0CVG8PZB/AO533-01_mid.jpg Citizens of the World - Frank Martínez, Reposición (Replacement), 2011. Charcoal on paper, 41 x 61 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506612167578-4NAHCPT94L01E9ULA4NC/AO582-01_mid.jpg Citizens of the World Alejandro Aguilera, Life After Death (E. Fernandez), 2013. Ink, coffee, and crayon on paper, 51 1/2 x 71 1/2 in. https://www.cubanartresources.org/tonel daily 0.75 2017-09-29 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506714457945-K6BOR7URFRGVRJJMVAZ2/AO480-01_mid.jpg Antonio Eligio Fernández "Tonel" - Islante (No. 2), 2008-2009. Watercolor and ink on paper, 30 x 22 in. Antonio Eligio Fernández – known as Tonel – is an art historian and artist. He has written quintessential literature on the art of Cuba, and contributed to the contemporary art dialogue through his own artistic practice. Tonel’s work is characterized by conceptual humor inspired by the comics of R. Crumb, and the drawings of Saul Steinberg and Philip Guston. Islante (No. 2) suggest that the passengers of a ship, presumably en route to enjoy an island, will be unable to grasp its full reality. The visual conflation of man and island imply that he is drowned by geographic isolation, while the passengers can freely come and go. Similar to an iceberg, what is visible from the surface disguises what lies beneath. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506714457898-GMRFR1X4C8GDPU9WWTUD/AO844-01_mid.jpg Antonio Eligio Fernández "Tonel" - Cuatro cosas: las cuatro tienen huecos, del portafolio Contemporary Prints from Cuba, 1998. Flatbed offset lithograph in four colors on Arches cover white, 22 x 30 in. Ed. 18/45. (Four Things: the Four Have Holes, from the portfolio Contemporary Prints from Cuba) https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506714395100-ZPW57K22XHNHFFMJQH9E/C2011.073%3Bmain%3BOverall+image.jpg Antonio Eligio Fernández "Tonel" https://www.cubanartresources.org/eduardo-ponjuan daily 0.75 2017-10-04 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507127763295-DRM1TUH66R7LFPZA590L/AO477-01_mid.jpg Eduardo Ponjuán - Bizancio (Byzantium), 1998. Object (Book, found objects, rope, threads and screws), 17 x 9 1/2 x 5 1/2 in. Eduardo Ponjuán’s work aims to reinterpret the concept of what is a picture, an object, or a work of art, creating pieces that oscillate between reason and desire, refinement and popular culture, art and life. The materials he uses trigger a world of sensory references: erudite texts, fragments of poetry, the collective understanding of a popular saying or materials in near primitive states. Beyond his intellectual approach that appeals to pure reason, there is another side of Ponjuán’s practice, which focuses on feelings and individuality. These book-objects are a humanized representation of knowledge about specific moments in history. The Surrealist juxtaposition of antiquated tomes with outmoded technological gadgetry, utilitarian tools, bits and pieces from the natural world, and any number of other found objects, calls to mind changing notions of knowledge and the evolution of “progress” itself. Their decaying, aged appearance calls into question our very concept of beauty, and demonstrates that culture is a perennial reinterpretation of old ideas. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507127763743-YRATPY4TSU7P2N72PTK1/AO476-01_mid.jpg Eduardo Ponjuán - La Edad de la Fe (The Age of Faith), 1998. Object (Book, paint brush, plexiglass, cut-and-pasted printed paper, found objects and screws), 11 x 9 x 1 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507127764032-GZDGZ30YZX4U9APQIC1E/AO473-01_mid.jpg Eduardo Ponjuán - La Edad de las Luces (Age of Enlightenment), 1997. Object (Book, metal pieces and screws), 14 x 8 3/4 x 4 1/2 in. Eduardo Ponjuán’s work aims to reinterpret the concept of what is a picture, an object, or a work of art, creating pieces that oscillate between reason and desire, refinement and popular culture, art and life. The materials he uses trigger a world of sensory references: erudite texts, fragments of poetry, the collective understanding of a popular saying or materials in near primitive states. Beyond his intellectual approach that appeals to pure reason, there is another side of Ponjuán’s practice, which focuses on feelings and individuality. These book-objects are a humanized representation of knowledge about specific moments in history. The Surrealist juxtaposition of antiquated tomes with outmoded technological gadgetry, utilitarian tools, bits and pieces from the natural world, and any number of other found objects, calls to mind changing notions of knowledge and the evolution of “progress” itself. Their decaying, aged appearance calls into question our very concept of beauty, and demonstrates that culture is a perennial reinterpretation of old ideas. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507127763257-KRVV5TVI7WW8ZQ5ON5GP/AO478-01_mid.jpg Eduardo Ponjuán - Sin título 3 (Untitled 3), 2000. Object (Book, animal skin, rasp, marbles, crystal and metal pieces and screws, 13 1/2 x 9 1/2 x 5 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507127763700-58XCCV3JD3RRD5RBFH98/AO475-01_mid.jpg Eduardo Ponjuán - El Renacimiento (The Renaissance), 1998. Object (Book, paint brush, metal, wood and screws), 15 1/2 x 8 3/4 x 4 in. Eduardo Ponjuán’s work aims to reinterpret the concept of what is a picture, an object, or a work of art, creating pieces that oscillate between reason and desire, refinement and popular culture, art and life. The materials he uses trigger a world of sensory references: erudite texts, fragments of poetry, the collective understanding of a popular saying or materials in near primitive states. Beyond his intellectual approach that appeals to pure reason, there is another side of Ponjuán’s practice, which focuses on feelings and individuality. These book-objects are a humanized representation of knowledge about specific moments in history. The Surrealist juxtaposition of antiquated tomes with outmoded technological gadgetry, utilitarian tools, bits and pieces from the natural world, and any number of other found objects, calls to mind changing notions of knowledge and the evolution of “progress” itself. Their decaying, aged appearance calls into question our very concept of beauty, and demonstrates that culture is a perennial reinterpretation of old ideas. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507127763903-8FTFV5ZGISFP88S1XWZC/AO474-01_midA.jpg Eduardo Ponjuán - Sin título (Untitled), 1999. Object (Book, shoes brush, glass, railroad spike, fabric and leather belt, leather gloves and metal screws and hooks), 40 x 9 1/2 x 5 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507127707054-4NXOCTU6TLQVQ4IXEK9O/C2011.069%3Bmain%3BOverall+image.jpg Eduardo Ponjuán https://www.cubanartresources.org/ever-fonseca daily 0.75 2017-10-07 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507410656911-RTEC52KFH9I0SRIL1RW3/AO333-01_mid.jpg Ever Fonseca - Guajiro con lagartija (Peasant with Lizzard), 1975. Oil pastel on paper. 28 3/4 x 20 1/16 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507410657026-T340P02A9U2KN8WWAE0I/AO774-01_mid.jpg Ever Fonseca - Familia en el charco (Family On the Pond), 2000. Oil on canvas. 60 1/2 x 78 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507819719272-0QPB78ORR7TE3KSZUDX9/Fonseca2014_034.jpg Ever Fonseca https://www.cubanartresources.org/carlos-estevez daily 0.75 2017-09-30 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506806076507-PO5CY1HUBEHKVA7X652B/AO23-01_mid.jpg Carlos Estevéz​​ - Mirar a lo lejos (Look Far Away), 1998. Watercolor and pencil on paper 29 1/2 x 43 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506806076561-Y6ST6WWNOI68PIMNC76U/AO147-01_mid.jpg Carlos Estevéz​​ - Tierra de nadie (No Man's Land), 2003. Colored pencil and oil on paper 39 1/4 x 27 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506806076813-1T96E1QCCS5NHSYZ0GI3/AO271-01_mid.jpg Carlos Estevéz​​ - Metamorfosis (Metamorphosis), 2001. Colored pencil and acrylic on paper. 42 x 30 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506806076839-2SP2EU2N7H8UHAL85J3K/AO272-01_mid.jpg Carlos Estevéz​​ - La jinetera (The Rider), 2001. Colored pencil and acrylic on paper. 44 x 30 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506806077037-8SKCG1XPZF8ROKY2B3G5/AO298-01_mid.jpg Carlos Estevéz​​ - El ser y su transparencia (The Soul and its Transparency), 2002. Colored pencil and acrylic on paper. 44 x 30 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506806077037-NO2W0AKGNQUCKO8SEJU3/AO299-01_mid.jpg Carlos Estevéz​​ - El arte de cagarse en lo que piensan los demás (The Act of Defecating on What Other People Think), 2002. Colored pencil and acrylic on paper. 41 1/4 x 29 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506806077241-I6D504X8CRVHYWZVM2JI/AO300-01_mid.jpg Carlos Estevéz​​ - Ciudad mutante (Mutant City), 2003. Colored pencil and acrylic on paper. 39 1/4 x 27 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506806077290-4Q56QY7ULULAWXX2ULHW/AO344-01_mid.jpg Carlos Estevéz​​ - El Alter Ego (The Alter Ego), 2003. Acrylic and colored pencil on paper. 42 x 30 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506806077462-M12JMBFRSYJT1ADWVNCB/AO357-01_mid.jpg Carlos Estevéz​​ - 6 (La carrera real), de la serie Los arcanos mayores (6 (The Real Race), from the series The Major Arcana), 1995. Watercolor, pencil and crayon on paper. 19 x 27 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506806077541-XB1GYHVOJNGL4TNNFJ2K/AO839-01_mid.jpg Carlos Estevéz​​ - Auditus, del portafolio Contemporary Prints from Cuba (Auditus, from the portfolio Contemporary Prints from Cuba), 1998. Lithograph in four colors on Arches cover white. 22 x 30 in. Ed. 18/45 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506954519867-7KLG4FKJL5X38D5AD4P6/Estevez2010_014.jpg Carlos Estevéz​​ https://www.cubanartresources.org/alejandro-gonzlez daily 0.75 2017-09-29 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506702573928-OXQJBF4S70QF9ZSDZ7RW/AO1006-01_midA.jpg Alejandro González - 1979-1992, de la serie Re-construcción, The Mega Projects (1979-1992, from the series Re-Construction, The Mega-Projects), 2014. Inkjet print and text, 53 1/8 x 69 1/2 in. Ed. 1/3. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506702573834-MM09P16FD15BRQVDYODN/AO1007-01_midA.jpg Alejandro González - 1982-1992, de la serie Re-construcción, The Mega Projects (1982-1992, from the series Re-Construction, The Mega-Projects), 2014. Inkjet print and text, 39 5/16 x 75 5/16 in. Ed. 1/3. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506702669498-S3WXQS364MQ5J1DOCYBT/1.jpg Alejandro González https://www.cubanartresources.org/antonia-eiriz daily 0.75 2018-03-23 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506713097801-2V9LGVW1LGOHJRJ3GQU4/AO969-01_mid.jpg Antonia Eiriz - Vigilia (Wakefulness), 1967. Ink and oil pastel on heavy paper laid down on board, 28 1/4 x 22 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506713097229-FLFKS26MVTS4SXI0A6Z5/AO996-01_mid.jpg Antonia Eiriz - Apariciones (Apparitions), ca. 1995. Oil and pastel on paper, 28 3/4 x 23 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506713097580-L0Q4PZWVX8TSAM9F6J9Q/AO973-01_mid.jpg Antonia Eiriz - Untitled, 1967. Ink on paper laid down on canvas, 29 x 23 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506713097363-M8B3AT9D0II2M0MUSQTE/AO998-01_mid.jpg Antonia Eiriz - Mis vecinas (My Neighbors), ca. 1960. Ink on paper laid down on canvas, 17 3/4 x 24 3/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506713020640-0LJSS9Q5YGTSEUYWISIK/Eiriz2015_026.jpg Antonia Eiriz https://www.cubanartresources.org/template-of-general-artist-page-1 daily 0.75 2017-09-30 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506810126105-41TUKLV7HVX5WRHLPNMU/AO1011-01_mid.jpg Copy of Template of General Artist Page https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1503433079638-MZCZJB2HF7MQ0P7HURP9/AO873-01_mid.jpg Copy of Template of General Artist Page https://www.cubanartresources.org/duvier-del-dago daily 0.75 2017-10-04 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507127311259-EPXQ01YTDKX1IQAVFOJN/AO439-01_mid.jpg Duvier del Dago - No. 4, de la serie Secreto de Estado (No. 4, from the series State Secret), 2009. Acrylic on canvas, 33 x 56 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507127311207-B1GPFHCNW6OFFAVRTGNB/AO438-01_mid.jpg Duvier del Dago - No. 2, de la serie Secreto de Estado (No. 2, from the series State Secret), 2009. Acrylic on canvas, 32 1/4 x 57 1/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507127311559-GMSFS7C8CWVEXCTA2GYI/AO437-01_mid.jpg Duvier del Dago - De la serie Iconografía Política (From the series Political Iconography), 2008. Acrylic on canvas, 41 x 152 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507127264477-QCPS4CYUTTVAC2UIHRYY/C2011.021%3Bmain%3BOverall+image.jpg Duvier del Dago https://www.cubanartresources.org/enrique-rottenberg daily 0.75 2017-10-07 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507406419620-8GGHDEU8KP3BW4WM1LW1/AO887-01_mid.jpg Enrique Rottenberg - Virgen, de la serie Dormir con... (Virgin, from the series Sleep with...), 2010. Lambda print on Fujifilm photographic paper. 25 1/2 x 38 1/4 in. Ed. 3/5. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507406419604-M846LYWIQXY8TG4OPUJO/AO889-01_mid.jpg Enrique Rottenberg - Azul, de la serie Dormir con... (Blue, from the series Sleep with...), 2010. Lambda print on Fujifilm photographic paper. 30 1/4 x 19 3/4 in. Ed. 7/15 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507406419764-ED1XJ73P9D1XNAW5YN1W/AO890-01_mid.jpg Enrique Rottenberg - Rosada, de la serie Dormir con... (Pink, from the series Sleep with...), 2010. Lambda print on Fujifilm photographic paper. 29 x 19 in. Ed. 9/15 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507819612934-MK9IT0AM5MI6FFHIVTVZ/Rottenberg2014_144.jpg Enrique Rottenberg https://www.cubanartresources.org/stainless daily 0.75 2020-10-15 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506544978539-EJF3USEFIE9JSYDA7KRS/Laureado-20141-e1505406879486.jpg Stainless - Laureado, 2014. Fiber glass and gold paint, 35 x 51 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506544996663-WCM0Q36BRI0S21XCW9QT/AO855-01_mid.jpg Stainless - One of a Kind (Times Square), 2014. Ink and pencil on paper, 57 x 50 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506545003334-6TCZ2W2UVPXMLB43IS1O/AO854-01_mid.jpg Stainless - One of a Kind (Lord Jesus), 2014. Digital chromogenic print, 77 3/4 x 58 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506701325164-3GI64G0SMYNHA3ARTQJ4/Large-cropped-School-of-Athens--e1505406885148.jpg Stainless Stainless, One of a Kind (School of Athens), 2014. Digital chromogenic print, 55 x 78 in. https://www.cubanartresources.org/kcho daily 0.75 2017-09-29 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506710307050-B4GS0OOM673WMQF0ZSD0/AO814-01_mid.jpg Alexis Leyva Machado "Kcho" - Untitled, n.d.. Oil and charcoal on canvas, 58 1/2 x 57 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506710307267-6XTRUIC4Q3NFUX43GYA2/AO981-01_mid.jpg Alexis Leyva Machado "Kcho" - La Loma (The Hill), 2004. Charcoal on handmade paper, 46 1/4 x 94 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506710308381-UXDGRCSIT17NU2A08XL7/AO982-01_mid.jpg Alexis Leyva Machado "Kcho" - Untitled, 2005. Crayon on canvas, 55 1/2 x 75 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506710366536-ORQGYRRQXH2JE2K1F8K8/Kcho2014_085.jpg Alexis Leyva Machado "Kcho" https://www.cubanartresources.org/ana-mendieta daily 0.75 2018-03-23 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506711804095-VH2X9SQNDOH6US300RWX/AO1020-01_mid.jpg Ana Mendieta - Untitled (Glass on Body Imprints), 1972. Estate printed color photographs (1997). Two panels of 20 x 16 in. each, four panels of 16 x 20 in. each, Ed. 7/10. Ana Mendieta’s Untitled (Glass on Body Imprints) are a series of six photographs produced during a period she worked with photography and 35mm slides. Mendieta’s naked body is pressed against glass, a man-made object, which distorts the female form and contorts her into less familiar territory. The glass imprints capture the tension between expression and repression of femininity. More broadly, Mendieta’s work communicates the struggles that come from losing connection with home (Cuba) at an early age followed by her concerns surrounding feminist issues. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506711922513-U5NOLH4O16Y15XMEUB1E/Mendieta2015_064_1.jpg Ana Mendieta https://www.cubanartresources.org/carlos-guzman daily 0.75 2017-10-02 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506969491008-XU1CH6KX0S62KMGJJJ8J/AO956-01_mid.jpg Carlos Guzmán - El árbol de los frutos de oro (The Tree of the Golden Fruits), 2003. Oil on canvas, 38 x 14 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506969408055-PO9C98IHMTJHHI1JXO28/Guzman2014_172.jpg Carlos Guzmán https://www.cubanartresources.org/detras-del-muro daily 0.75 2020-10-15 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506613416382-MR2HVLH4BQF9C4ZD8GDP/AO531-01_mid.jpg Detrás del Muro Rachel Valdés Camejo, Happily Ever After, 2012. Watercolor on paper, 26 1/4 x 37 5/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506613482435-AHAK90K5OYBBY7F6HEAZ/AO621-01_mid.jpg Detrás del Muro - María Magdalena Campos-Pons, Thinking of It, 2008. Watercolor, gouache, ink and pencil on paper, 61 7/8 x 44 1/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506613516718-E9IK4EEGPNE94QARQKCF/AO805-01_mid.jpg Detrás del Muro - Adonis Flores, Fe II (Faith II), 2013. Chromogenic print, 47 1/4 x 47 1/4 in. Ed. 1/3. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506613482431-8D7B47IC36WB47LQ8FBP/AO531-01_mid.jpg Detrás del Muro - Rachel Valdés Camejo, Happily Ever After, 2012. Watercolor on paper, 26 1/4 x 37 5/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506613482838-8OI81KK7NJEGHGKC30OZ/AO505-01_mid.jpg Detrás del Muro - Arles del Río, Fly Away, 2012. Ink on cardboard, 20 1/2 x 35 1/2 in. https://www.cubanartresources.org/alicia-leal daily 0.75 2017-09-29 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506710622330-MA619UL24COB8DJMBJGF/AO189-01_mid.jpg Alicia Leal - Amantes (Lovers), 1996. Acrylic on paper, 10 1/2 x 9 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506710622631-C9OOMSQ94RXFZ6HMKJU9/AO352-01_mid.jpg Alicia Leal - San Lázaro (Saint Lazarus), 1990. Acrylic on canvas, 21 1/4 x 28 3/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506710622911-5G7G1B22C38UA5RULN9I/AO53-01_mid.jpg Alicia Leal - Untitled, 2008. Acrylic on canvas, 40 x 32 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506710623364-MFYX9KPUWH1OBVLGJG2O/AO660-01_mid.jpg Alicia Leal - Untitled, 2009. Acrylic on pressed board, 19 1/2 x 15 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506710623716-XF6EH7GFI5PBLS3AKOA3/AO847-01_mid.jpg Alicia Leal - Odette y el cisne (Odette and the Swan), 2008. Acrylic on canvas, 15 1/2 x 14 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506710623819-V4CJXEQ6CN5WD37TRK94/AO87-01_mid.jpg Alicia Leal - Untitled, 1992. Acrylic on canvas, 21 1/4 x 25 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506710624154-53ZUZ9UTMCTCE6TNO887/AO88-01_mid.jpg Alicia Leal - Untitled, 1996. Gouache on paper, 9 3/4 x 13 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506710807310-5CHT88VBLZR8X3PJI6D7/2008.149.jpg Alicia Leal https://www.cubanartresources.org/carlos-quintana daily 0.75 2017-10-02 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506973602682-27PRYNA0SGTQMK4JR74A/AO285-01_mid.jpg Carlos Quintana - El exceso de ti mismo acaba contigo (Excessive Ego Will Destroy You), 2008. Oil on linen, 59 x 58 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506973602450-CZEDN9LJ9WX2AG2Y6378/AO286-01_mid.jpg Carlos Quintana - El ángel exterminador (The Angel of Death), 2008. Oil on linen, 59 x 58 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506973601987-GLIDCK3AVWQQ9TKZ6NVT/AO287-01_mid.jpg Carlos Quintana - Soledad por propia mano (Solitude in Your Own Hands), 2008. Acrylic and pastel on canvas, 22 x 29 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506973600643-1WBNLVN7O2QDFVBV0OXT/AO980-01_mid.jpg Carlos Quintana - En el desierto (In the Desert), 2008. Acrylic and pastel on canvas, 59 1/8 x 39 3/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506973600746-61YQ1IKP0MJUOFK2CNE4/AO966-01_mid.jpg Carlos Quintana - Untitled, 2013. Ink and charcoal on paper, 22 1/2 x 30 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506973601187-PUIQ67LLD3HFL82SMCL1/AO965-01_mid.jpg Carlos Quintana - Palafitos en el Quintana's Army (Pile-Dwellings in Quintana's Army), 2002. Charcoal and ink on paper, 27 1/2 x 39 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506973601384-URNX6Q9G3ZFIMK4SYHN6/AO917-01_mid.jpg Carlos Quintana - Homenaje (Homage), 2012. Watercolor, charcoal and pastel on paper, 27 x 39 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506973602355-VES45E51N2NNYD5ZUT31/AO479-01_midA.jpg Carlos Quintana - Cumplimos la promesa hecha aquella noche eterna (We Fulfilled the Promise We Made that Eternal Night), 2010. Acrylic on canvas, 78 x 51 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506972365046-XD9WXZ2WYRGI7B6Z0K5F/Quintana2010_002.jpg Carlos Quintana https://www.cubanartresources.org/douglas-perez daily 0.75 2017-10-03 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507060225448-74YFEXM4FQTCFVJBTXZM/AO404-01_mid.jpg Douglas Pérez - Pictopía III: Still I Have A Dream, 2009. Oil on canvas, 63 x 93 3/4 in. Douglas Pérez‘s source material draws from academic painting and historical engravings by early explorers of the island, such as Frédéric Mialhe, in order to re-write history from his own perspective. Pérez merges motifs and characters from Cuban life, such as the slave, the campesino, and sugar mills with European surveys and cityscapes to illuminate contemporary social issues. Visualizing a futuristic Havana, "Still I Have a Dream" depicts the Revolutionary Square, with added details such as a reflecting pool, reminiscent of the National Mall in Washington D.C. To this scene, he has added large-scale construction, absent in present day Havana, with Lego pieces suspended mid-air. Within them are profiles of Ernesto Che Guevara, Fidel Castro, and Mickey Mouse, evidence of Perez’s interest in contrast and contradictions. "Pictopia III: Still I Have a Dream" leads the viewer to consider the forgotten, improbable dreams of the Revolution, as well as possibilities for how its ideals may translate in the future. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507060224389-2QDPBXFFPMN6ALFKPJB3/AO405-01_mid.jpg Douglas Pérez - Pictopía XXVII: Hamelin, 2008. Oil on canvas, 51 1/2 x 59 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507060223155-P4FYPM1FAS77VMSR9UU5/AO431-01_mid.jpg Douglas Pérez - Retiro, de la serie Pictopía (Retreat, from the series Pictopia), 2008. Oil on canvas, 43 1/4 x 63 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507060221817-VLDIAYTJ41O9ZFRJ9D5T/AO783-01_mid.jpg Douglas Pérez - El jardín del alardoso (Igbofefe) (The Garden of the Braggart (Igbofefe)), 2012. Mixed media on wood, 67 x 52 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507060222018-5WTYYYFNJG0GQE2SPY6A/AO620-01_mid.jpg Douglas Pérez - Lunáticos (Mooning), 2012. Oil on canvas, 59 1/8 x 51 1/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507060223097-233P8Q636ZVBBN26XJG1/AO433-01_mid.jpg Douglas Pérez - Celebración, de la serie Pictopía (Celebration, from the series Pictopia), 2010. Oil on canvas, 31 x 43 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507060224278-372CQ6ZS6HWMHBG9I2QP/AO406-01_mid.jpg Douglas Pérez - Ajuste, de la serie Pictopía (Adjust, from the series Pictopia), 2010. Oil on canvas, 51 1/2 x 59 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507060225537-GKF58KQIGVVZL12EMDYN/AO403-01_mid.jpg Douglas Pérez - Fibra óptica, de la serie Pictopía (Optical Fiber, from the series Pictopia), 2008. Oil on canvas, 43 1/4 x 63 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507060221509-875GRYW9EFX1S7TXEJAR/AO800-01_mid.jpg Douglas Pérez - Cactus de Odilón (Odilon's Cactus), n.d. (ca. 1990). Watercolor and acrylic on handmade paper, 14 1/8 x 11 1/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507060230132-BT2HRBANKYKKZBYD9QBB/AO376-01_mid.jpg Douglas Pérez - Vedado 23, de la serie Vedado, 2008. Gesso, gouache, marker and colored pencil on paper, 19 1/2 x 27 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507060227646-T3BUNDN0YMY2CQ0WLXU1/AO380-01_mid.jpg Douglas Pérez - Vedado 130, de la serie Vedado, 2009. Gesso, gouache, marker and colored pencil on paper, 27 1/2 x 39 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507060227878-6D0I35L1CPYIRXHCGCNT/AO379-01_mid.jpg Douglas Pérez - Vedado 138, de la serie Vedado, 2009. Gesso, gouache, marker and colored pencil on paper, 27 1/2 x 39 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507060229015-6X2A0AET703KWFAO47T2/AO378-01_mid.jpg Douglas Pérez - Vedado 139, de la serie Vedado, 2009. Gesso, gouache, marker and colored pencil on paper, 27 1/2 x 39 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507060229278-5EK9666UKEQSWP2XCRVW/AO377-01_mid.jpg Douglas Pérez - Vedado 133, de la serie Vedado, 2009. Gesso, gouache, marker and colored pencil on paper, 27 1/2 x 39 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507060230584-DY7QM62F8MWHDKN6EJQX/AO375-01_mid.jpg Douglas Pérez - Vedado 10, de la serie Vedado, 2008. Gesso, gouache, marker and colored pencil on paper, 19 1/2 x 27 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507060231067-YYVTFXW4R4BZK7I9Q5DH/AO374-01_mid.jpg Douglas Pérez - Vedado 163, de la serie Vedado, 2008. Gesso, gouache, marker and colored pencil on paper, 19 1/2 x 27 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507060231463-ZIJHD22VTEJKR4YHEO6M/AO371-01_mid.jpg Douglas Pérez - Vedado 15, de la serie Vedado, 2009. Gesso, gouache, marker and colored pencil on paper, 19 1/2 x 27 1/2 in. Vedado, literally translated “no trespassing”, is a neighborhood of Havana where Douglas Pérez now resides. Lying outside the old city walls, the community grew rapidly during the economic boom of the 1950s and serves as a symbol of that consumerist era when Cuba’s economy was closely tied to U.S. capitalism. The decade is noted historically as a period of struggle during which standards of living and quality of life for many Cubans was drastically reduced. In his ongoing, multi-part series, Pérez builds on the status-centered imagery of advertising, using exuberant colors and playful graphics to satirize serious questions of poverty, sexuality, and the history of slavery. Interspersed with shocking, fanciful sketches of the banal realities of contemporary life — monsters, sex, poverty, death, and racist stereotypes — the work illuminates the tension between the promises of the Revolution and its disillusioning results. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507060232344-MZSNZJJ3ZKDVYCOLF7NF/AO370-01_mid.jpg Douglas Pérez - Vedado 115, de la serie Vedado, 2008. Gesso, gouache, marker and colored pencil on paper, 19 1/2 x 27 1/2 in. Vedado, literally translated “no trespassing”, is a neighborhood of Havana where Douglas Pérez now resides. Lying outside the old city walls, the community grew rapidly during the economic boom of the 1950s and serves as a symbol of that consumerist era when Cuba’s economy was closely tied to U.S. capitalism. The decade is noted historically as a period of struggle during which standards of living and quality of life for many Cubans was drastically reduced. In his ongoing, multi-part series, Pérez builds on the status-centered imagery of advertising, using exuberant colors and playful graphics to satirize serious questions of poverty, sexuality, and the history of slavery. Interspersed with shocking, fanciful sketches of the banal realities of contemporary life — monsters, sex, poverty, death, and racist stereotypes — the work illuminates the tension between the promises of the Revolution and its disillusioning results. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507060179740-L1A6Z1HKF7RD5RI45JDI/C2011.010%3Bmain%3BOverall+image.jpg Douglas Pérez https://www.cubanartresources.org/stealing-base daily 0.75 2020-10-15 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506616613947-70G6RULVY1IL126RC5D1/AO545-01_mid.jpg Stealing Base Arles del Río, Sin título, de la serie Esperando que caigan las cosas del cielo, o Deporte Nacional (Untitled, from the series Hoping that Things Fall from the Sky, or National Sport), 2012. Oil and charcoal on paper, 55 x 75 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506616692221-JA8FT44KI2ZJQEFUERU7/AO620-01_mid.jpg Stealing Base - Douglas Pérez, Lunáticos (Mooning), 2012. Oil on canvas, 59 1/8 x 51 1/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506616691391-2NJAHYCEXYMB7ISYLW20/AO641-01_mid.jpg Stealing Base - Perfecto Romero, Untitled, 1959. Silver gelatin print, 14 x 11 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506616765617-9B5062MQ6K3KM1T7YV2Y/AO593-01_mid.jpg Stealing Base - Reynerio Tamayo, El cuarto bate (The Cleanup Hitter), 2013. Acrylic on canvas, 62 3/4 x 54 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506616707089-IJ421IIEG9YVT3JRIHFA/AO549-01_mid.jpg Stealing Base - Arles del Río, Hoping that Things Fall from the Sky, or National Sport, 2012. Bronze, concrete, and baseball glove, 31 1/2 x 9 7/8 x 9 7/8 in. No. 15 of 35 parts in the original installation. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506616691610-5H0ZCETYXN4H1X26H493/AO619-01_mid.jpg Stealing Base - Reynerio Tamayo, Fanático (Fan), 2013. Acrylic on canvas, 45 x 55 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506616696348-RN63T4Y5BU14SM71Z5Z3/AO591-01_mid.jpg Stealing Base - Harold Vázquez Ley, De la serie Límites de salación (From the series Limits of Salting), 2009. Digital C-print, 23 5/8 x 35 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506616693001-B20T3F0YT4062DO35EDS/AO585-01_mid.jpg Stealing Base - Carlos Cárdenas, The Big Game, 2013. Watercolor, pencil, colored pencil, gouache and cut-and-pasted printed paper on paper, three panels of 30 x 22 1/2 in. each. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506616694812-5LP041Y3WHUJ23SKVNDI/AO554-01_mid.jpg Stealing Base - Frank Martínez, Otra manera de superar los límites (Another Way to Overcome the Limits), 2011. Charcoal on paper, 25 1/4 x 34 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506616695459-IKJC1RA9OHKCI95NU9X8/AO545-01_mid.jpg Stealing Base - Arles del Río, Untitled, from the series Hoping that Things Fall from the Sky, or National Sport, 2012. Oil and charcoal on paper, 55 x 75 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506616765774-A4EY0DV5X05ZB6NPKRN8/AO590-01_mid.jpg Stealing Base - Harold Vázquez Ley, De la serie Límites de salación (From the series Limits of Salting), 2009. Digital C-print, 23 5/8 x 35 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506616765849-JDR4P8WWESOKL13MDXOP/AO613-01_mid.jpg Stealing Base - Yunier Hernández Figueroa, One goes, Two goes, Fun goes (Strike Vessel), 2013. Wood and paint, 35 x 21 1/2 x 2 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506616766383-J3YIYXAJMC54OGGG5Z6S/AO618-01_mid.jpg Stealing Base - Juan Padrón, Harold Vázquez Ley, De la serie Límites de salación (From the series Limits of Salting), 2009. Digital C-print, 23 5/8 x 35 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506616692129-DWKA1N93H4GS77I30714/AO617-01_mid.jpg Stealing Base - José Ángel Toirac, La muerte en pelota (Homenaje a Antonia Eiriz) (Dead by Baseball (Homage to Antonia Eiriz)), 2013. Silver and oil on canvas, 39 5/8 x 59 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506616766289-V9L6J6V5BAK3GB5F7WV0/AO640-01_mid.jpg Stealing Base - Perfecto Romero, Untitled, 1959. Silver gelatin print, 14 x 11 in. https://www.cubanartresources.org/two-citizens-of-utopia daily 0.75 2020-10-15 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506623259183-35EFWVFV2XK59UQC1PPF/AO404-01_mid.jpg Two Citizens of Utopia Douglas Pérez, Pictopía III: Still I Have A Dream, 2009. Oil on canvas, 63 x 93 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506623373265-DQKE5J09F0HMSE27MAUX/AO433-01_mid.jpg Two Citizens of Utopia - Douglas Pérez, Celebración, de la serie Pictopía (Celebration, from the series Pictopia), 2010. Oil on canvas, 31 x 43 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506623378614-MADYBQKOOE8NMN9KKXHQ/AO403-01_mid.jpg Two Citizens of Utopia - Douglas Pérez, Fibra óptica, de la serie Pictopía (Optical Fiber, from the series Pictopia), 2008. Oil on canvas, 43 1/4 x 63 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1503590928104-H7WLZV24CYR9HOVJDJLM/AO404-01_mid.jpg Two Citizens of Utopia - Copy of Copy of Douglas Pérez, Pictopía III: Still I Have A Dream, 2009. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506623373337-GHFEE6G4VHBRMA2J6PYR/AO431-01_mid.jpg Two Citizens of Utopia - Douglas Pérez, Retiro, de la serie Pictopía (Retrait, from the series Pictopia), 2008. Oil on canvas, 43 1/4 x 63 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506623373930-UHU0OF9Z431HREG12XUX/AO406-01_mid.jpg Two Citizens of Utopia - Douglas Pérez, Ajuste, de la serie Pictopía (Adjust, from the series Pictopia), 2010. Oil on canvas, 51 1/2 x 59 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506623378809-NWT8720J0SBYLE37A5K6/AO369-01_mid.jpg Two Citizens of Utopia - Ibrahim Miranda, Sin título, de la serie Mapas(Untitled, from the series Maps), 2008. Serigraphy on paper map, 9 1/2 x 77 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506623378544-WFEOT50687VBD7UQUMBD/AO394-01_mid.jpg Two Citizens of Utopia - Ibrahim Miranda, Sin título, de la serie Mapas(Untitled, from the series Maps), 2008. Serigraphy on paper map, 9 1/2 x 77 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506623378920-1ZI50CH3MUCAT1MZ4MO0/AO368-01_mid.jpg Two Citizens of Utopia - Ibrahim Miranda, Sin título, de la serie Mapas(Untitled, from the series Maps), 2008. Serigraphy on paper map, 9 1/2 x 77 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506623378094-DM1480MNZOGEOUGBE2NA/AO395-01_mid.jpg Two Citizens of Utopia - Ibrahim Miranda, Sin título, de la serie Mapas(Untitled, from the series Maps), 2008. Serigraphy on paper map, 9 1/2 x 77 1/2 in. https://www.cubanartresources.org/adjoining-islands daily 0.75 2020-10-15 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506695942401-YG74HKDR3PRPDUVHS2QJ/AO439-01_mid.jpg Adjoining Islands Duvier del Dago, No. 4, de la serie Secreto de Estado (No. 4, from the series State Secret), 2009. Acrylic on canvas, 33 x 56 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1503590927261-Y7FR59WP251BH2VZJAPU/AO475-01_mid.jpg Adjoining Islands - Eduardo Ponjuán, El Renacimiento (The Renaissance), 1998. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506696087612-WD2B66C49WRGFHPDTTVI/AO478-01_mid.jpg Adjoining Islands - Eduardo Ponjuán, Sin título 3 (Untitled 3), 2000. Object (Book, animal skin, rasp, marbles, crystal and metal pieces and screws, 13 1/2 x 9 1/2 x 5 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506696324281-TF1T5YUJR97ONBIC4Q18/AO477-01_mid.jpg Adjoining Islands - Eduardo Ponjuán,Bizancio (Byzantium), 1998. Object (Book, found objects, rope, threads and screws), 17 x 9 1/2 x 5 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506696087731-GI9L8KUZ51MZKDYOFBSK/AO476-01_mid.jpg Adjoining Islands - Eduardo Ponjuán, La Edad de la Fe (The Age of Faith), 1998. Object (Book, paint brush, plexiglass, cut-and-pasted printed paper, found objects and screws), 11 x 9 x 1 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506696087952-QOPH7W0PA0L20XM007UY/AO474-01_midA.jpg Adjoining Islands - Eduardo Ponjuán, Sin título (Untitled), 1999. Object (Book, shoes brush, glass, railroad spike, fabric and leather belt, leather gloves and metal screws and hooks), 40 x 9 1/2 x 5 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506696088008-1NFLET93MDTL8QNX8ODY/AO451-01_mid.jpg Adjoining Islands - Alexandre Arrechea, La ciudad que dejó de bailar 2 (The City that Stopped Dancing 2), 2010. Watercolor on paper, 31 1/2 x 22 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506696088256-CUK8A2WWCXUOKEG9D7WV/AO473-01_mid.jpg Adjoining Islands - Eduardo Ponjuán, La Edad de las Luces (Age of Enlightenment), 1997. Object (Book, metal pieces and screws), 14 x 8 3/4 x 4 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506696088412-NRTGM8FW8SNCMSRUHO1I/AO439-01_mid.jpg Adjoining Islands - Duvier del Dago, No. 4, de la serie Secreto de Estado (No. 4, from the series State Secret), 2009. Acrylic on canvas, 33 x 56 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506696088631-BRD4QD9DNEQFJ4J82CMJ/AO438-01_mid.jpg Adjoining Islands - Duvier del Dago, No. 2, de la serie Secreto de Estado (No. 2, from the series State Secret), 2009. Acrylic on canvas, 32 1/4 x 57 1/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506696088747-3VWI0EGJSOLP0XC701LB/AO437-01_mid.jpg Adjoining Islands - Duvier del Dago, De la serie Iconografía Política (From the series Political Iconography), 2008. Acrylic on canvas, 41 x 152 in. https://www.cubanartresources.org/arles-del-rio daily 0.75 2017-09-29 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506715030478-O4TVS3SJUHL7L01NZY06/AO505-01_mid.jpg Arles del Río - Fly Away, 2012. Ink on cardboard, 20 1/2 x 35 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506715030116-4RMUEQT1CXSP10DOA8ET/AO544-01_mid.jpg Arles del Río - Sin título, de la serie Tras la realidad (Untitled, from the series Behind the Reality), 2012. Charcoal, acrylic and cut-and-pasted printed paper on paper, 38 3/4 x 29 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506715029931-FPMUKHGTE0QBLD6LZS93/AO545-01_mid.jpg Arles del Río - Sin título, de la serie Esperando que caigan las cosas del cielo, o Deporte Nacional, 2012. Oil and charcoal on paper, 55 x 75 in. (Untitled, from the series Hoping that Things Fall from the Sky, or National Sport) https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506715030199-58N1H8DQJYJ45O52F8GR/AO543-01_mid.jpg Arles del Río - Ideas, de la serie Tras la realidad (Ideas, from the series Behind the Reality), 2012. Charcoal, acrylic and cut-and-pasted printed paper on paper, 26 1/4 x 40 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506715029144-05G0U6IGLEQ79ZCHEFN6/AO550-01_mid.jpg Arles del Río - Esperando que caigan las cosas del cielo, o Deporte Nacional, 2012. Bronze, concrete, and baseball glove, 27 1/2 x 12 x 10 in. No. 6 of 35 parts in the original installation (Hoping that Things Fall from the Sky, or National Sport) https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506715029188-JKT4B69TNUHYP14SK5O8/AO549-01_mid.jpg Arles del Río - Esperando que caigan las cosas del cielo, o Deporte Nacional, 2012. Bronze, concrete, and baseball glove, 30 1/2 x 9 7/8 x 9 7/8 in. No. 14 of 35 parts in the original installation. (Hoping that Things Fall from the Sky, or National Sport) https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506715029312-EMIUPW18UC2SSI06GZBR/AO548-01_mid.jpg Arles del Río - Esperando que caigan las cosas del cielo, o Deporte Nacional, 2012. Bronze, concrete, and baseball glove, 31 1/2 x 9 7/8 x 9 7/8 in. No. 15 of 35 parts in the original installation. (Hoping that Things Fall from the Sky, or National Sport) https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506714950267-XMMPOGI7TXBW4ONSTVGB/del+Rio2013_021.jpg Arles del Río https://www.cubanartresources.org/alejandroaguilera daily 0.75 2017-09-29 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506202503617-YAXL9ZSG6GKNUS608QRL/AO209-01_mid.jpg Alejandro Aguilera - Black Drawing (The Virgin Girl), 2005. Watercolor and ink on canvas. 37 x 27 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506202503603-HAYWOBMM0LV8G358VY24/AO210-01_mid.jpg Alejandro Aguilera - Caridad (Charity), 2001. Ink on paper. 44 1/2 x 44 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506202503947-LSWR7ZESNU36K2X4DGCH/AO211-01_mid.jpg Alejandro Aguilera - Travelandscape, 2004. Collage, ink and crayon on paper. 44 1/2 x 44 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506202504014-R5WMKNGRE3RWBE2EUCJW/AO212-01_mid.jpg Alejandro Aguilera - Black Drawing (Homage to Bill Traylor), 2005. Crayon, collage, ink and acrylic on paper. 41 3/4 x 106 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506202504175-GBXH5KPLB7EE7UAF749U/AO213-01_mid.jpg Alejandro Aguilera - Black Drawing (Still Life), 1999. Crayon on paper. 30 x 22 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506202504389-SBFALE1MJ7JC68I09437/AO225-01_mid.jpg Alejandro Aguilera - Aurelio (Life After Death), 2009. Collage, acrylic and crayon on paper. 45 x 66 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506202504346-UD7M5ND4KYEWS9RQWA7X/AO258-01_mid.jpg Alejandro Aguilera - El Che y Carlos Santana (Che and Carlos Santana), 2006. Graphite, paper, glass, acrylic, metal, denim, Georgia clay and polychromed wood. 88 3/4 x 25 x 18 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506202504569-KPR4F0Z2TPWV00QPQRNR/AO259-01_mid.jpg Alejandro Aguilera - Caridad (Charity), 2007. Polychrome wood, metal, glass and fabric. 91 1/2 x 44 x 13 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506202504695-K365BL67AVRXMXO2SSMZ/AO273-01_mid.jpg Alejandro Aguilera - Caridad (Lo que allí sucedió) (Charity(What Happened There)), 2008. Acrylic and collage of paper on metal, 36 x 24 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506202504754-486ABJAO665R8XSLZMO4/AO318-01_mid.jpg Alejandro Aguilera - Durante la primera deportación. Madrid, 1871 (During the First Deportation. Madrid, 1871), 1991. Cow blood and pencil on paper. 27 1/2 x 19 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506202504867-O06G3DGRY746Y9D2TV20/AO319-01_mid.jpg Alejandro Aguilera - En Cayo Hueso, Estado de la Florida, 1894 (In Key West, Florida State, 1894), 1991. Cow blood and pencil on paper. 27 1/2 x 19 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506202505016-BUTPAZVJXJC26I1U4J7J/AO353A-01_mid.jpg Alejandro Aguilera - Monument to the Unknown Soldier, 1995. Polychrome wood and metal. 95 x 20 x 20 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506202505090-U6S5G8Z93MAIMJBXFRWH/AO354-01_mid.jpg Alejandro Aguilera - La fortaleza maldita (The Cursed Fortress), 1992. Polychrome wood, graphite and metal. 36 x 74 1/2 x 14 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506202505264-6AW3XLDL8RN5KSUC9VR3/AO355-01_mid.jpg Alejandro Aguilera - Restos mortales (Remains), 1994. Polychrome wood, metal, paint and fabric. 51 x 51 x 10 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506202505648-5P9DDZ8DQJ5RKWIJLSIY/AO582-01_mid.jpg Alejandro Aguilera - Life After Death (E. Fernandez), 2013. Ink, coffee and crayon on paper. 51 1/2 x 71 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506202505667-8NHSI4001CZ02XWPPV53/AO583-01_mid.jpg Alejandro Aguilera - Black Drawings Series (Black and Gold Gallery Walk), 2013. Coffee, ink and acrylic on paper. 59 1/4 x 51 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506202506007-JYD8QOEGME5FMWURODKR/AO584-01_mid.jpg Alejandro Aguilera - Black Drawing Series (Diego and Frida Unemployment Dance), 2013. Coffee, ink and collage on paper. 39 3/4 x 32 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506202505894-6X4SGGTI279FFMJT0CLD/AO632-01_mid.jpg Alejandro Aguilera - The Walker and His Shadow, 2006. Wood, metal, roof tiles, cardboard, nails and wire. 81 1/4 x 30 13/16 x 12 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506700565319-0L0Q5GLDNBNHAUVHHHXG/C2009.202%3Bmain%3BOverall+image.jpg Alejandro Aguilera https://www.cubanartresources.org/carlos-cardenas daily 0.75 2017-10-03 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507056069646-SOA8RL0LDDBT7IGFP4FB/AO200-01_mid.jpg Carlos Cárdenas - Golondrina (Swallow), 2006. Acrylic on canvas, 24 x 20 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507056069399-1DUYMIN8Q5XD88VL68N8/AO201-01_mid.jpg Carlos Cárdenas - Viaje a Alaska (Trip to Alaska), 1999-2008. Acrylic and pencil on canvas, 20 x 28 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507056067548-K7ZZ4HEPBOTZEHMYAZ41/AO321-01_mid.jpg Carlos Cárdenas - Untitled, 2010. Acrylic and colored pencil on paper, 21 x 28 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507056067063-O0RZUOMACFGP2A6MRX0T/AO585-01_mid.jpg Carlos Cárdenas - The Big Game, 2013. Watercolor, pencil, colored pencil, gouache and cut-and-pasted printed paper on paper, three panels of 30 x 22 1/2 in. each. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507056068833-ROOSX1FL0BGKO24NWFWF/AO203-01_mid.jpg Carlos Cárdenas - Mujer (Woman), 2009. Acrylic on canvas, 24 x 20 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507056066259-UJC7VLMPGOZXBPYHGSZK/AO867-01_mid.jpg Carlos Cárdenas - Pez plateado se come el pez chiquito (Silver Fish eats Small Fish), 1987. Ink on paper, 24 x 24 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507056066627-HAH2FQVJNBL3K49M8M9H/AO650-01_mid.jpg Carlos Cárdenas - Goodyear Triptych, 2013. Ink, watercolor, colored pencil, gouache, acrylic, fabric and cut-and-pasted printed paper on paper, three panels of 30 x 22 1/2 in. each “Goodyear Triptych” focuses—as does much of Cárdenas’ work—on the narrative of journey. Cárdenas draws comparison between the realities and the dreams of migration with a composition that considers the hurdles of immigration, perils of long journeys, and difficulties maintaining a connection to one’s homeland while assimilating into a new culture. The central figure is composed of Goodyear tires, a valuable commodity on the resource-strapped island, which are often associated with the impoverished rafts used by defectors. Behind him a ship depicts passage from one place to another. In front, a more complex and richly colored metropolis, based on the artist’s first conceptions of New York, represents the hopes of immigration. Interwoven maps of Cuba and the United States demonstrate the integration of Cuban and American identities. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507056068781-U1WGV3ZC1WUYE9J1F45I/AO204-01_mid.jpg Carlos Cárdenas - Esperando el Titantic (Waiting for the Titanic), 2008. Acrylic on canvas, 16 x 20 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507056069307-97P1M0AN66L6APOW6QM6/AO202-01_mid.jpg Carlos Cárdenas - Sicily, 2009. Acrylic on linen, 23 x 27 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507056066631-6E4ZDLNPHNH8RMHY4D3Z/AO633-01_mid.jpg Carlos Cárdenas - The Battle, 1994. Acrylic and collage of fabrics on linen, 68 1/2 x 103 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507056067021-7163V2C2WDW64OWP5GQT/AO347-01_mid.jpg Carlos Cárdenas - Balanza (Scale), 2010. Acrylic on canvas, 48 x 57 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507056067824-AT0IDTR78AB9KKLWPZOL/AO297-01_mid.jpg Carlos Cárdenas - Coppelia, 1992. Oil on canvas, 31 x 34 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507056067892-ZYFL0J52GPQ4WBAXW9X4/AO267-01_mid.jpg Carlos Cárdenas - Untitled, 1994. Acrylic on canvas, 36 x 28 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507056066162-CDE0OUO74N4RN1SQT512/AO868-01_mid.jpg Carlos Cárdenas - Proteger y cuidar la fauna (Protect and Care for the Wildlife), 1984. Ink, pencil and cut-and-pasted printed paper on paper, 20 x 16 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507056068104-13KL1PHQMT98JPEU6S9X/AO254-01_mid.jpg Carlos Cárdenas - Untitled, 1990. Acrylic on linen, 19 5/8 x 15 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507056068232-52GJS3EYJA78ZUJBJAP3/AO223-01_mid.jpg Carlos Cárdenas - Untitled, 2001. Watercolor, colored pencil, pencil, tempera and fabric on paper, 22 x 30 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507056068533-GZ128IW08LXFES38KIT6/AO206-01_mid.jpg Carlos Cárdenas - La raíz de toda la existencia (The Root of All Existence), n.d. Watercolor, pencil and colored pencil on paper, 30 x 22 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507056068581-64MK4JJTYFL0TQMHUCF1/AO205-01_mid.jpg Carlos Cárdenas - Limpiamos zapatos (We Clean Shoes), 1987. Pencil, acrylic and collage of paper on paper, 27 3/4 x 19 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507056007657-I3IZXFJQGZQADUEHVXQW/2009.194%3Bmain%3BOverall+image.jpg Carlos Cárdenas https://www.cubanartresources.org/cirenaica-moreira daily 0.75 2017-10-03 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507056599785-CRGI2JO1PYUER9A3RH2E/AO1002-01_midA.jpg Cirenaica Moreira - Vive en Cincinnati y ni siquiera me escribe, de la serie Cartas desde el inxilio, 1999-2002. Black-and-white Lambda print, 23 1/8 x 33 1/4 in. Ed. 4/10. (He Lives in Cincinnati and Does Not Even Write to Me, from the series Letters from Inxile) https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507056599398-DB2QGY652TG3JJGD8222/AO1003-01_mid.jpg Cirenaica Moreira - No soy yo, es mi cuerpo el que recuerda, de la serie Con el empeine al revés, 2003-2006. Color Lambda print, 33 x 23 in. Ed. 4/10. (It Is not I, It Is My Body That Remembers, from the series With the Instep to the Wrong Side) https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507056598705-D99OOC4PQTAN2TVXEADT/AO567-01_mid.jpg Cirenaica Moreira - Sin título, de la serie Ojos que te vieron ir... (Untitled, from the series Eyes That Saw You Leave...), 1994. Silver gelatin print, 14 x 9 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507056598379-BMKAD2N784S5TQBNAFVG/AO1005-01_mid.jpg Cirenaica Moreira - Déjà vu, de la serie Piel de vaca (Déjà vu, from the series Cowhide), 2006-2009. Color Lambda print. 23 1/8 x 33 1/4 in. Ed. 6/10. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507056598299-JWYVORO0XEKQVV8MZRNK/AO1004-01_mid.jpg Cirenaica Moreira - En Grand Central Station me senté y lloré, de la serie Piel de vaca (In Grand Central Station I Sat and Cried, from the series Cowhide), 2006-2009. Color Lambda print, 23 x 33 in. Ed. 4/10. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507056534453-6FHP66R5P3RIUFEJDNT3/Moreira2015_032.jpg Cirenaica Moreira https://www.cubanartresources.org/clara-morera daily 0.75 2017-10-03 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507058796360-AMXKZFGTEY8LO9Z2JR29/AO851-01_mid.jpg Clara Morera - Conversando con Irene (Talking to Irene), 2014. Acrylic, colored pencil and pastel on paper, 53 x 30 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507058797515-WHEB6EA1N00PI5RMMVKV/AO850-01_mid.jpg Clara Morera - Clara, 2014. Acrylic, colored pencil and ink on canvas, 8 3/8 x 7 3/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507058797514-BNGCTDOUD1W8GM30E02W/AO995-01_mid.jpg Clara Morera - El ángel de la anunciación (The Angel of the Annunciation), 2006. Mixed media on canvas and wood, 48 1/2 x 22 1/4 x 11 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507058798668-BMG244SDNMHP6JLHWIIG/AO796-01_mid.jpg Clara Morera - La gran flor (The Big Flower), 2014. Mixed media on kraft paper, 47 3/4 x 31 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507058798577-0RQ1EGEC0VYIHZFNBGBH/AO664-01_mid.jpg Clara Morera - Machete de Shangó (Shango's Machete), 2013. Mixed media on wood, 27 1/2 x 4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507058799043-2TJCNJBVJPIQC7OLICUH/AO663-01_mid.jpg Clara Morera - Bandera de Oshún (Oshun's Flag), 2012. Mixed media on canvas, 58 x 33 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507058799171-63PFGL74L735G7S19W2O/AO599-01_mid.jpg Clara Morera - Sarabanda. En el año de la serpiente (Sarabanda. In the Year Of the Snake), 2013. Mixed media on canvas, 56 1/2 x 36 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507058805085-NV2C43LW46RZ1DBFRSJU/AO383-01_mid.jpg Clara Morera - Oshún Kolé, 2010. Mixed media on wood, 44 x 22 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507058798269-COU9X0LVPRMTGH2RDAH9/AO799-01_midA.jpg Clara Morera - Virgen (Virgin), 2013. Acrylic and found objects on wood, 25 x 9 1/4 x 2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507058799719-9BULMCU2X8XN327I3XDY/AO598-01_mid.jpg Clara Morera - La Party Papaya, de la serie Ma-Corinas (The Party Papaya, from the series Ma-Corinas), 2013. Mixed media on paper, 34 3/4 x 54 3/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507058799768-ZG97QFCD97RQ7KUTWD18/AO537-01_mid.jpg Clara Morera - A Santo Pajaro on Black (A Ma-Corina Vision), 2012. Acrylic, gouache, pencil and crayon on vinyl coated black kraft paper, 54 1/4 x 38 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507058800346-O4RG2QMWPPU8GMU6C9LB/AO536-01_mid.jpg Clara Morera - A Tale of Cuban Art History (Ma-Corina I), 2012. Acrylic, gouache, pencil and crayon on vinyl coated black kraft paper, 52 3/4 x 33 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507058800354-43WL0K0W0YSENKZ3AYEJ/AO535-01_mid.jpg Clara Morera - A Tale of Cuban Art History (Ma-Corina II), 2012. Acrylic, gouache, pencil and crayon on vinyl coated black kraft paper, 54 1/2 x 30 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507058801099-8QMJ0WNVNBAJWZL7PK81/AO415-01_mid.jpg Clara Morera - La Batalla de Oyá (Oya's Battle), n.d. Mixed media on canvas, 40 1/2 x 30 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507058801120-TXX7BZEILWQXHAO2EKGJ/AO414-01_mid.jpg Clara Morera - El Gran Sello II (The Great Seal II), 2009. Mixed media on wood, 48 x 36 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507058802407-CA364JQ1FOMWN0KCYQPK/AO413-01_mid.jpg Clara Morera - El Gran Sello (The Great Seal), 2009. Mixed media on wood, 48 x 36 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507058802788-B36Q0ZKVY8WOXU3XDOOM/AO412-01_midA.jpg Clara Morera - El chino de la charada (Los números de la suerte) (The Chinese of the Charade (The Lucky Numbers)), 2008. Mixed media on canvas laid on wood, 47 x 14 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507058804155-I4OEJMW3VIE7JT44B4GD/AO411-01_mid.jpg Clara Morera - Árbol de la vida (Tree of Life), 2006. Mixed media on canvas, 55 1/2 x 37 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507058804251-56TVW2SANZLH6VOJO9R8/AO399-01_mid.jpg Clara Morera - Las 11 Mil Virgenes, Ursula o Las Islas Virgenes (The 11 Thousand Virgins, Ursula or The Virgin Islands), 2010. Mixed media on wood, 72 x 69 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507058805142-0FZI0EULFTIFBQFK4M91/AO384-01_mid.jpg Clara Morera - Autorretrato (Self-Portrait), 2010. Mixed media on wood, 30 x 24 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507058796771-JADY0VPP91AH3DA2HPDF/AO797-01_mid.jpg Clara Morera - La Kite Mayimbe, 2013. Mixed media on canvas and wood, 60 x 41 x 3 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507058806156-67U7S3H7695I3JXUE4D4/AO382-01_mid.jpg Clara Morera - El Santo Pájaro (The Holy Bird), 2010. Mixed media on wood, 58 x 30 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507058798210-WXKPLSJWJ46O8H8TX7WB/AO798-01_mid.jpg Clara Morera - La manzana de la discordia (The Discord Apple), n.d. Mixed media on kraft paper, 59 3/4 x 44 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507058806802-HCBTK06X4FNCQN9JZEQA/AO207-01_mid.jpg Clara Morera - Hija de Yemaya y Oshún (Daughter of Yemaya and Oshun), n.d. Mixed media on canvas, 27 x 14 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507058749900-9SWOSKJEYYTU2SFULC79/Morera2014_059.jpg Clara Morera https://www.cubanartresources.org/aguasmalas daily 0.75 2020-10-15 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506542092755-CROIINP3MMF9X9MDB8LN/AO857-01_mid.jpg Aguas Malas Metamorfosis (Metamorphosis), 2014. Crayon, pencil, India ink, metallic ink, liquid watercolor, polyester polyamide and enamel on Japanese paper. Nine panels of 24 x 26 in. each. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506542178013-SDFP9L54D17R32LHABUX/AO856-01_mid.jpg Aguas Malas - Aguas Malas (Bad Waters), 2014. Oil, acrylic, enamel, India ink, charcoal, metallic ink and polyester polyamide on polyester fabric, 66 x 47 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506542192422-DMW3K7AQVB7M72ZA5FBE/AO866-01_mid.jpg Aguas Malas - Aproximación (Approximation), 2013. Enamel and acrylic on canvas and velvet, 20 x 16 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506542178293-ZTV6UND9CND33P6ERX7L/AO857-01_mid.jpg Aguas Malas - Metamorfosis (Metamorphosis), 2014. Crayon, pencil, India ink, metallic ink, liquid watercolor, polyester polyamide and enamel on Japanese paper. Nine panels of 24 x 26 in. each.  https://www.cubanartresources.org/drapetomania daily 0.75 2020-10-15 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506609744215-ZF4PZVMG1L787A1UZ1EV/AO772-01_mid.jpg Drapetomanía - Leonel Morales, El mar de las Antillas (Sea of the Antilles), 2012. Acrylic on canvas, 25 1/4 x 42 1/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506609842219-VKCQOQ5JXEI4HZQ1UY3Z/AO782-01_mid.jpg Drapetomanía - Eduardo Roca Salazar "Choco", Te estoy mirando (I'm Watching You), 2011. Mixed media on canvas, 45 3/4 x 31 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506609744554-K7NIEAYET068JTEXSYWY/AO775-01_mid.jpg Drapetomanía - Rafael Queneditt, Resurrección (Resurrection), 2013. Wood, polychrome plaster, metal, candles, clay figure, found objects, 96 x 70 x 48 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506609743610-R0B3WEJFIJVOBPU81N7R/AO773-01_mid.jpg Drapetomanía - Julia Valdés, Interiores de la Habana Vieja (Interiors of Old Havana), 2003. Oil, jute and collage of fabrics on canvas, 55 1/8 x 70 7/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506609746322-XCYHMOS1SZKLXGAUZGFG/AO781-01_mid.jpg Drapetomanía - Andrés Montalván, Eterna idea del regreso (Eternal Idea of the Return), 2012. Wood, 18 x 47 x 11 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506609842461-9KGFVSX8O80XAH2418P3/AO783-01_mid.jpg Drapetomanía - Douglas Pérez, El jardín del alardoso (Igbofefe) (The Garden of the Braggart (Igbofefe)), 2012. Mixed media on wood, 67 x 52 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506609744568-XDNI87GG9A5ZWNHJZOG9/AO774-01_mid.jpg Drapetomanía - Ever Fonseca, Familia en el charco (Family On the Pond), 2000. Oil on canvas, 60 1/2 x 78 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506609746169-1Q38KO9FIMO9O3D4O6KG/AO777-01_mid.jpg Drapetomanía - Manuel Couceiro, Untitled, 1977. Oil on canvas, 42 1/2 x 61 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506609746728-0VTRMPXODBJCRRZPB9RA/AO804-01_mid.jpg Drapetomanía - Oscar Rodríguez Lasseria, Inframundo (Infraworld), 2009. Mixed media on canvas, 47 1/4 x 59 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506609843151-JG3EME402O0LROP9X1RV/AO776-01_mid.jpg Drapetomanía - Alberto Lescay, De la serie Ngangá (From the series Nganga), 2010. Acrylic, latex and charcoal on canvas, 76 x 92 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506609843299-B4ZG7WVR1GGP2VYVFPJB/AO552-01_mid.jpg Drapetomanía - Alexis Esquivel, ALEXIS ESQUIVEL Postales de la guerra (Postcards from the War), 2012. Acrylic on canvas, 51 x 76 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506609842548-9ZCDW79N5GEKGWIKEIFM/AO778-01_mid.jpg Drapetomanía - José Bedia, El rompimiento, El amarre, El patakí (The Breaking, The Tying, The Legend), 2013. Acrylic on canvas, three panels of 29 1/2 x 47 3/4 in. each. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506609843392-L49CIS60RX0IOWQ5ZIAQ/AO485-01_mid.jpg Drapetomanía - Belkis Ayón, Aunque vayamos al cielo, siempre se acordarán de nosotros (Although We Go to Heaven, They Will Always Remember Us), 1990. Collagraph, 39 x 27 1/4 in. Ed. 3/4. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506609585832-HJLMIKI7J34Z8BTWSK3Y/AO777-01_mid.jpg Drapetomanía Manuel Couceiro, Untitled, 1977. Oil on canvas, 42 1/2 x 61 in. https://www.cubanartresources.org/alejandro-campins daily 0.75 2017-09-29 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506702378579-F7RK5CT29JHU9I29N8NK/AO1010-01_mid.jpg Alejandro Campins - A la mañana siguiente (The Next Morning), 2011. Oil on canvas, 59 x 78 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506702378674-NSOJDA5W3RKNF6Q9GKLG/AO1009-01_mid.jpg Alejandro Campins - Camino a casa (The Road Home), 2011. Oil on canvas, 59 x 78 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506702451851-76CV8G3DBRK69CQ7ETEI/Campins2015_038.jpg Alejandro Campins https://www.cubanartresources.org/alexis-esquivel daily 0.75 2017-09-29 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506709699011-CJA2INGEIGX8CATD31RO/AO452-01_mid.jpg Alexis Esquivel - Héroe postcolonial (Postcolonial Hero), 2010. Acrylic on canvas, 77 x 57 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506709699449-ZIUEMHIWXOLS52GCBLY7/AO453-01_mid.jpg Alexis Esquivel - Ciudadano del futuro (Citizen of the Future), 2010. Acrylic on canvas, 57 1/2 x 76 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506709699880-I1GH6J4K5OU6LFCZ54V7/AO551-01_mid.jpg Alexis Esquivel - La muerte de Gulliver (Death of Gulliver), 2012. Acrylic on canvas, 29 x 36 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506709714921-BKLFOKWIMAACK0O9PV7G/AO552-01_mid.jpg Alexis Esquivel - Postales de la guerra (Postcards from the War), 2012. Acrylic on canvas, 51 x 76 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506710122836-LRS1M3FDZMLNTQ8IKIHZ/C2011.037%3Bmain%3BOverall+image.jpg Alexis Esquivel https://www.cubanartresources.org/carlosmartiel daily 0.75 2017-10-02 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506971568830-7HRG2Q12BG5YAITJ04QF/Martiel2.jpg Carlos Martiel - Expulsion, 2015. Chromogenic print on PVC, 18 ¼ x 27 3/8 x 1 ¼ in. Ed. 2/3. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506971568577-26ZH2YYN6BUI3UJ17YTT/Martiel.jpg Carlos Martiel - Expulsion, 2015. Chromogenic print on PVC, 18 ¼ x 27 3/8 x 1 ¼ in. Ed. 2/3. Carlos Martiel uses his body as a medium, developing a performance trajectory that tests the limits of his own physical capacity and the audience’s role as witness. On view are prints documenting Expulsion, made for the 4th Thessaloniki Performance Festival. The first image depicts Martiel standing still with the twelve stars of the European Union flag stitched to his bare chest. The performance involved the careful removal of the fabric stars from his body – unstitched by the same piercing artist who affixed them. The discarded stars then littered the floor surrounding the artist. The two images, documenting the process of removing the stars, convey the struggles imposed by the formation (and dissolution) of national identity. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506971478123-ULT5QHCVEL3WS70T3RJV/Martiel.jpg Carlos Martiel https://www.cubanartresources.org/angel-delgado daily 0.75 2017-09-29 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506712791556-DS14RJ2L7NTBGKZBVR8D/AO417-01_mid.jpg Ángel Delgado - 1242900, 1995. Oil, rope, animal bones and found objects on canvas, 47 1/4 x 37 3/8 in. Imprisoned for six months in 1990, Ángel Delgado wore prisoner number 1242900. Charged with defecating on Cuba’s national newspaper, Granma, during his performance La esperanza es lo ultimo que se está perdiendo (Hope Is the Last Thing to Go), he was made an example by the government. The arrest came to symbolize artistic censorship and had a profound impact on the Cuban artistic community, compelling many artists to leave the island in the years that followed. While in prison, Delgado experimented with the limited materials that were available to him. Upon his release, he continued to use discarded and non-traditional art materials. In “1249000” a rope cross frames a central self-portrait. Surrounding the portrait, animal bones, arranged in the rudimentary shapes of wishbones and crosses that represent hope, contrast with military pins, icons of rank and pride. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506712791665-5AL6BV54FTIL3RF1ZEMB/AO436-01_mid.jpg Ángel Delgado - Paisaje Incómodo I (Uncomfortable Landscape I), 2010. Acrylic on printed canvas, 55 x 55 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506712791960-7VK2AC1DAG6MVVQ0KO2P/AO351-01_mid.jpg Ángel Delgado - Sin título, de la serie Pañuelos (Untitled, from the series Handkerchiefs), 2000. Ink on fabric handkerchief, 17 1/4 x 14 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506712792063-M4SOJ3F7PS76P857CUQF/AO343-01_mid.jpg Ángel Delgado - Sin título, de la serie Pañuelos (Untitled, from the series Handkerchiefs), 2000. Ink on fabric handkerchief, 14 x 15 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506712792337-GFCWN3M0OD9ACHLOV5ZV/AO342-01_mid.jpg Ángel Delgado - Sin título, de la serie Pañuelos (Untitled, from the series Handkerchiefs), 2000. Colored pencil and cold cream on fabric handkerchief, 15 x 14 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506712792526-GG8QCN1BE3ROI6M3VM8Q/AO324-01_mid.jpg Ángel Delgado - Sin título, de la serie Pañuelos (Untitled, from the series Handkerchiefs), 1999. Colored pencil and cold cream on fabric handkerchief, 17 1/2 x 18 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1506712717272-K2BPMCS668YSQEI4O7VA/2010.183%3Bmain%3BOverall+image.jpg Ángel Delgado https://www.cubanartresources.org/dayron-gonzalez daily 0.75 2017-10-03 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507059731874-CBAVHPRXRRPTDUZKCGKT/AO968-01_mid.jpg Dayron González - Cuestión de tiempo (Matter of Time), 2014. Oil on canvas, 64 x 56 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507059732498-PUYPC8Y1F74QBZBCAM4B/AO1019-01_mid.jpg Dayron González - Cuarto de invierno (Winter Room), 2015. Oil on canvas, 81 1/2 x 57 7/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507059625082-W1A8R5VG5K93VLGZ4P2E/Gonzalez2014_185.jpg Dayron González https://www.cubanartresources.org/gina-pellon daily 0.75 2018-03-23 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507999621866-5GCL3MTGTX6X5JK7VMBT/AO990-01_mid.jpg Gina Pellón - EL pájaro rojo (The Red Bird), 2012. Acrylic and charcoal on canvas. 76 x 50 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508268244992-Z445CSBYYZQQ5CTL3TYW/Pellon2015_018.jpg Gina Pellón https://www.cubanartresources.org/jose-angel-vincench daily 0.75 2017-10-28 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509208682004-W02TT8VZWBYWUHJ0890N/AO529-01_mid.jpg José Ángel Vincench - Exile, 2012. Wood laminated with gold leaf. 1 1/2 x 8 x 3 in. José Ángel Vincench employs elements of conceptualism and minimalism to address the social issues of present day Cuba. Often incorporating text into his work, Vincench explores the meaning of certain words and their mutation over time, especially those transformed through the prisms of the socialist political ideology. In his practice he attempts to de-stigmatize these words and revert them to their original meaning, drawing the viewer’s attention to how we adapt to changes in language and thought. In Cuba, both “exile” and “dissident” are terms used to denote counterrevolutionaries. By emblazoning this word on a gold bar, the more recent definition is supplanted. Can an exile embody power? Freedom? Is it worth its weight in gold? https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509996943973-9FXVYSOT9Y6R19BNIUMB/C2012.130%3Bmain%3BOverall+image.jpg José Ángel Vincench https://www.cubanartresources.org/julia-valdes daily 0.75 2017-10-28 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509214851165-XLOT96M0SHWX0XOAUJZ0/AO773-01_mid.jpg Julia Valdés - Interiores de la Habana Vieja (Interiors of Old Havana), 2003. Oil, jute and collage of fabrics on canvas. 55 1/8 x 70 7/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509997244163-0A2ZA16IIR742210MNIY/Valdes2014_033.jpg Julia Valdés https://www.cubanartresources.org/los-carpinteros daily 0.75 2018-03-23 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509824201200-UFIB46QWX7XTWF3UG0KD/AO325-01_mid.jpg Los Carpinteros - Agua contra aire (Water versus Air), 1997. Watercolor on paper. 44 1/4 x 30 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509997695423-HMBLL36R0APDILN08IKB/2010.043%3Bmain%3BOverall+image.jpg Los Carpinteros https://www.cubanartresources.org/ibrahim-miranda daily 0.75 2017-10-17 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508002910613-EXXZ6VPO92GTEH6GWAE4/AO368-01_mid.jpg Ibrahim Miranda - Sin título, de la serie Mapas (Untitled, from the series Maps), 2008. Serigraphy on paper map. 9 1/2 x 77 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508002910882-V3F7IT7V6WZPCEQ7I4GV/AO369-01_mid.jpg Ibrahim Miranda - Sin título, de la serie Mapas (Untitled, from the series Maps), 2008. Serigraphy and ink on paper map. 9 1/2 x 77 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508002911010-IZJKUDOTKEU3DQ3BF8HL/AO394-01_mid.jpg Ibrahim Miranda - Sin título, de la serie Mapas (Untitled, from the series Maps), 2008. Serigraphy and ink on paper map. 9 1/2 x 77 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508002911249-IVUTRY3TBP5YPESY4O5C/AO395-01_mid.jpg Ibrahim Miranda - Sin título, de la serie Mapas (Untitled, from the series Maps), 2008. Serigraphy and ink on paper map. 9 1/2 x 77 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508002911176-GNPAB2R0E9DP29582BRE/AO527-01_mid.jpg Ibrahim Miranda - Sin título, de la serie Mapas (Untitled, from the series Maps), 2010. Serigraphy and ink on paper map. 9 1/2 x 77 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508002911369-TR4AFTU3TBGJ851RHFYK/AO810-01_mid.jpg Ibrahim Miranda - Sin título, de la serie Mapas (Untitled, from the series Maps), 2014. Serigraphy and ink on paper map. 9 5/8 x 77 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508002911410-81UR57YCATJ0KKRRXQT3/AO811-01_mid.jpg Ibrahim Miranda - Sin título, de la serie Mapas (Untitled, from the series Maps), 2014. Serigraphy and ink on paper map. 9 5/8 x 77 5/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508002911552-3CL0G4AR5I8DBC6EYGC9/AO812-01_mid.jpg Ibrahim Miranda - Sin título, de la serie Mapas (Untitled, from the series Maps), 2000. Serigraphy and ink on paper map. 9 5/8 x 51 7/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508002911562-9HZK9Q5PCSTVIJFX2G7E/AO813-01_mid.jpg Ibrahim Miranda - Sin título, de la serie Mapas (Untitled, from the series Maps), 2012. Serigraphy and ink on paper map. 9 5/8 x 77 5/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508268948517-EIBOCFHLFPPQPMZJMFK4/Miranda2014_079.jpg Ibrahim Miranda https://www.cubanartresources.org/jorge-wellesley daily 0.75 2017-10-17 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508007404747-K3FL5QHCTI2HVLO9G2V7/AO530-01_mid.jpg Jorge Wellesley - Exit-Exito, de la serie Efugios (Exit-Exito, from the series Subterfuges), 2012. Acrylic on canvas. 33 x 39 1/2 in. Jorge Wellesley’s text pieces reposition the role of advertising, posing questions to the public through ambiguous, and sometimes controversial slogans. In "Exit/Exito" the English word exit and similarly spelled Spanish word exito (meaning success) visually reflect each other. This pairing of like words suggests that one path towards advancement in Cuba is to leave. The billboard, proposed for display as part of the 2013 Havana Biennial, exists as both a painting and a small-scale sculpture, but it has not yet been realized as a public project in Cuba, due to limited resources and political sensitivities. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508007404734-NI6SMQ6F1PP3S616MPR9/AO622-01_mid.jpg Jorge Wellesley - Astigmatismo, de la serie Efugios (Astigmatism, from the series Subterfuges), 2013. Charcoal on paper. 19 5/8 x 27 3/8 in. Jorge Wellesley is known for appropriating text in his work, utilizing tactics from advertising that draw attention to complexities of language. Influenced by the work of Bruce Nauman and John Cage, the artist is interested in philosophy and the way in which words lose their meaning. Many of his works incorporate variations of the word “truth,” because the artist believes that its definition is incorruptible, due to its consistency among all people and languages. "Astigmatism" is a proposal for an illuminated marquee featuring the words “Verdad” and “Mentira,” meaning “truth” and “falsehood,” respectively. Reminiscent of billboard advertising and propaganda, the overlapping terms could be viewed as critically suggestive; perhaps the reason the project was conceived for the 11th Havana Biennial in 2012 but was never realized in full-scale. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508007405391-LEIARACLBQJ4J4IVA0OL/AO1017-01_mid.jpg Jorge Wellesley - TRUTH 0062 Dyslexia II, 2013. Watercolor on paper. 18 x 24 in. In Wellesley's "TRUTH 0062 Dyslexia II", empty billboards line a rural highway, relics of a bygone era. Removed of their usual visual noise, the billboards have been overtaken by nature, evacuated of their original function https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508269523926-9CL2Y3YUILWEKZNA7X1I/C2012.131%3Bmain%3BOverall+image.jpg Jorge Wellesley https://www.cubanartresources.org/mabel-poblet daily 0.75 2017-11-06 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509827882682-RBRQ294UMW1SNIW53IXQ/AO153-01_mid.jpg Mabel Poblet - Sentimiento (Feeling), 2005. Watercolor and pencil on paper. 27 x 39 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509827883065-NOZ5TOIQ1MS7TCX0TD9Q/AO238-01_mid.jpg Mabel Poblet - Untitled, 2005. Cut-and-pasted printed paper, paint, pencil and colored pencil on paper. 22 1/2 x 30 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509827883278-BE04JO4MCQAY1FSRHNSI/AO574-01_mid.jpg Mabel Poblet - Untitled, 2006. Watercolor, ink, pencil and cut-and-pasted printed paper on paper. 19 1/2 x 25 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509827883439-9WEA33WXANXMT9HATLME/AO801-01_mid.jpg Mabel Poblet - 7300 días, del proyecto Ábacos (7300 Days, from the project Abacus), 2005. Plexiglass, serigraph. 61 3/8 x 33 x 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509827883241-OZINV2BC7F7W8BM5O7TU/AO573-01_mid.jpg Mabel Poblet - Untitled, 2005. Watercolor, ink, cut-and-pasted printed paper and colored pencil on paper. 19 1/2 x 25 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509827883006-EBD36WC7YH9SSZKGF7TK/AO358-01_mid.jpg Mabel Poblet - Untitled, 2005. Watercolor, pencil, ink and cut-and-pasted printed paper on paper. 38 3/4 x 25 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509827882702-V0BVMUAK5JCNGLL2AHYF/AO152-01_mid.jpg Mabel Poblet - Lugar de origen (Place of Origin), 2004. Colored pencil and ink on glassine. 16 1/2 x 23 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509998147202-6UB7WCTHIP0QRB1VID4K/Poblet2013_083.jpg Mabel Poblet https://www.cubanartresources.org/frank-mujica daily 0.75 2017-10-17 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507998587208-VMDDAUUPB6EJWEDXZ87O/AO878-01_mid.jpg Frank Mujica - 11 de diciembre de 2012, de la serie Diario (December 11th, 2012, from the series Diary). Graphite on paper. 15 3/4 x 15 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507998587305-I4CK6VA4AJO6SRBRAZU0/AO879-01_mid.jpg Frank Mujica - 13 de diciembre de 2012, de la serie Diario (December 13th, 2012, from the series Diary). Graphite on paper. 15 3/4 x 15 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507998587407-0T6PCPN0MS7RNDQGCQSR/AO880-01_mid.jpg Frank Mujica - 14 de diciembre de 2012, de la serie Diario (December 14th, 2012, from the series Diary). Graphite on paper. 15 3/4 x 15 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507998587639-CE97BVE8JM42CGB2A3YN/AO881-01_mid.jpg Frank Mujica - 7 de diciembre de 2012, de la serie Diario (December 7th, 2012, from the series Diary). Graphite on paper. 15 3/4 x 15 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507998587669-1B7DZHIF0APUVXJ81F07/AO882-01_mid.jpg Frank Mujica - 21 de diciembre de 2012, de la serie Diario (December 21st, 2012, from the series Diary). Graphite on paper. 15 3/4 x 15 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507998587818-N86YYZ0KG1DTE3OQYKU7/AO883-01_mid.jpg Frank Mujica - 23 de junio de 2012, de la serie Diario (June 23rd, 2012, from the series Diary). Graphite on paper. 15 3/4 x 15 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508268013912-MYUXN4O9JT7F7PJVEV8G/Mujica2014_140.jpg Frank Mujica https://www.cubanartresources.org/juan-carlos-alom daily 0.75 2017-10-28 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509209774023-0HZ4Q4C4HPRJTCCGN0K3/AO1-01_mid.jpg Juan Carlos Alom - Sin Título #2, de la serie Ablución para el Libro Oscuro (Untitled #2, from the Series Ablution for the Dark Book), 1995. Gelatin silver print. 17 3/4 x 14 3/4 in. Ed. 1/10 The works from the series “Ablución para el Libro Oscuro” (Ablution for the Dark Book) are part of a period in which Alom worked on highly symbolic photography that refers to religious cults and rituals, as well as reflections on human existence. The use of black and white, analog photography, the dark and uncertain environments of well-constructed scenes, the unusual character of the image, a certain erotic intention, and the importance placed on the titles turn these photographs into places of mystery where guessing is easier than deciphering. The human body has striped itself of the symbolic and contemplative aura to find, within the Cuban context, its true point of view. The works from this period opened a path for future series of portraits of humble people and groups of practitioners of Afro-Cuban religions, as well as the precarious surroundings of the Cuban countryside, that channeled the harshness of Cuban social reality. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509209774073-A38U4UYT6C3PI9TH23AW/AO2-01_mid.jpg Juan Carlos Alom - Dios está en las manos del hombre, de la serie Ablución para el Libro Oscuro (God is in the Hands of Men, from the series Ablution for the Dark Book), 1995. Gelatin silver print. 17 1/2 x 9 1/4 in. Ed. 3/10   The works from the series “Ablución para el Libro Oscuro” (Ablution for the Dark Book) are part of a period in which Alom worked on highly symbolic photography that refers to religious cults and rituals, as well as reflections on human existence. The use of black and white, analog photography, the dark and uncertain environments of well-constructed scenes, the unusual character of the image, a certain erotic intention, and the importance placed on the titles turn these photographs into places of mystery where guessing is easier than deciphering. The human body has striped itself of the symbolic and contemplative aura to find, within the Cuban context, its true point of view. The works from this period opened a path for future series of portraits of humble people and groups of practitioners of Afro-Cuban religions, as well as the precarious surroundings of the Cuban countryside, that channeled the harshness of Cuban social reality. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509996978853-3AH1SJ43ASQT4EOOF726/1995_015.jpg Juan Carlos Alom https://www.cubanartresources.org/frank-martinez daily 0.75 2017-10-17 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507997482150-OHPEQY21J5N5VMAPPDII/AO510-01_mid.jpg Frank Martínez - Sin capacidad (No Vacancy), 2012. Charcoal on canvas. 53 3/4 x 78 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507997482176-1NQF1PWK4WL9VB9ZRCYR/AO511-01_mid.jpg Frank Martínez - Sin título (Untitled), 2012. Charcoal on paper. 35 3/4 x 51 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507997482336-U2BR1EU2K5IFA4638DO1/AO532-01_mid.jpg Frank Martínez - Paradisíaco (Paradisiacal), 2012. Charcoal on canvas. 53 1/2 x 78 in. Martínez meticulously recreates an iconic photograph of Mao Zedong, taken in the summer of 1966, and presents it as a billboard within “Paradisíaco”, recalling the propagandistic imagery of Fidel Castro and other Revolutionary leaders around Havana. Although the leader appears healthy in the archival portrait, in reality Chairman Mao had been diagnosed with cancer and was desperately trying to conceal his illness. The manipulation of Mao’s public image mirrors recent Cuban history –as Fidel Castro’s health declined between 2005 and 2006, his last two years as president, he largely removed himself from public life. The artist explores the irony behind the veracity of a leader’s image through the contrast of 1960s Communist China and contemporary Cuba. Within the billboard, the Chairman’s luxurious setting is yuxtapossed with a stark, deserted construction site. The paused development, evidenced by an abandoned tractor, symbolizes the stagnation of the utopian ideals of Cuba’s 1959 Revolution. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507997482582-FHK7LDF583UG78ZXIVNB/AO533-01_mid.jpg Frank Martínez - Reposición (Reposition), 2011. Charcoal on paper. 33 1/2 x 55 in. Martínez transplants the funeral procession though the Red Square for Soviet leader Joseph Stalin in Cuba. In place of the leader’s coffin, a group of politicians carry a Russian ice-breaker ship. The ironic substitution humorously plays upon unfulfilled American predictions of a “breaking of the ice” following the collapse of the Soviet Union. Setting the scene in Havana’s Paseo del Prado, beside bronze reproductions of Madrid’s lions, Martinez overtly raises issues of colonialism, trade, and the strong influence of outside political powers over Cuba. Spain ruled over the island from 1515 to 1898, and following the 1959 Revolution, the Soviet Union was Cuba’s primary international partner, providing essential material support. Remnants of those cultures still dot the Havana cityscape and exert visual influence on the culture of the island. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507997482607-TLO33E303R0YIV88GLS4/AO554-01_mid.jpg Frank Martínez - Otra manera de superar los límites (Another Way to Overcome the Limits), 2011. Charcoal on paper. 25 1/4 x 34 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507997482796-QQKPYQYLZ0WV9RTF9OBN/AO634-01_mid.jpg Frank Martínez - Oasis, 2013. Charcoal on canvas. 78 3/4 x 59 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507997482825-6IAD8955SE24MXBR7BDU/AO635-01_mid.jpg Frank Martínez - Accidental, 2013. Charcoal on canvas. 53 1/4 x 78 x 1 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507997482979-BK929MIBNLJJFZQPXQOH/AO769-01_mid.jpg Frank Martínez - Auto-reverse. Charcoal on paper. 40 x 36 in. Frank Martínez is known for his precisely rendered charcoal drawings, in which he often utilizes elements from familiar archival photographs in order to highlight a point of conflict and contradiction. "Auto-reverse" depicts a man swimming away from Miami’s coastline. He turns his head to catch a last glimpse at the city he leaves behind; passing a buoy that ironically reads “Welcome.” The man in Auto-reverse represents an immigrant’s return to their homeland, the title reflecting his self-reversal from immigrant to Cuban national. The skyline serves as a symbol of the developed world, visually at odds with the swimmer’s rudimentary and improvised – although highly allegoric – method of departure. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508267913298-OWP8NQDTXT3N1NQFC0FZ/MartinezGonzalez2014_025.jpg Frank Martínez https://www.cubanartresources.org/luis-gomez daily 0.75 2017-11-04 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509825357222-O9RSMP2K2D0DZYGDNG1W/AO840-01_mid.jpg Luis Gómez - Sin título, del portafolio Contemporary Prints from Cuba (Untitled, from the portfolio Contemporary Prints from Cuba), 1998. Five run lithograph on Rives BFK tan. 22 x 30 in. Ed. 18/45 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509997822792-6EV0WJAR9QJ2HJ16DK5W/Gomez2014.099.07.jpg Luis Gómez https://www.cubanartresources.org/glexis-novoa daily 0.75 2017-10-17 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508000054802-M72XULJLQ4BRE945QTSO/AO249-01_mid.jpg Glexis Novoa - Carlos y Acela, de la serie Etapa Práctica (Carlos and Acela, from the series Practical Stage), 1990. Oil on canvas. 31 x 39 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508000055057-M4WX2PH34YUFPBQ5ALKT/AO870-01_mid.jpg Glexis Novoa - 37 Auténticos Tabacos (37 Authentic Cigars), 1986. Metal box and ink, crayon, colored pencil, marker, cut-and-pasted printed paper and photographs on card stock 37 cards of 5 x 3 5/8 in. each. Box: 5 1/2 x 4 x 1 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508000055186-BXPT98B3775MP3OST25S/AO967-01_mid.jpg Glexis Novoa - Pesos Convertibles (Convertible Pesos), 2014. Acrylic on canvas. 79 x 79 in. In his Practical Stage series, Glexis Novoa used the visual language of totalitarian propaganda, characterized by strong colors, grand scale, rigid symmetry, and simple but aggressive compositions. This series was interrupted when the artists left Cuba in 1992. In 2014, Novoa opened the exhibition Painting on Canvas at Juan Ruiz Gallery in Miami, which marked his return to painting and to this particular iconography, after more than twenty years of working on different mediums, concepts, and styles. The show was a reexamination of that early period of his work, using similar forms, but focusing on different subject matters such as the new Cuban reality, or the artist’s interest in Buddhism. In “Sutta II (Micro-chip)”, Novoa represents some of the most recognizable symbols of that religion in a more abstract way, deconstructing and reinterpreting them. “Pesos convertibles”, on the other hand, offers a critical reflection on how intricate and inefficient is the monetary system in Cuba. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508000055542-LGRQU7B3E1N66G7INKY0/AO979-01_mid.jpg Glexis Novoa - Sutta II (Micro-Chip), 2014. Acrylic on canvas. 39 5/16 x 39 5/16 in. In his Practical Stage series, Glexis Novoa used the visual language of totalitarian propaganda, characterized by strong colors, grand scale, rigid symmetry, and simple but aggressive compositions. This series was interrupted when the artists left Cuba in 1992. In 2014, Novoa opened the exhibition Painting on Canvas at Juan Ruiz Gallery in Miami, which marked his return to painting and to this particular iconography, after more than twenty years of working on different mediums, concepts, and styles. The show was a reexamination of that early period of his work, using similar forms, but focusing on different subject matters such as the new Cuban reality, or the artist’s interest in Buddhism. In “Sutta II (Micro-chip)”, Novoa represents some of the most recognizable symbols of that religion in a more abstract way, deconstructing and reinterpreting them. “Pesos convertibles”, on the other hand, offers a critical reflection on how intricate and inefficient is the monetary system in Cuba. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508000055417-PJB7GJJRFE08SRZPPPB3/AO1014-01_mid.jpg Glexis Novoa - No tengo palabras para expresar mi emoción (I Have No Words to Express My Emotion), 1987. Enamel on wood with mechanical parts. Object: 24 3/4 x 13 1/2 x 2 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508268395793-ODOL1EMWVL0OJWJ1L4E3/Novoa2014_183.jpg Glexis Novoa https://www.cubanartresources.org/ileana-mulet daily 0.75 2017-10-14 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508003808742-WZKMDVZ7C7431C00YUWV/AO61-01_mid.jpg Ileana Mulet - Untitled, 2008. Oil on canvas. 35 1/2 x 43 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508268992278-JRPWUDCDYOTJZ8PE4MSP/2008.158.jpg Ileana Mulet https://www.cubanartresources.org/julio-girona daily 0.75 2018-03-23 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509215059115-OROU1FPP9V06B1K3C7P5/AO336-01_mid.jpg Julio Girona - Olga, n.d. Oil on paper. 23 1/4 x 19 11/16 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509997294181-BTKAM4YGXLYQLN20MVDY/2010.054%3Bmain%3BOverall+image.jpg Julio Girona https://www.cubanartresources.org/kadir-lopez daily 0.75 2017-11-06 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509215807710-9VVITKOGZT130U0M6R4P/AO11-01_mid.jpg Kadir López - Todo (Everything), 1990. Acrylic on canvas. 53 x 65 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509215807748-Q5J5SJYOH4A8N61SWJPY/AO26-01_mid.jpg Kadir López - Memoria 1926 (Memory 1926), 2001. Oil on canvas. 35 1/4 x 46 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509215807917-7DQMOHPE1C7QOBOETZ79/AO27-01_mid.jpg Kadir López - Los caballeros la prefieren rubia (Gentlemen Prefer Her Blonde), 1990. Oil on canvas. 35 1/4 x 47 1/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509215807940-1H4X84JNC8X29UTJRKE5/AO44-01_mid.jpg Kadir López - Shell, 2008. Mixed media on porcelain-laquered steel. 46 x 46 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509215808108-LUAD06KMQZKY11TT7VV2/AO75-01_mid.jpg Kadir López - Gulliver Punch, 1997. Watercolor on paper. 11 x 14 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509215808091-N6UT8M9S4JIM7YWHIF19/AO388-01_mid.jpg Kadir López - Gallo (Rooster), 1998. Fiberglass and resins. 21 x 12 x 8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509997408965-X0VVQ932RC0Z9SU1DFJR/2008.140%3Bmain%3BOverall+image.jpg Kadir López https://www.cubanartresources.org/leslie-sardinias daily 0.75 2017-11-06 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509218238674-BAFFUD3FCX22JJWEG26K/AO856-01_mid.jpg Leslie Sardinias - Aguas Malas (Bad Waters), 2014. Oil, acrylic, enamel, India ink, charcoal, metallic ink and polyester polyamide on polyester fabric. 66 x 47 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509218238893-7BRI2HNR5YORSDLLWWVU/AO857-01_mid.jpg Leslie Sardinias - Metamorfosis (Metamorphosis), 2014. Crayon, pencil, India ink, metallic ink, liquid watercolor, polyester polyamide and enamel on Japanese paper. Nine panels of 24 x 26 in. each https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509218238877-103OGH56AMI45WLDC5MX/AO866-01_mid.jpg Leslie Sardinias - Aproximación (Approximation), 2013. Enamel and acrylic on canvas and velvet. 20 x 16 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509997622710-L70PW0784L8CK1VB9FTN/Sardinas2014_124.jpg Leslie Sardinias https://www.cubanartresources.org/lazaro-saavedra daily 0.75 2017-11-06 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509825706153-VZL0ZULRYRVMX3EJX5GJ/AO958-01_mid.jpg Lázaro Saavedra - En tercera persona (In Third Person), 1985. Acrylic and pastel on paper. 20 1/4 x 28 7/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509825706174-67YT0YA6A0WFYK62KGCX/AO959-01_mid.jpg Lázaro Saavedra - Ayuda a un introvertido (Helping an Introverted), 1985. Acrylic and pastel on paper. 19 7/8 x 28 7/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509825706885-REA8B39WQPEATWMFV0FL/AO964-01_mid.jpg Lázaro Saavedra - Perdió la cabeza (Lost His Head), 1984. Acrylic and pastel on paperboard. 27 5/8 x 19 5/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509825706521-WYRUJLVP40B08O09FTLE/AO960-01_mid.jpg Lázaro Saavedra - La clase de anatomía (The Anatomy Class), 1985. Acrylic, pencil and pastel on paper. 20 1/8 x 28 7/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509825706462-1UNXJPJP9IKMQZO5CQ50/AO961-01_mid.jpg Lázaro Saavedra - Untitled, 1999. Acrylic and graphite on posterboard. 29 7/8 x 22 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509825706660-7NENHZNQHFWV7UTKIHQM/AO962-01_mid.jpg Lázaro Saavedra - Lógica Paradójica (Paradoxical Logic), 1999. Acrylic, pen and graphite on posterboard. 30 x 22 in. Saavedra is foremost a conceptual artist, one who uses humor as a way to reflect on the complexities of society, humanity’s problems, and the intricate realities of our world. For this 1999 series of drawings, the artist avoided his characteristically humorous agenda and created works that focus on the wisdom, quietness, and spiritual calm of oriental religions. A sense of serenity is achieved through basic compositions, the meditative poses of the characters, and an earthy palette of ochre and gold. Despite the absence of Saavedra’s vernacular humor, other elements present in his works still remain, such as the use of the simplest images to address highly elaborated ideas and ethical judgments.   https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509825706788-0PFCVC78KMU7UZGLKC5U/AO963-01_mid.jpg Lázaro Saavedra - Obra inconclusa (Unfinished Work), 1999. Acrylic and ink on posterboard. 27 1/2 x 20 in. Saavedra is foremost a conceptual artist, one who uses humor as a way to reflect on the complexities of society, humanity’s problems, and the intricate realities of our world. For this 1999 series of drawings, the artist avoided his characteristically humorous agenda and created works that focus on the wisdom, quietness, and spiritual calm of oriental religions. A sense of serenity is achieved through basic compositions, the meditative poses of the characters, and an earthy palette of ochre and gold. Despite the absence of Saavedra’s vernacular humor, other elements present in his works still remain, such as the use of the simplest images to address highly elaborated ideas and ethical judgments. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509997912958-6C5VF1GJTLAUMUGTWHBB/Gonzalez2014_180.jpg Lázaro Saavedra https://www.cubanartresources.org/jose-manuel-fors daily 0.75 2017-10-23 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508615943219-KQIWU4RN4IZDHCPTUNNI/AO949-01_mid.jpg José Manuel Fors - Untitled, 2013. Collage of silver gelatin prints and found object. 35 7/16 in. diameter https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508770595370-40E3RIRXU3F47M0NJLTL/ManuelFors2014_162.jpg José Manuel Fors https://www.cubanartresources.org/juan-moreira daily 0.75 2017-10-28 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509210233003-2KLCIRBSKRR9LFLE7HEZ/AO425-01_mid.jpg Juan Moreira - Untitled, 2010. Acrylic on canvas. 31 3/4 x 25 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509997162914-TFNJP7FXH5CK856S1457/Moreira2011_004.jpg Juan Moreira https://www.cubanartresources.org/juan-padron daily 0.75 2017-10-28 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509210560263-1CPWN8ZU0QQW9IA4IOQ8/AO618-01_mid.jpg Juan Padrón - La gran estaca (The Great Stake), 2013. Acrylic on canvas. 39 x 46 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509997069572-9EQBRKGHB1F6JK9I3DTL/Padron+-+Great+Stake+.jpg Juan Padrón https://www.cubanartresources.org/luis-enrique-camejo daily 0.75 2017-11-06 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509824864268-8WFMJ30CJV1WCZKNOVTS/AO528-01_mid.jpg Luis Enrique Camejo - Sin título, de la serie Malecón (Untitled, from the series Malecon), 2012. Acrylic on canvas. 71 x 77 3/4 in. Luis Enrique Camejo is known for his large monochromatic canvases depicting scenes of daily life in Cuba, specifically Havana. This piece from the "Malecón" series is set on the iconic seaside esplanade. The night sky is illuminated by streetlamps as people stroll and embrace along the wall. The combination of dynamic brushstrokes with thin layers of paint emphasizes reflection, giving the viewer the sensation that the paint and the scene are drenched in water. Camejo’s technique transforms the static cityscape into a fleeting, temporal snapshot, which reflects our relationship to the surrounding world, and emphasizes the fast pace of our environment.   https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509824864244-M9EAT585Q0YJBGN9WWUO/AO815-01_mid.jpg Luis Enrique Camejo - New York, de la serie Ciudades (New York, from the series Cities), 2014. Acrylic on linen. 78 1/2 x 78 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509824864532-UC4C3NBXZ0JFPS39GWS1/AO816-01_mid.jpg Luis Enrique Camejo - New York, de la serie Ciudades (New York, from the series Cities), 2012. Acrylic on linen. 78 1/2 x 70 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509997750440-SS31MPYKXQUY9JF0ZEYJ/C2012.129%3Bmain%3BOverall+image.jpg Luis Enrique Camejo https://www.cubanartresources.org/jose-bedia daily 0.75 2019-03-15 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508614404370-929XIOQ0C3UGBFQVALSU/AO265-01_mid.jpg José Bedia - Otra vez en camino (Once Again on the Road), 2005. Oil on canvas. 29 x 22 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508614404588-YSPVL22GC6TPFXK6AXRG/AO322-01_midA.jpg José Bedia - Untitled, 2000. Crayon, pastel and nails on animal skin. 23 1/4 x 23 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508614404870-6CJFSYE9NPJ5F9LVPJ0N/AO443-01_mid.jpg José Bedia - Ngulu, 2010. Oil on canvas. 71 x 84 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508614404917-C2LACE8S21HWU4IOE2CV/AO643-01_mid.jpg José Bedia - Amanecida en el desierto (Dawn in the Desert), 2013. Acrylic on canvas. 73 x 106 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508614405083-5I8A7IKRKW44Y2XQ8NGU/AO644-01_mid.jpg José Bedia - Le diable marque un autre cul vierge (The Devil Marks Another Virgin Ass), 2013. Acrylic on canvas. 40 1/2 x 71 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508614405064-NSO1A63D0H8B1J6TG4ZG/AO778-01_mid.jpg José Bedia - El rompimiento, El amarre, El patakí (The Breaking, The Tying, The Legend), 2013. Acrylic on canvas three panels of 29 1/2 x 47 3/4 in. each https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508614405343-KZNDC7Y4R9TE1A0EENFT/AO978-01_mid.jpg José Bedia - Nkuenda Ntondele Nkuame Pata Llaga, 2013. Acrylic on canvas. 66 x 50 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508614405372-6WPFHBVKGCT9EQQJCMK8/AO986-01_mid.jpg José Bedia - Dueño de truenos, rayos y granizos (Master of Thunder, Lightning and Hail), 2010. Acrylic on canvas. 84 x 154 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508614405562-0H8XQXKYG07YICV2EFGH/AO987-01_mid.jpg José Bedia - Aquella tarde cazando Onas (That Afternoon Hunting Onas), 2008. Mixed media on paper https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508614405726-NKTJ4EEU2G9C61GFT0J5/AO988-01_mid.jpg José Bedia - Historia del animal que no quizo aprender (Story of the Animal that Did Not Want to Learn), 2008. Mixed media on paper. 44 1/2 x 107 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508614405791-PO27UIA0GMS0O9MJ04B7/AO989-01_mid.jpg José Bedia - Adúltera (Adulteress), 2011. Acrylic on canvas. 51 1/4 x 132 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508614405946-S6ZO0PD2MDSYR867JO21/AO991-01_mid.jpg José Bedia - Montaña hembra (Female Mountain), 2004. Oil on canvas. 70 1/2 x 99 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508770422128-8E7IAQKOW7PTO1UDEQYA/JOBE112C.jpg José Bedia https://www.cubanartresources.org/jose-rodrguez-fuster daily 0.75 2017-10-23 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508616727784-B680ZCH1G3FH9QDDT77Q/AO7-01_mid.jpg José Rodríguez Fuster - Te doy una canción (I Give You a Song), 1997. Acrylic on canvas. 36 x 26 5/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508616727943-PJ7EG4ZW1CTFC21FEBLA/AO36-01_mid.jpg José Rodríguez Fuster - Camello (Camel), 2002. Ceramic mural. 40 x 72 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508616728083-EBHY7Q7N6IEKGRKL1W93/AO37-01_mid.jpg José Rodríguez Fuster - La Cena (The Supper), 2007. Ceramic mural. 23 1/4 x 39 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508616728138-UA0RZYAYCU3GH1LIEXLZ/AO38-01_mid.jpg José Rodríguez Fuster - Dominó violeta (Violet Domino), 2008. Oil on canvas. 45 1/2 x 35 5/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508616728373-FL3FQC1EGDAARGWMXI3F/AO40-01_mid.jpg José Rodríguez Fuster - Gallo en la noche (Rooster at Night), 2008. Oil on canvas. 65 x 45 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508616728606-W7JXLOMVBY1D9D787IM9/AO41-01_mid.jpg José Rodríguez Fuster - Jugando Dominó (Playing Domino), 2007. Ceramic mural. 23 1/2 x 29 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508616728533-9243SUEGJOYI6VBMJ6F5/AO42-01_mid.jpg José Rodríguez Fuster - Paisaje azul (Blue Landscape), 2008. Oil on canvas. 62 3/4 x 25 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508616728807-5WL6LMA3U8C3DAEZX2CE/AO43-01_mid.jpg José Rodríguez Fuster - Gallo en la noche (Rooster at Night), 2008. Oil on canvas. 65 x 45 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508616728962-L0MQPRTXU8VT889DRNVR/AO51-01_mid.jpg José Rodríguez Fuster - Untitled, 2002. Watercolor on paper. 16 x 12 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508616729015-14RGITHSZU0RPDKAWF3Q/AO886-01_mid.jpg José Rodríguez Fuster - Sin Título (Untitled), 2014. Oil on canvas. 39 1/4 x 31 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508616906798-YIKCZ1A5S4W8CMX5N1K3/AO39-01_mid.jpg José Rodríguez Fuster - Entrada de Fuster (Entrance to Fuster), 2008. Oil on digitally printed canvas. 39 3/8 x 52 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508770671455-JP31FSXTMBJAKJK3Y14K/Fuster2014_143.jpg José Rodríguez Fuster https://www.cubanartresources.org/franklin-alvarez daily 0.75 2017-10-17 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507999396601-HCMDKGDX9RJ78W86XC3U/AO135-01_mid.jpg Franklin Álvarez - Pintor fuerte (Strong Painter), 2001. Watercolor on paper. 30 x 22 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507999396552-V0YNDKNSQFUXZ113SK6A/AO136-01_mid.jpg Franklin Álvarez - Untitled, 2004. Watercolor on paper. 20 1/4 x 29 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507999396708-3MNTCM040P6WM0L6HROS/AO306-01_mid.jpg Franklin Álvarez - Untitled, 2004. Watercolor on paper. 29 x 20 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508268154196-D8UU6GI1RW7O72CTYX34/Alvarez2010_023.jpg Franklin Álvarez https://www.cubanartresources.org/jose-angel-toirac daily 0.75 2017-10-23 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508618484064-RF157KY1JFU0U6F683UK/AO279-01_mid.jpg José Ángel Toirac - Galiano y Barcelona, de la serie Peregrinaje (Galiano and Barcelona, from the series Pilgrimage), 2009. Acrylic and gold leaf on wood, black-and-white photograph. 29 x 19 1/2 x 1 1/2 in. José Ángel Toirac’s practice is anchored in concepts such as the version of truth contained in archival images and the assumption that history is a vulnerable and fragile field that can be abused and manipulated. The series "Peregrinaje" (Pilgrimage) is a collaboration between Toirac and photographer Ricardo G. Elías, and it is centered on the photographs that Walker Evans took in Havana in 1933 for the book "The Crime of Cuba" by Carleton Beals. Toirac and Elías reproduced the entire journey that Evans undertook, searching for the locations and imitating the visual perspectives used by the American photographer. "Peregrinaje" becomes a conscious and meticulously-planned recompilation of recycled components: from retaking Evans’ existing images to the used material, such as found pieces of wood; or the gold leaf imported from Spain, a symbolic way to bring back to Cuba the gold that Spanish colonialism took from it. It is evident how different today’s reality is from the images taken by Evans in Havana more than eighty years ago. However, the series also speaks about things that remain immutable: the charm, wisdom and mystery of a city that manages to stand tall in adverse times, and the resistance and perennial resourcefulness of its people to face and enjoy life https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508618484095-7Y4OV7GBKU9AOJZEZ68E/AO280-01_mid.jpg José Ángel Toirac - San José y Paseo del Prado, de la serie Peregrinaje (San Jose and Paseo del Prado, from the series Pilgrimage), 2009. Acrylic and gold leaf on wood, black-and-white photograph. 29 x 19 1/2 x 1 1/2 in. José Ángel Toirac’s practice is anchored in concepts such as the version of truth contained in archival images and the assumption that history is a vulnerable and fragile field that can be abused and manipulated. The series "Peregrinaje" (Pilgrimage) is a collaboration between Toirac and photographer Ricardo G. Elías, and it is centered on the photographs that Walker Evans took in Havana in 1933 for the book "The Crime of Cuba" by Carleton Beals. Toirac and Elías reproduced the entire journey that Evans undertook, searching for the locations and imitating the visual perspectives used by the American photographer. "Peregrinaje" becomes a conscious and meticulously-planned recompilation of recycled components: from retaking Evans’ existing images to the used material, such as found pieces of wood; or the gold leaf imported from Spain, a symbolic way to bring back to Cuba the gold that Spanish colonialism took from it. It is evident how different today’s reality is from the images taken by Evans in Havana more than eighty years ago. However, the series also speaks about things that remain immutable: the charm, wisdom and mystery of a city that manages to stand tall in adverse times, and the resistance and perennial resourcefulness of its people to face and enjoy life https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508618484505-0FX4PQBLTRWCRQXBYI0A/AO281-01_mid.jpg José Ángel Toirac - Malecón, de la serie Peregrinaje (Malecon, from the series Pilgrimage), 2009. Acrylic and gold leaf on wood, black-and-white photograph. 19 1/2 x 29 x 1 1/2 in. José Ángel Toirac’s practice is anchored in concepts such as the version of truth contained in archival images and the assumption that history is a vulnerable and fragile field that can be abused and manipulated. The series "Peregrinaje" (Pilgrimage) is a collaboration between Toirac and photographer Ricardo G. Elías, and it is centered on the photographs that Walker Evans took in Havana in 1933 for the book "The Crime of Cuba" by Carleton Beals. Toirac and Elías reproduced the entire journey that Evans undertook, searching for the locations and imitating the visual perspectives used by the American photographer. "Peregrinaje" becomes a conscious and meticulously-planned recompilation of recycled components: from retaking Evans’ existing images to the used material, such as found pieces of wood; or the gold leaf imported from Spain, a symbolic way to bring back to Cuba the gold that Spanish colonialism took from it. It is evident how different today’s reality is from the images taken by Evans in Havana more than eighty years ago. However, the series also speaks about things that remain immutable: the charm, wisdom and mystery of a city that manages to stand tall in adverse times, and the resistance and perennial resourcefulness of its people to face and enjoy life https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508618484635-MYITZ8UC4JK0PJNHOSXM/AO430-01_mid.jpg José Ángel Toirac - Línea y M, de la serie Peregrinaje (Linea and M, from the series Pilgrimage), 2009. Acrylic and gold leaf on wood, black-and-white photograph. 19 1/2 x 29 x 1 1/2 in. José Ángel Toirac’s practice is anchored in concepts such as the version of truth contained in archival images and the assumption that history is a vulnerable and fragile field that can be abused and manipulated. The series "Peregrinaje" (Pilgrimage) is a collaboration between Toirac and photographer Ricardo G. Elías, and it is centered on the photographs that Walker Evans took in Havana in 1933 for the book "The Crime of Cuba" by Carleton Beals. Toirac and Elías reproduced the entire journey that Evans undertook, searching for the locations and imitating the visual perspectives used by the American photographer. "Peregrinaje" becomes a conscious and meticulously-planned recompilation of recycled components: from retaking Evans’ existing images to the used material, such as found pieces of wood; or the gold leaf imported from Spain, a symbolic way to bring back to Cuba the gold that Spanish colonialism took from it. It is evident how different today’s reality is from the images taken by Evans in Havana more than eighty years ago. However, the series also speaks about things that remain immutable: the charm, wisdom and mystery of a city that manages to stand tall in adverse times, and the resistance and perennial resourcefulness of its people to face and enjoy life https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508618484777-MXB5G7ITEMNH03E0TBJI/AO506-01_mid.jpg José Ángel Toirac - Sin Título (Ché) [Untitled (Che)], 2010. Acrylic and gold leaf on wood. 13 1/2 x 29 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508618484973-2U041F29PPLJEKLRNOU0/AO512-01_mid.jpg José Ángel Toirac - Pantócrator (Pantocrator), 2012. Gold leaf and oil on canvas. 35 1/2 x 72 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508618484945-KA6CNOHW9VUKSPBQN165/AO547-01_mid.jpg José Ángel Toirac - Sin título (Che y Fidel), de la serie Gris (Untitled (Che and Fidel), from the series Gray), 2003. Oil on canvas. 70 1/2 x 46 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508618485103-GWWDDFMAUW4BF8Y2MZ0J/AO617-01_mid.jpg José Ángel Toirac - La muerte en pelota (Homenaje a Antonia Eiriz) (Dead by Baseball [Homage to Antonia Eiriz)], 2013. Silver and oil on canvas. 39 5/8 x 59 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508618485248-7FJP3O9OX3JN0UVX2GRE/AO784-01_mid.jpg José Ángel Toirac - Looking for Happiness, 2014. Archival pigment on Hahnemuhle German etching 310 gsm paper. 23 x 30 1/2 in. Toirac and Marrero frequently juxtapose archival propaganda photographs of Cuba’s leaders with familiar commercial logos as a way to question, critique, and parody the constructed narratives of the Revolution. Through this pairing, the artists lead the viewer to question the relationship between two forms of visual communication: the images of political figures and promotional symbols of corporate capitalism. In "Looking for Happiness", a photograph of Ernest Hemmingway superimposed onto an idyllic beach, is contrasted with one of Ernesto Che Guevara sipping a Coca-Cola. The piece posits two 20th century heroic male figures, the former who chose to pursue fiction, and the latter who decided to shape a new reality. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508618485219-FKLAAAB0F04M3ACKZYYZ/AO843-01_mid.jpg José Ángel Toirac - La Inmortalidad, del portafolio Contemporary Prints from Cuba (Immortality, from the portfolio Contemporary Prints from Cuba), 1998. Flatbed offset lithograph in one color on Arches cover white. 30 x 22 in. Ed. 18/45 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508618485476-XO2A509T3BLZD9FWLPX3/AO891-01_mid.jpg José Ángel Toirac - Sin título, de la serie Orbis. Tributo a Walker Evans (Untitled, from the series Orbis. Tribute to Walker Evans), 2009. Acrylic and gold leaf on wood. 9 1/4 x 6 3/4 x 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508618485549-GC4V63LG4N4ZB842CL2G/AO892-01_mid.jpg José Ángel Toirac - Sin título, de la serie Orbis. Tributo a Walker Evans (Untitled, from the series Orbis. Tribute to Walker Evans), 2009. Acrylic and gold leaf on wood. 7 x 8 1/4 x 1 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508618485717-P817GNT3C2MU3E4K9XS1/AO893-01_mid.jpg José Ángel Toirac - Sin título, de la serie Orbis. Tributo a Walker Evans (Untitled, from the series Orbis. Tribute to Walker Evans), 2009. Acrylic and gold leaf on wood. 7 1/4 x 6 x 1 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508618485799-CYC7YB2P9N20GK8XW0CS/AO894-01_mid.jpg José Ángel Toirac - Hilario, de la serie Orbis. Tributo a Walker Evans (Hilario, from the series Orbis. Tribute to Walker Evans), 2009. Acrylic and gold leaf on wood. 7 3/4 x 5 1/2 x 1 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508618486043-WYDB4OE38SGFEUH6DMLJ/AO895-01_mid.jpg José Ángel Toirac - Negro dormido, de la serie Orbis. Tributo a Walker Evans (Black Asleep, from the series Orbis. Tribute to Walker Evans), 2009. Acrylic and gold leaf on wood. 6 5/8 x 8 x 1 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508618486085-0ILT0GCPQZZU7ESAFW60/AO896-01_mid.jpg José Ángel Toirac - Negro dormido, de la serie Orbis. Tributo a Walker Evans (Black Asleep, from the series Orbis. Tribute to Walker Evans), 2009. Acrylic and gold leaf on wood. 6 5/8 x 8 x 1 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508618486258-P86I1BO7EUOH9WICYPSU/AO897-01_mid.jpg José Ángel Toirac - M.V., de la serie Orbis. Tributo a Walker Evans (M.V., from the series Orbis. Tribute to Walker Evans), 2009. Acrylic and gold leaf on wood. 8 3/4 x 7 1/2 x 1 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508618486373-IESUNHSVLTXEZ8D7O9US/AO898-01_mid.jpg José Ángel Toirac - Sin título, de la serie Orbis. Tributo a Walker Evans (Untitled, from the series Orbis. Tribute to Walker Evans), 2009. Acrylic and gold leaf on wood. 8 x 9 x 1 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508618486553-BMHVBXCG6ZRMSNE5Q3PL/AO899-01_mid.jpg José Ángel Toirac - Sin título, de la serie Orbis. Tributo a Walker Evans (Untitled, from the series Orbis. Tribute to Walker Evans), 2009. Acrylic and gold leaf on wood. 8 1/8 x 9 1/4 x 1 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508618486583-84AZF20K8F2V12STJZBV/AO900-01_mid.jpg José Ángel Toirac - Sin título, de la serie Orbis. Tributo a Walker Evans (Untitled, from the series Orbis. Tribute to Walker Evans), 2009. Acrylic and gold leaf on wood. 11 3/4 x 9 1/2 x 1 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508618487440-X51B9OCTHNRZZ6ZYKDAD/AO901-01_mid.jpg José Ángel Toirac - Sin título, de la serie Orbis. Tributo a Walker Evans (Untitled, from the series Orbis. Tribute to Walker Evans), 2009. Acrylic and gold leaf on wood. 13 7/8 x 11 3/4 x 1 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508618487044-GJNHRCNDZT7ZPFMEKQV1/AO902-01_mid.jpg José Ángel Toirac - Sin título, de la serie Orbis. Tributo a Walker Evans (Untitled, from the series Orbis. Tribute to Walker Evans), 2009. Acrylic and gold leaf on wood. 6 3/4 x 14 1/2 x 1 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508618488350-57M837O1QD6U1Z6IDN7B/AO903-01_mid.jpg José Ángel Toirac - Negro, de la serie Orbis. Tributo a Walker Evans (Black, from the series Orbis. Tribute to Walker Evans), 2009. Acrylic and gold leaf on wood. 12 3/4 x 7 1/4 x 1 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508618488386-OFONE07AEZ37YXH3IWIB/AO904-01_mid.jpg José Ángel Toirac - Frutas, de la serie Orbis. Tributo a Walker Evans (Fruits, from the series Orbis. Tribute to Walker Evans), 2009. Acrylic and gold leaf on wood. 7 3/4 x 17 1/4 x 1 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508618488907-GMQ5SLN6NWK7M50JJDBV/AO905-01_mid.jpg José Ángel Toirac - Cola, de la serie Orbis. Tributo a Walker Evans (Line, from the series Orbis. Tribute to Walker Evans), 2009. Acrylic and gold leaf on wood. 8 x 15 x 1 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508618488873-9HNGLABZ23M4LOKELQS1/AO906-01_mid.jpg José Ángel Toirac - De la serie Orbis. Tributo a Walker Evans (From the series Orbis. Tribute to Walker Evans), 2009. Acrylic and gold leaf on wood. 12 1/2 x 8 x 1 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508618489670-PKYBT2EAZJ0KSBVV7WVI/AO907-01_mid.jpg José Ángel Toirac - Veterano, de la serie Orbis. Tributo a Walker Evans (Veteran, from the series Orbis. Tribute to Walker Evans), 2009. Acrylic and gold leaf on wood. 14 1/4 x 9 x 1 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508618489743-UARBLW45K21YYEXGA6BZ/AO908-01_mid.jpg José Ángel Toirac - Perfil (Profile), 2007-2014. Digital print on card stock. Twenty-two tarot cards of 4 1/4 x 2 3/8 in. each https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508618490069-C04MQ6UTT127VHEA5BY6/AO909-01_mid.jpg José Ángel Toirac - Vanitas (Calavera del Che) [Vanitas (Skull of Che)], 2009. Acrylic and gold leaf on wood. 14 1/4 x 15 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508618490142-SI0FN5579AV3IXA0CA2U/AO910-01_mid.jpg José Ángel Toirac - Longa Vita Brevis (Ulises y Aquiles) [Longa Vita Brevis (Ulysses and Achilles)], 2014. Graphite and gold leaf on paper. Two panels of 18 x 57 in. each https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508770869495-3FLCA8FIQ68IKL91JJWP/C2012.085%3Bmain%3BOverall+image%283%29.jpg José Ángel Toirac https://www.cubanartresources.org/harold-vazquez-ley daily 0.75 2017-10-17 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508000560957-SDRCT9TCXAV6AKJTE4GW/AO589-01_mid.jpg Harold Vázquez Ley - De la serie Límites de salación (From the series Limits of Salting), 2009. Digital C-print. 23 5/8 x 35 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508000559827-MVFTRKGWGKME80D24ENH/AO590-01_mid.jpg Harold Vázquez Ley - De la serie Límites de salación (From the series Limits of Salting), 2009. Digital C-print. 23 5/8 x 35 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508000562316-6WM5155HNETZIK0FKQQ5/AO591-01_mid.jpg Harold Vázquez Ley - De la serie Límites de salación (From the series Limits of Salting), 2009. Digital C-print. 23 5/8 x 35 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508000561242-N4BGWJ032JNK85LU1TD5/AO592-01_mid.jpg Harold Vázquez Ley - De la serie Límites de salación (From the series Limits of Salting), 2009. Digital C-print. 23 5/8 x 35 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508268529591-9JAQ27IWAZ8RIZDHP5AE/Vazquez+Ley+-+Limits+of+salination+2+.jpg Harold Vázquez Ley https://www.cubanartresources.org/jacqueline-brito daily 0.75 2017-10-17 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508004674647-AN0MMAK5O7875TC6ZFDO/AO50-01_mid.jpg Jacqueline Brito - De la serie Espejismos (From the series Mirages), 2007. Oil and glass on canvas. 15 3/4 x 15 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508004674665-UPJL3HZC3K4XFRXR2HH2/AO516-01_mid.jpg Jacqueline Brito - Tolerancia (Tolerance), 2011. Oil and molded clay on canvas. 79 1/4 x 8 3/4 x 1 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508004675150-XL07NOIJ0U1Z6T0D880M/AO1012-01_mid.jpg Jacqueline Brito - La caja de Pandora (Pandora's Box), 2003. Oil, wood veneer and metal on linen. 13 x 9 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508004675056-7GSUIBYTEHWB2MQ7ZDDX/AO837-01_mid.jpg Jacqueline Brito - Tradición, del portafolio Contemporary Prints from Cuba (Tradition, from the portfolio Contemporary Prints from Cuba), 1998. Flatbed offset lithograph in four colors on. Arches cover white. 30 x 22 in. Ed. 18/45. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508269055503-YMAGW1LUPK19UQSQ1S7M/2008.146.jpg Jacqueline Brito https://www.cubanartresources.org/manuel-mendive daily 0.75 2017-11-27 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1510428079891-VSZZ2DESK7XKCL28IVVM/AO17-01_mid.jpg Manuel Mendive - Untitled, 1986. Pastel on paper. 18 1/2 x 22 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1510428079881-OAV2L30IV2J9X2VOB5A9/AO63-01_mid.jpg Manuel Mendive - Untitled, 2009. Oil on board. 23 1/2 x 31 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1510428080404-6UUPSLFPVX0PFJZXFH7R/AO84-01_mid.jpg Manuel Mendive - Untitled, 2008. Pastel on paper. 22 x 30 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1510428080636-WI6R77I5NRLVUU0KTJAW/AO85-01_mid.jpg Manuel Mendive - Untitled, 2008. Pastel on paper. 22 x 30 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1510428080717-BUB3KIKPZQTQB0V48QS8/AO101-01_mid.jpg Manuel Mendive - Gallina (Chicken), 2003. Bronze. 14 x 14 x 8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1510428080839-OKWEWWFK6M81DRNWUY1X/AO226-01_mid.jpg Manuel Mendive - Mi pez y yo (My Fish and I), 2008. Iron and African shells on wood base. 19 3/4 x 13 3/4 x 9 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1510428081000-TB0L60AQW6REZWOG4CQ6/AO282-01_mid.jpg Manuel Mendive - Untitled, 2009. Oil on board. 23 1/2 x 31 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1510428081127-C3JACW3O9MGDGBZULEJQ/AO311-01_mid.jpg Manuel Mendive - Compartir (Share), 2009. Acrylic on canvas. 33 x 39 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1510428081213-7MXA9CTAVK5RXP2ZWNXP/AO312-01_mid.jpg Manuel Mendive - Untitled, 2007. Acrylic on canvas. 19 3/4 x 17 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1510428081369-CNTJ5SI1RKCT0YEJ8H00/AO327-01_mid.jpg Manuel Mendive - Untitled, 1993. Oil on paper. 19 x 27 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1510428081358-OOSR65K1PLRN30ACRLJX/AO396-01_mid.jpg Manuel Mendive - Mi gallo (My Rooster), 2009. Polychrome cement and sea shells. 19 1/2 x 12 x 16 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1510428081653-Y9NWA5W1NJSHHAVA74G0/AO427-01_mid.jpg Manuel Mendive - Untitled, 1986. Pastel on paper. 18 x 22 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1510428081584-SA6U0VNGKB63SYFV5H7V/AO661-01_mid.jpg Manuel Mendive - Untitled, 2007. Polychrome cement and shells. 11 x 5 x 4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1510428081781-ILXFSPZKNVSDF22DEC2M/AO662-01_mid.jpg Manuel Mendive - Untitled, 2011. Acrylic on stone with wire and rope. 15 x 13 x 1 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1510428081961-7I92GI5G0FPF5UMAXLHW/AO916-01_mid.jpg Manuel Mendive - Fe (Faith) 2009, Bronze. 12 x 13 x 10 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1510428082043-1JELJH66JGLFOLBYIH6B/AO976-01_mid.jpg Manuel Mendive - Untitled, 1992. Acrylic and color pencil on paper. 28 x 38 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1510428082203-NYF5TJ9YMSJ9YI0TTA35/AO992-01_mid.jpg Manuel Mendive - En tiempos de armonía (In Times of Harmony), 1986. Oil on canvas. 46 x 75 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1510428082331-6NECA7QFLVWC1E5K6IXT/AO999-01_mid.jpg Manuel Mendive - Afefe, 1984. Tempera on heavy paper. 13 1/2 x 18 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511798574097-JIDKQSXSFCX2EI40C41O/2008.108%3Bmain%3BOverall+image.jpg Manuel Mendive https://www.cubanartresources.org/flora-fong daily 0.75 2017-10-14 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1507996847128-PMD30X5SUBI8TD473V7L/AO499-01_mid.jpg Flora Fong - Girasol (Sunflower), 1996. Oil on canvas. 31 1/2 x 25 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508267879322-L7BO8MLBG64MII68P8XN/C2012.058%3Bmain%3BOverall+image.jpg Flora Fong https://www.cubanartresources.org/humberto-castro daily 0.75 2017-10-17 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508000935468-JW3TE6FEMV14QDVB7F76/AO786-01_mid.jpg Humberto Castro - - Ya estoy lista, voy a salir, de la serie Cuatro segundos de papel (- I'm Ready, I'm Going Out, from the series Four Seconds of Paper), 1985. Lithograph on cardboard. 21 1/8 x 31 1/8 in. Humberto Castro is a member of the famous artistic generation that introduced, during the eighties, a drastic and innovative change in the history of Cuban art. At the time, Castro was obsessed with the study and representation of violence; but rather than attempting to capture outrageous, hostile acts, he instead chose to represent the level of violence that can be found in the most simple and insignificant aspects of daily life. What emerged was a profound study of unusual forms of aggression, including both aesthetic and psychological violence. "Cuatro segundos de papel" (Four Seconds of Paper) is a collection of frozen moments, a kind of storyboard that presents two characters coordinating a casual sexual encounter over the phone. The artist was influenced by the vibrancy of rock music, the strident, acidic colors and forms of punk culture, the triviality of makeup and fashion, as well as his trip to Berlin in the mid-eighties, which allowed him to explore both sides of the Wall – and compare differences. "Cuatro segundos de papel" features ambiguous, mysterious characters posed like mannequins, who are unapologetic about their sexual behavior or orientation. These figures reflect the artist’s ideas regarding an individual’s right to exercise personal freedoms beyond the limitations imposed by the current authority, a self-determined attitude that, in the Cuban context, was almost as non-existent then as it is now. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508000935380-VDO3FY4CU1PQCP6E1YK9/AO785-01_mid.jpg Humberto Castro - - ...¿Nos vemos a las cinco?.., de la serie Cuatro segundos de papel (- ...See You at Five?...from the series Four Seconds of Paper), 1985. Lithograph on cardboard. 21 1/8 x 31 1/8 in. Humberto Castro is a member of the famous artistic generation that introduced, during the eighties, a drastic and innovative change in the history of Cuban art. At the time, Castro was obsessed with the study and representation of violence; but rather than attempting to capture outrageous, hostile acts, he instead chose to represent the level of violence that can be found in the most simple and insignificant aspects of daily life. What emerged was a profound study of unusual forms of aggression, including both aesthetic and psychological violence. "Cuatro segundos de papel" (Four Seconds of Paper) is a collection of frozen moments, a kind of storyboard that presents two characters coordinating a casual sexual encounter over the phone. The artist was influenced by the vibrancy of rock music, the strident, acidic colors and forms of punk culture, the triviality of makeup and fashion, as well as his trip to Berlin in the mid-eighties, which allowed him to explore both sides of the Wall – and compare differences. "Cuatro segundos de papel" features ambiguous, mysterious characters posed like mannequins, who are unapologetic about their sexual behavior or orientation. These figures reflect the artist’s ideas regarding an individual’s right to exercise personal freedoms beyond the limitations imposed by the current authority, a self-determined attitude that, in the Cuban context, was almost as non-existent then as it is now. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508000935790-YCAUQMUUSHL0YTWX47NV/AO788-01_mid.jpg Humberto Castro - - ¡Dime!...esperaba tu llamada..., de la serie Cuatro segundos de papel (- Hello!...I Was Waiting for your Call..., from the series Four Seconds of Paper), 1985. Lithograph on cardboard. 21 1/8 x 31 1/8 in.   Humberto Castro is a member of the famous artistic generation that introduced, during the eighties, a drastic and innovative change in the history of Cuban art. At the time, Castro was obsessed with the study and representation of violence; but rather than attempting to capture outrageous, hostile acts, he instead chose to represent the level of violence that can be found in the most simple and insignificant aspects of daily life. What emerged was a profound study of unusual forms of aggression, including both aesthetic and psychological violence. "Cuatro segundos de papel" (Four Seconds of Paper) is a collection of frozen moments, a kind of storyboard that presents two characters coordinating a casual sexual encounter over the phone. The artist was influenced by the vibrancy of rock music, the strident, acidic colors and forms of punk culture, the triviality of makeup and fashion, as well as his trip to Berlin in the mid-eighties, which allowed him to explore both sides of the Wall – and compare differences. "Cuatro segundos de papel" features ambiguous, mysterious characters posed like mannequins, who are unapologetic about their sexual behavior or orientation. These figures reflect the artist’s ideas regarding an individual’s right to exercise personal freedoms beyond the limitations imposed by the current authority, a self-determined attitude that, in the Cuban context, was almost as non-existent then as it is now. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508000935716-DCCVQIILLA0A71KNBBDI/AO787-01_mid.jpg Humberto Castro - - ...te espero...chao..., de la serie Cuatro segundos de papel (- ...I'm Waiting for You...Bye..., from the series Four Seconds of Paper), 1985. Lithograph on cardboard. 21 1/8 x 31 1/8 in. Humberto Castro is a member of the famous artistic generation that introduced, during the eighties, a drastic and innovative change in the history of Cuban art. At the time, Castro was obsessed with the study and representation of violence; but rather than attempting to capture outrageous, hostile acts, he instead chose to represent the level of violence that can be found in the most simple and insignificant aspects of daily life. What emerged was a profound study of unusual forms of aggression, including both aesthetic and psychological violence. "Cuatro segundos de papel" (Four Seconds of Paper) is a collection of frozen moments, a kind of storyboard that presents two characters coordinating a casual sexual encounter over the phone. The artist was influenced by the vibrancy of rock music, the strident, acidic colors and forms of punk culture, the triviality of makeup and fashion, as well as his trip to Berlin in the mid-eighties, which allowed him to explore both sides of the Wall – and compare differences. "Cuatro segundos de papel" features ambiguous, mysterious characters posed like mannequins, who are unapologetic about their sexual behavior or orientation. These figures reflect the artist’s ideas regarding an individual’s right to exercise personal freedoms beyond the limitations imposed by the current authority, a self-determined attitude that, in the Cuban context, was almost as non-existent then as it is now. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508000935068-VQI4VJ0ABEN7LD059DH7/AO316-01_mid.jpg Humberto Castro - Vudú (Voodoo), 1990. Acrylic and ink on paper. 22 x 29 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508000935113-3I5JM8PU78ITPTA9Q599/AO317-01_mid.jpg Humberto Castro - La llave (The Key), 1990. Acrylic and ink on paper. 22 x 29 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508268772864-08VBBUM6RMQV61Y3KDW1/Castro2014_053.jpg Humberto Castro https://www.cubanartresources.org/joel-jover daily 0.75 2017-10-17 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508006450358-T3L86XV63CWH4ERW7Z7V/AO8-01_mid.jpg Joel Jover - La mano poderosa (The Mighty Hand), 1999. Oil on canvas. 39 1/4 x 31 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508006450318-E870YUEW6N4122GLHC47/AO9-01_mid.jpg Joel Jover - La Virgen del Niño V (The Virgin and Child V), 2000. Acrylic, rice paper and fabric on canvas. 39 x 31 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508006450603-K80JV272MF0IG9TZOZB3/AO10-01_mid.jpg Joel Jover - La Virgen del Niño V (The Virgin and Child V), 2000. Acrylic, rice paper and fabric on canvas. 39 x 31 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508006450611-NPI9QETGPCZ9PR1A2LR5/AO73-01_mid.jpg Joel Jover - Postales del incilio IV (Postcards from the In-xile IV), 2001. Acrylic on paper. 39 x 27 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508006450904-ODS9F04NJDIZNH795TTK/AO165-01_mid.jpg Joel Jover - Lennon IV, 2005. Oil and acrylic on canvas. 38 3/4 x 31 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508006450906-93C64V5EZ26B3VGDG4GX/AO179-01_mid.jpg Joel Jover - La Mano Poderosa V (The Mighty Hand), 2008. Plaster figures, electric burner and acrylic on flattened aluminum cans, mounted on wood. 31 3/4 x 23 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508269384533-F0C5F51DZWJTYDO9BXRY/2008.101.jpg Joel Jover https://www.cubanartresources.org/jorge-lopez-pardo daily 0.75 2017-10-14 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508007105276-USBWWLUTJ3QWO2VT1XOU/AO1000-01_mid.jpg Jorge López Pardo - Encuentro, de la serie Avistamientos (Meeting, from the series Sightings), 2014. Graphite on canvas. 31 7/8 x 70 5/8 x 1 in. Jorge López Pardo has introduced in the Cuban art scene a new style of landscape. Inspired by metaphors and concepts, the artist modifies the viewer’s perception of the genre by departing from its stereotypical representation. The absolute absence of color, coupled with a conceptual, minimalist approach builds a singular elegance that, paradoxically, speaks not of beauty, but of silence, loneliness and stillness. López Pardo creates a profound, analytical, and reflective environment where time and space are always undefined. The series "Avistamientos" (Sightings) presents recognizable images that, once removed from their traditional contexts, carry different symbolic and poetic meanings. The protagonist of the scene is not the represented object, but is rather the object’s ability to project an idea that extends far beyond its traditional shape and function in daily life. In "Encuentro" (Meeting), two lighthouses communicate through both the lights they project and the shadows they create. A poetic symbol of the understanding and communication between two distant shores, the lighthouses may also serve as an allegorical representation of Miami and Havana. Separated by a dark, empty, undefined space, both elements initiate an interaction that dismantles ideas of isolation or abrupt separations. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508269451020-JB6VMH5O7YM5IJKC2YLE/LopezPardo2014_028.jpg Jorge López Pardo https://www.cubanartresources.org/jose-franco daily 0.75 2017-10-21 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508615434347-A1C8LQRZ9DGIRDEKFY4S/AO625-01_mid.jpg José Franco - Ikiki, 2004. Mixed media on craft paper. 33 3/4 x 47 3/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1508770519854-V424OVM2X71EPRH0ZISN/Franco2013_184.jpg José Franco https://www.cubanartresources.org/leonel-morales daily 0.75 2017-10-28 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509216406196-QUTJNI3BTCD7WTAU5HPZ/AO772-01_mid.jpg Leonel Morales - El mar de las Antillas (Sea of the Antilles). 2012. Acrylic on canvas. 25 1/4 x 42 1/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509997477561-3HEN0GNCPTTJ0A14A1PF/Morales2014_032.jpg Leonel Morales https://www.cubanartresources.org/manuel-couceiro daily 0.75 2018-03-23 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509828400856-UC1GW4BMJZ857X6G0ZC9/AO777-01_mid.jpg Manuel Couceiro - Untitled, 1977. Oil on canvas. 42 1/2 x 61 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1509998192332-DYSBLJK4AUTAKKFVV7XC/Coucerio2014_037.jpg Manuel Couceiro https://www.cubanartresources.org/moises-finale daily 0.75 2017-11-24 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511551579095-X60XQJ6KFKN3VQAJFO4Y/AO334-01_mid.jpg Moisés Finalé - Tropicana, de la serie Formas escondidas (Tropicana, from the series Hidden Forms), 1987. Oil on canvas. 47 1/4 x 39 3/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511551579363-4O6CHEKEKY1J7HIJZVZ7/AO335-01_mid.jpg Moisés Finalé - De la serie Formas escondidas (From the series Hidden Forms), 1987. Oil on canvas. 47 1/4 x 39 3/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511798946054-2IPOFNTNF4LC11W0UNQ6/2010.053%3Bmain%3BOverall+image.jpg Moisés Finalé https://www.cubanartresources.org/nicolas-guillen-landrian-2 daily 0.75 2017-11-24 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511553821155-BBNLIFM7WR5VKXK87XCV/AO804-01_mid.jpg Oscar Rodríguez Lasseria - Inframundo (Infraworld), 2009. Mixed media on canvas. 47 1/4 x 59 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511799222285-R9ZS2GIX3TQQKL4215AR/LasseriaL2014_046.jpg Oscar Rodríguez Lasseria https://www.cubanartresources.org/perfecto-romero daily 0.75 2017-11-27 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511639739779-9Q7N7FEQGKP7K5Z3LEJN/AO636-01_mid.jpg Perfecto Romero - Untitled, 1959. Silver gelatin print. 11 x 14 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511639739793-0TNKIAF4K3VFST0D35OB/AO637-01_mid.jpg Perfecto Romero - Untitled, 1959. Silver gelatin print. 11 x 14 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511639739986-8LNJ2LNG8R5ENQVOHB29/AO638-01_mid.jpg Perfecto Romero - Untitled, 1959. Silver gelatin print. 14 x 11 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511639740010-WYZDWBIQ6PKZSUWX3S66/AO639-01_mid.jpg Perfecto Romero - Untitled, 1959. Silver gelatin print. 14 x 11 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511639740141-LRL1XSBD4EMUZMCE4SUE/AO640-01_mid.jpg Perfecto Romero - Untitled, 1959. Silver gelatin print. 14 x 11 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511639740169-VHN85OAGXURH3D0B2UNT/AO641-01_mid.jpg Perfecto Romero - Untitled, 1959. Silver gelatin print. 14 x 11 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511799633499-988GZYH9K4XVFGKJ4GDG/Romero2013_192.jpg Perfecto Romero https://www.cubanartresources.org/rafael-queneditt-1 daily 0.75 2017-11-27 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511643498977-29HN1PIDEGX5ZUHWUNSW/AO497-01_mid.jpg René Peña - Black Marat, 2009. Digital Inkjet print. 44 5/8 x 59 3/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511643498933-M6J7PZ9OE95QIBO9R78S/AO498-01_mid.jpg René Peña - Samurai, 2009. Digital Inkjet print. 59 1/4 x 30 7/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511643499064-QY9URO5GY0EQNNEOC1ZV/AO719-01_mid.jpg René Peña - Sin titulo (Untitled), 2013. Digital inkjet print. 41 7/8 x 31 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511643499319-TCPQEJYO9OPMU6F1AVBV/AO820-01_mid.jpg René Peña - Untitled (Shirt), from the series White Things, 2000. Silver gelatin print. 18 1/2 x 23 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511800173377-TWETIR0HEAEHTPKYNA4T/Pena2012_049.jpg René Peña https://www.cubanartresources.org/mariano-rodrguez daily 0.75 2018-03-23 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1510431959800-A8YKPCIE1KFO5THVHSSG/AO975-01_mid.jpg Mariano Rodríguez - Abstracción (Abstraction), 1958. Gouache and ink on paper. 22 x 31 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511798625776-U3262HGOR3SQ9HX63VJF/Rodriguez2015_003.jpg Mariano Rodríguez https://www.cubanartresources.org/tomas-esson daily 0.75 2018-03-23 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1520724156646-YRX2XNV5KMD96LEYCKQZ/Single_Image_Full_Page_11385.jpg Tomás Esson - Bandera de Febrero No. 1 (Flag of February No. 1) 2005. Oil on linen. Object: 24 x 18 in. Framed: 25 3/4 x 19 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1520724156745-8B5EX0PZNT6YOOBT4VO1/Single_Image_Full_Page_113858.jpg Tomás Esson - Wet Drawing, 2006. Ink on paper. Object: 25 1/2 x 27 1/4 in. Framed: 31 1/4 x 33 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1520724156778-3TKJZ287BUAKQ5W4IJ8G/Single_Image_Full_Page_11385892.jpg Tomás Esson - La estatua (The Statue), 1992. Oil on canvas. Object: 58 5/8 x 83 1/2 in. Framed: 60 7/8 x 85 7/8 x 2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521836928143-4NED0LYAY0HDWO3WRSTW/Esson2014_189.jpg Tomás Esson https://www.cubanartresources.org/rafael-queneditt daily 0.75 2018-03-23 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511641386395-KN628708X903X6XY5WXQ/AO775-01_mid.jpg Rafael Queneditt - Resurrección (Resurrection), 2013. Wood, polychrome plaster, metal, candles, clay figure, found objects. 96 x 70 x 48 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511799800421-TCT92FWW4H14Z6URZZNU/Queneditt2014_035.jpg Rafael Queneditt https://www.cubanartresources.org/ricardo-g-elias daily 0.75 2017-11-25 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511644168134-JU2S73W83Y1301K5G6HK/AO279-01_mid.jpg Ricardo G. Elías - Galiano y Barcelona, de la serie Peregrinaje (Galiano and Barcelona, from the series Pilgrimage), 2009. Acrylic and gold leaf on wood, black-and-white photograph. 29 x 19 1/2 x 1 1/2 in. José Ángel Toirac’s practice is anchored in concepts such as the version of truth contained in archival images and the assumption that history is a vulnerable and fragile field that can be abused and manipulated. The series "Peregrinaje" (Pilgrimage) is a collaboration between Toirac and photographer Ricardo G. Elías, and it is centered on the photographs that Walker Evans took in Havana in 1933 for the book "The Crime of Cuba" by Carleton Beals. Toirac and Elías reproduced the entire journey that Evans undertook, searching for the locations and imitating the visual perspectives used by the American photographer. "Peregrinaje" becomes a conscious and meticulously-planned recompilation of recycled components: from retaking Evans’ existing images to the used material, such as found pieces of wood; or the gold leaf imported from Spain, a symbolic way to bring back to Cuba the gold that Spanish colonialism took from it. It is evident how different today’s reality is from the images taken by Evans in Havana more than eighty years ago. However, the series also speaks about things that remain immutable: the charm, wisdom and mystery of a city that manages to stand tall in adverse times, and the resistance and perennial resourcefulness of its people to face and enjoy life https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511644168205-N1F54NO8JD947QS3JH9P/AO280-01_mid.jpg Ricardo G. Elías - San José y Paseo del Prado, de la serie Peregrinaje (San Jose and Paseo del Prado, from the series Pilgrimage), 2009. Acrylic and gold leaf on wood, black-and-white photograph. 29 x 19 1/2 x 1 1/2 in. José Ángel Toirac’s practice is anchored in concepts such as the version of truth contained in archival images and the assumption that history is a vulnerable and fragile field that can be abused and manipulated. The series "Peregrinaje" (Pilgrimage) is a collaboration between Toirac and photographer Ricardo G. Elías, and it is centered on the photographs that Walker Evans took in Havana in 1933 for the book "The Crime of Cuba" by Carleton Beals. Toirac and Elías reproduced the entire journey that Evans undertook, searching for the locations and imitating the visual perspectives used by the American photographer. "Peregrinaje" becomes a conscious and meticulously-planned recompilation of recycled components: from retaking Evans’ existing images to the used material, such as found pieces of wood; or the gold leaf imported from Spain, a symbolic way to bring back to Cuba the gold that Spanish colonialism took from it. It is evident how different today’s reality is from the images taken by Evans in Havana more than eighty years ago. However, the series also speaks about things that remain immutable: the charm, wisdom and mystery of a city that manages to stand tall in adverse times, and the resistance and perennial resourcefulness of its people to face and enjoy life https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511644168464-X5HQ0NPX4D6VMROK1GAD/AO281-01_mid.jpg Ricardo G. Elías - Malecón, de la serie Peregrinaje (Malecon, from the series Pilgrimage), 2009. Acrylic and gold leaf on wood, black-and-white photograph. 19 1/2 x 29 x 1 1/2 in. José Ángel Toirac’s practice is anchored in concepts such as the version of truth contained in archival images and the assumption that history is a vulnerable and fragile field that can be abused and manipulated. The series "Peregrinaje" (Pilgrimage) is a collaboration between Toirac and photographer Ricardo G. Elías, and it is centered on the photographs that Walker Evans took in Havana in 1933 for the book "The Crime of Cuba" by Carleton Beals. Toirac and Elías reproduced the entire journey that Evans undertook, searching for the locations and imitating the visual perspectives used by the American photographer. "Peregrinaje" becomes a conscious and meticulously-planned recompilation of recycled components: from retaking Evans’ existing images to the used material, such as found pieces of wood; or the gold leaf imported from Spain, a symbolic way to bring back to Cuba the gold that Spanish colonialism took from it. It is evident how different today’s reality is from the images taken by Evans in Havana more than eighty years ago. However, the series also speaks about things that remain immutable: the charm, wisdom and mystery of a city that manages to stand tall in adverse times, and the resistance and perennial resourcefulness of its people to face and enjoy life https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511644168469-M94JSS8AH7WPJIXIZ9SZ/AO430-01_mid.jpg Ricardo G. Elías - Línea y M, de la serie Peregrinaje (Linea and M, from the series Pilgrimage), 2009. Acrylic and gold leaf on wood, black-and-white photograph. 19 1/2 x 29 x 1 1/2 in. José Ángel Toirac’s practice is anchored in concepts such as the version of truth contained in archival images and the assumption that history is a vulnerable and fragile field that can be abused and manipulated. The series "Peregrinaje" (Pilgrimage) is a collaboration between Toirac and photographer Ricardo G. Elías, and it is centered on the photographs that Walker Evans took in Havana in 1933 for the book "The Crime of Cuba" by Carleton Beals. Toirac and Elías reproduced the entire journey that Evans undertook, searching for the locations and imitating the visual perspectives used by the American photographer. "Peregrinaje" becomes a conscious and meticulously-planned recompilation of recycled components: from retaking Evans’ existing images to the used material, such as found pieces of wood; or the gold leaf imported from Spain, a symbolic way to bring back to Cuba the gold that Spanish colonialism took from it. It is evident how different today’s reality is from the images taken by Evans in Havana more than eighty years ago. However, the series also speaks about things that remain immutable: the charm, wisdom and mystery of a city that manages to stand tall in adverse times, and the resistance and perennial resourcefulness of its people to face and enjoy life https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511800354625-7D415HPGQ7FKL1XAUPD3/2009.272.jpg Ricardo G. Elías https://www.cubanartresources.org/roberto-diago daily 0.75 2017-12-06 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1512245642631-MY5WQPAP63DAARPLFVZ8/AO278-01_mid.jpg Roberto Diago - La Mesa (The Table), 2009. Petroleum, latex paint and nails on wood. 47 1/4 x 31 1/2 x 2 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1512245642988-CNCF1RJNUBTN5P37LIEK/AO594-01_mid.jpg Roberto Diago - Mi destino (My Destiny), 2011. Oil, cords and fabric on canvas. 79 x 59 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1512245642459-M9J8J155M5V6F05SLU1P/AO418-01_mid.jpg Roberto Diago - Velando por los míos (Watching over my People), 2003. Petroleum, latex paint and nails on wood. 72 x 60 x 2 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1512245642932-GS5S7I3RZ7EZVC820DE2/AO817-01_mid.jpg Roberto Diago - Untitled, n.d. Acrylic, charcoal and collage of Kraft paper on paper. 27 x 19 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1512245642693-0MHQWS1999NDSVBRSM51/AO471-01_mid.jpg Roberto Diago - Yo (I), 2003. Paint and wood on metal. 47 x 31 1/2 x 3 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1512245643080-E923E7UMBAUJ9RLZPZB0/AO818-01_mid.jpg Roberto Diago - Untitled, n.d. Acrylic, charcoal and collage of Kraft paper on paper. 27 x 19 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1512594617622-KDFR3W9PGZMRREGO4VB2/Roberto2009_269.jpg Roberto Diago https://www.cubanartresources.org/pedro-vizcano daily 0.75 2017-11-24 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511554620143-6ZG9ZJ6RIPV7TS8CODP5/AO789-01_mid.jpg Pedro Vizcaíno - Formas fosforescentes (Phosphorescent Forms), 1986. Mixed media on cardboard. Three panels of 47 1/4 x 27 1/2 in. each https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511799385100-KE7B9HN7L2IQ723XDDIX/Vizcaino2014_055.jpg Pedro Vizcaíno https://www.cubanartresources.org/pedro-alvarez daily 0.75 2018-03-23 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511636892743-EKUFNO3BV5LA72PSR5YC/AO458-01_mid.jpg Pedro Álvarez - One, from the series The Romantic Dollarscape, 2003. Oil on linen. 55 1/2 x 75 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511636892632-29V8GPO80NZ0OB606BCT/AO834-01_mid.jpg Pedro Álvarez - La República se prepara para el baile, del portafolio Contemporary Prints from Cuba (The Republic Getting Ready for the Ball, from the portfolio Contemporary Prints from Cuba), 1998. Flatbed offset lithograph in four colors on. Arches cover white 30 x 22 in. Ed. 18/45. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511799447171-E3KRHSY000CMAMJT7MK5/C2011.043%3Bmain%3BOverall+image.jpg Pedro Álvarez https://www.cubanartresources.org/rachel-valdes-camejo daily 0.75 2017-11-25 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511640873037-11AAIQSFOD50QMM3ZWQZ/AO531-01_mid.jpg Rachel Valdés Camejo - Happily Ever After, 2012. Watercolor on paper. 26 1/4 x 37 5/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511799739532-4Q579SVV741XEVN2M9ZW/C2012.132%3Bmain%3BOverall+image.jpg Rachel Valdés Camejo https://www.cubanartresources.org/raul-martnez daily 0.75 2018-03-23 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511642447979-OWP98MTD8L4U4EQGV9GD/AO419-01_mid.jpg Raúl Martínez - Sin título (José) [Untitled (José)], 1966. Ink on cardstock. 28 x 22 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511642448014-YXUQHG9OGMIUMGL3YY3D/AO420-01_mid.jpg Raúl Martínez - Yo he visto (I Have Seen), n.d. Acrylic and ink on cardboard. 21 x 31 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511642448274-IJRPARJ9PC4C8BDD6TX1/AO421-01_mid.jpg Raúl Martínez - Sin título, de la serie iOh América! (Untitled, from the series Oh America!), 1992. Acrylic, pastel, acetate, colored cellophane and cut-and-pasted printed paper on cardboard. 27 x 39 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511642448231-WT9OP8MYAS70UL6IQ4NZ/AO454-01_mid.jpg Raúl Martínez - El vaquero (Cowboy), ca. 1969. Black and white photograph, hand-painted with acrylic. 14 x 9 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511800034862-FPTY80VP4E0W247GFNN5/C2010.188%3Bmain%3BOverall+image.jpg Raúl Martínez https://www.cubanartresources.org/rocio-garcia daily 0.75 2017-12-06 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1512248315790-RN8W1GKH1TVPBDF6ZLKV/AO117-01_mid.jpg Rocío García - Sin Título, de la serie Museos (Untitled, from the series Museums), 1989. Tempera, ink and colored pencil on paper. 23 1/2 x 29 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1512248315954-Q4X0IVP5OOWTOQPKWYXL/AO158-01_mid.jpg Rocío García - Untitled, 2006. Acrylic on paper. 19 3/4 x 27 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1512248316747-YVCEHHLIRPI7NIH3GJBH/AO456-01_mid.jpg Rocío García - He Is a Magician, from the series The Punisher, 2010. Oil on canvas. 72 x 72 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1512248316949-1E0Y1A63JY2OGSPXL6Z4/AO457-01_mid.jpg Rocío García - Belleza infiel, de la serie Very, very light, and very oscuro. Un policía con Alzheimer (Unfaithful Beauty, from the series Very, very Light, and Very Dark. A Policeman with Alzheimer's), 2009. Oil on canvas. 79 x 87 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1512248316519-WJQEE8S5WK3SOU27LDVB/AO423-01_mid.jpg Rocío García - En alta mar, de la serie Very, very light, and very oscuro. Un policía con Alzheimer (Offshore, from the series Very, very Light, and Very Dark. A Policeman with Alzheimer's), 2009. Acrylic on paper 27 x 39 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1512248315767-9EUTND6W15GESA9QQSAY/AO52-01_mid.jpg Rocío García - Marinero en el bar (Sailor at a Bar), 2002. Acrylic on paper. 19 3/4 x 25 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1512248316157-ML9HBRSQQA15XPLW2BOI/AO386-01_mid.jpg Rocío García - Sin pan y circo, de la serie Very, very light, and very oscuro. Un policía con Alzheimer (No Bread and Circus, from the series Very, very Light, and Very Dark. A Policeman with Alzheimer's), 2010. Acrylic on black paper. 27 1/2 x 39 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1512248316275-4KB8RWSXYE6VWOD636PL/AO387-01_mid.jpg Rocío García - Es mío, de la serie Very, very light, and very oscuro. Un policía con Alzheimer (It's mine, from the series Very, very Light, and Very Dark. A Policeman with Alzheimer's), 2009. Acrylic on black paper. 19 3/4 x 27 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1512248316353-DYQQC9BAF5VFJNRPQ7MH/AO402-01_mid.jpg Rocío García - Buscándote, de la serie Very, very light, and very oscuro. Un policía con Alzheimer (Looking for you, from the series Very, very Light, and Very Dark. A Policeman with Alzheimer's), 2009. Acrylic on paper. 27 3/4 x 44 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1512248316549-RQ5MY1BI23C187F5CANT/AO426-01_mid.jpg Rocío García - Almacén, de la serie Very, very light, and very oscuro. Un policía con Alzheimer (Warehouse, from the series Very, very Light, and Very Dark. A Policeman with Alzheimer's), 2008. Acrylic on paper. 19 1/2 x 27 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1512248316079-L2W4SV312BTW8H56O84I/AO159-01_mid.jpg Rocío García - El juego (The Game), 2005. Acrylic on paper. 19 x 25 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1512248316753-OMLUJNIA9B0FAO8QJSWZ/AO455-01_mid.jpg Rocío García - -¿Tú crees que las jevas…? -Shut up!, de la serie El thriller (-Do You Think that the Chicks...? -Shut Up!, from the series Thriller), 2006. Oil on canvas 63 x 71 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1512248317113-Q9A4BM4442OCPE3HNTX6/AO794-01_mid.jpg Rocío García - Leslie and Ninón, 2002. Acrylic and ink on paper. 19 5/8 x 27 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1512248317196-01RI0XPY7R4VYW4E6OBF/AO795-01_mid.jpg Rocío García - Las dos Evas (The Two Eves), 2002. Acrylic and ink on paper. 19 5/8 x 27 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1512248317515-YQ7GLZPZUJGSUAMCKADK/AO869-01_mid.jpg Rocío García - Sin título, de la serie Very, very light, and very oscuro. Un policía con Alzheimer (Untitled, from the series Very, very Light, and Very Dark. A Policeman with Alzheimer's), 2010. Acrylic on paper. 19 x 28 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1512594900717-ZDCR3UGY53XHV5VDT39L/2009.138.jpg Rocío García https://www.cubanartresources.org/nicolas-guillen-landrian daily 0.75 2018-03-23 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511551826301-CE77DQWICNKVKQI7J3BA/AO993-01_mid.jpg Nicolás Guillén Landrián - King Kong, 1990. Gouache on cardboard. 39 3/4 x 29 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511799017613-9FRQLV6K34ZTEPVQFF6Y/Landrian2015_021.jpg Nicolás Guillén Landrián https://www.cubanartresources.org/rene-francisco-rodrguez daily 0.75 2017-11-25 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511642799114-X2NH4686NDMG3SRR348T/AO239-01_mid.jpg René Francisco Rodríguez - Continuará... (To Be Continued...), 1999. Acrylic on fabric window shade. 31 1/2 x 23 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511642799046-3CAV0ZUANTCJGRKZDVN1/AO823-01_mid.jpg René Francisco Rodríguez - De la serie Tú eres el agua (From the series You Are the Water), 2002. Crayon and acrylic on canvas. 71 x 30 x 1 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511800094212-OSCKKZGYBREW41GCT8VD/2009.227%3Bmain%3BOverall+image.jpg René Francisco Rodríguez https://www.cubanartresources.org/ruben-alpizar daily 0.75 2017-12-02 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1512249492893-BRDUY6CUGSFKF33N95K9/AO950-01_mid.jpg Rubén Alpízar - Nunca te enamores de la Luna (Never Fall In Love With the Moon), 2009. Bronze. 19 x 14 1/2 x 13 in. Ed. 3/7 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1512595137159-UX96SJ2ZM0J237G5LUMM/Alpizar2014_166side.jpg Rubén Alpízar https://www.cubanartresources.org/pedro-pablo-oliva daily 0.75 2017-11-27 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511554094207-LYG1FKZZ60M38H639MHX/AO977-01_mid.jpg Pedro Pablo Oliva - Los dulces muñecos de Azul (The Sweet Dolls of Azul), 2003. Oil on canvas. 46 x 41 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511554094151-D6NDUPGF97PQKC521OSU/AO994-01_mid.jpg Pedro Pablo Oliva - El artista y su modelo (The Artist and His Model), 1999. Oil on canvas. 90 1/2 x 70 x 1 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511554094295-SVU3BGZNVX1XSWGJ0IGH/AO1001-01_mid.jpg Pedro Pablo Oliva - Las Amigas (The Friends), 2009. Color pencil, graphite, watercolor and collage of paper on board. 66 1/2 x 38 7/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511554094503-X2Q85GIVJJ3T9X4J4T54/AO1018-01_mid.jpg Pedro Pablo Oliva - El gran viaje (The Great Journey), 2014. Bronze. 29 x 20 x 19 1/2 in. Ed. 2/6 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511799294002-RPPS018359P15EWYE15Y/Oliva2015_022.jpg Pedro Pablo Oliva https://www.cubanartresources.org/roberto-fabelo daily 0.75 2018-03-23 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1512246055607-K9UOUWRH1DTPDLIZZD1Q/AO257-01_mid.jpg Roberto Fabelo - Un poco de nosotros (A Bit of Us), 2002. Crayon and charcoal on kraft paper. 40 x 30 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1512246055597-EE44DX26RC1GLA2FZNUT/AO293-01_mid.jpg Roberto Fabelo - Y la guanábana (And the Soursop), 2006. Conté crayon on paper. 38 1/2 x 27 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1512246055770-F0L3SQ3IIO6FZALBFRD7/AO294-01_mid.jpg Roberto Fabelo - Tribulaciones (Tribulations), 2007. Conté crayon on paper. 38 1/2 x 27 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1512246055823-AEEWY9WVAUTJVAIUU6ZD/AO338-01_mid.jpg Roberto Fabelo - Blue Eyes, 1993. Crayon on paper. 25 9/16 x 19 11/16 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1512246055930-JGZUKL2WXPH906N1G4CU/AO974-01_mid.jpg Roberto Fabelo - Romantique (Romantic), 2009. Bronze. 13 1/2 x 32 x 14 in. Ed. 1/7 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1512594702841-0QMCITUDNWBMPI2L7COH/2010.009.jpg Roberto Fabelo https://www.cubanartresources.org/rodolfo-peraza daily 0.75 2017-12-02 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1512248972376-TDFY2EPWFF7B0TQ6CHF2/AO440-01_mid.jpg Rodolfo Peraza - Yo no juego Dominó, de la serie Juega y aprende (I Don't Play Domino, from the series Play and Learn), 2009. Laser on wood, plexiglass 14 1/4 x 13 3/4 x 1 1/4 in. Ed. 1/5 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1512595009850-4CA3UH9HGGUWO5A48BZT/C2011.023%3Bmain%3BOverall+image.jpg Rodolfo Peraza https://www.cubanartresources.org/meira-marrero daily 0.75 2017-11-27 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511548610491-Z21B0I665WIHGOTW5NUI/AO784-01_mid.jpg Meira Marrero - Looking for Happiness, 2014. Archival pigment on Hahnemuhle. German etching 310 gsm paper. 23 x 30 1/2 in. Toirac and Marrero frequently juxtapose archival propaganda photographs of Cuba’s leaders with familiar commercial logos as a way to question, critique, and parody the constructed narratives of the Revolution. Through this pairing, the artists lead the viewer to question the relationship between two forms of visual communication: the images of political figures and promotional symbols of corporate capitalism. In "Looking for Happiness", a photograph of Ernest Hemmingway superimposed onto an idyllic beach, is contrasted with one of Ernesto Che Guevara sipping a Coca-Cola. The piece posits two 20th century heroic male figures, the former who chose to pursue fiction, and the latter who decided to shape a new reality. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511548610587-5RWFK5G4994Y389SDV3C/AO891-01_mid.jpg Meira Marrero - Sin título, de la serie Orbis. Tributo a Walker Evans (Untitled, from the series Orbis. Tribute to Walker Evans), 2009. Acrylic and gold leaf on wood. 9 1/4 x 6 3/4 x 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511548610846-BZUOTM6WJA8TNPCMWRGW/AO892-01_mid.jpg Meira Marrero - Sin título, de la serie Orbis. Tributo a Walker Evans (Untitled, from the series Orbis. Tribute to Walker Evans), 2009. Acrylic and gold leaf on wood. 7 x 8 1/4 x 1 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511548610917-NWC878CRMLS55RJ7L49S/AO893-01_mid.jpg Meira Marrero - Sin título, de la serie Orbis. Tributo a Walker Evans (Untitled, from the series Orbis. Tribute to Walker Evans), 2009. Acrylic and gold leaf on wood. 7 1/4 x 6 x 1 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511548611111-59ERMRZI5ECDN6ZXQDMZ/AO894-01_mid.jpg Meira Marrero - Hilario, de la serie Orbis. Tributo a Walker Evans (Hilario, from the series Orbis. Tribute to Walker Evans), 2009. Acrylic and gold leaf on wood. 7 3/4 x 5 1/2 x 1 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511548611230-C5P36975I90B5X3W7FTS/AO896-01_mid.jpg Meira Marrero - Sin título, de la serie Orbis. Tributo a Walker Evans (Untitled, from the series Orbis. Tribute to Walker Evans), 2009. Acrylic and gold leaf on wood. 5 7/8 x 9 5/8 x 1 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511548611308-ZSEIHONX44GLCLXP58Q5/AO897-01_mid.jpg Meira Marrero - M.V., de la serie Orbis. Tributo a Walker Evans (M.V., from the series Orbis. Tribute to Walker Evans), 2009. Acrylic and gold leaf on wood. 8 3/4 x 7 1/2 x 1 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511548611526-KRGCFR2U5QSZ1R933RMT/AO898-01_mid.jpg Meira Marrero - Sin título, de la serie Orbis. Tributo a Walker Evans (Untitled, from the series Orbis. Tribute to Walker Evans), 2009. Acrylic and gold leaf on wood. 8 x 9 x 1 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511548611562-NITR6XVDN95X4S8M0E16/AO899-01_mid.jpg Meira Marrero - Sin título, de la serie Orbis. Tributo a Walker Evans (Untitled, from the series Orbis. Tribute to Walker Evans), 2009. Acrylic and gold leaf on wood. 8 1/8 x 9 1/4 x 1 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511548611749-7DTOFDFZQKHC8WFC7UER/AO900-01_mid.jpg Meira Marrero - Sin título, de la serie Orbis. Tributo a Walker Evans (Untitled, from the series Orbis. Tribute to Walker Evans), 2009. Acrylic and gold leaf on wood. 11 3/4 x 9 1/2 x 1 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511548612187-IL6WTLFBJTH5AIZXAOYD/AO901-01_mid.jpg Meira Marrero - Sin título, de la serie Orbis. Tributo a Walker Evans (Untitled, from the series Orbis. Tribute to Walker Evans), 2009. Acrylic and gold leaf on wood. 13 7/8 x 11 3/4 x 1 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511548611940-JU0RYPLQ5BP30YXJB7BQ/AO903-01_mid.jpg Meira Marrero - Negro, de la serie Orbis. Tributo a Walker Evans (Black, from the series Orbis. Tribute to Walker Evans), 2009. Acrylic and gold leaf on wood. 12 3/4 x 7 1/4 x 1 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511548612137-SP3LVPTICVFI1YPA053C/AO904-01_mid.jpg Meira Marrero - Frutas, de la serie Orbis. Tributo a Walker Evans (Fruits, from the series Orbis. Tribute to Walker Evans), 2009. Acrylic and gold leaf on wood. 7 3/4 x 17 1/4 x 1 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511548612399-30CLF759NIOZ9K79ANOO/AO905-01_mid.jpg Meira Marrero - Cola, de la serie Orbis. Tributo a Walker Evans (Line, from the series Orbis. Tribute to Walker Evans), 2009. Acrylic and gold leaf on wood. 8 x 15 x 1 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511548612373-OG2BTMELRRM30QNB6ANP/AO906-01_mid.jpg Meira Marrero - De la serie Orbis. Tributo a Walker Evans (From the series Orbis. Tribute to Walker Evans), 2009. Acrylic and gold leaf on wood. 12 1/2 x 8 x 1 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511548612559-E643NUITAV6M5UW7LM7J/AO907-01_mid.jpg Meira Marrero - Veterano, de la serie Orbis. Tributo a Walker Evans (Veteran, from the series Orbis. Tribute to Walker Evans), 2009. Acrylic and gold leaf on wood. 14 1/4 x 9 x 1 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511548612607-TDWUO07GWRZ01VB9K4TK/AO908-01_mid.jpg Meira Marrero - Perfil (Profile), 2007-2014. Digital print on card stock. Twenty-two tarot cards of 4 1/4 x 2 3/8 in. each https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511548612785-4SUYN1DGC8EOU3RXZUDW/AO909-01_mid.jpg Meira Marrero - Vanitas (Calavera del Che) (Vanitas (Skull of Che)), 2009. Acrylic and gold leaf on wood. 14 1/4 x 15 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511548612915-NBZPEQS2MRAZ1587ABMB/AO910-01_mid.jpg Meira Marrero - Longa Vita Brevis (Ulises y Aquiles) [Longa Vita Brevis (Ulysses and Achilles)], 2014. Graphite and gold leaf on paper. Two panels of 18 x 57 in. each https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511798883355-W31HXJMSMP3NQH5MD9C3/Marrero_Toirac2014_148_07.jpg Meira Marrero https://www.cubanartresources.org/reynerio-tamayo daily 0.75 2017-11-27 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511643890241-EHH097GSU037Y4ADCBNX/AO593-01_mid.jpg Reynerio Tamayo - El cuarto bate (The Cleanup Hitter), 2013. Acrylic on canvas. 62 3/4 x 54 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511643890312-NOHIOWLX9IC9JFD1UG9F/AO619-01_mid.jpg Reynerio Tamayo - Fanático (Fan), 2013. Acrylic on canvas. 45 x 55 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511643890527-7ROD60S6T3XRC8P68QTM/AO952-01_mid.jpg Reynerio Tamayo - Las dos orejas de Van Gogh (The Two Ears of Van Gogh), 2009. Oil on canvas. 32 x 39 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511800287807-K7HOCL535HKR4UR66JT1/Tamayo2013_122.jpg Reynerio Tamayo https://www.cubanartresources.org/nicolas-lara daily 0.75 2017-11-27 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511552175216-4JKF81VH8W4IQ6KZIXOT/AO24-01_mid.jpg Nicolás Lara - Untitled, 2005. Mixed media on paper. 24 x 18 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511552175252-W1YBG9TNKWAD23IL0218/AO25-01_mid.jpg Nicolás Lara - Frituras (Fritters), 2003. Mixed media on paper 19 1/4 x 15 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511552175552-DZQO6CO3OPBCH06JJ6YG/AO220-01_mid.jpg Nicolás Lara - Caperucita roja (Little Red Ridding Hood), 2009. Mixed media on cardboard. 29 x 21 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511552175620-JCJI8C8JUH7W6DE41OYJ/AO221-01_mid.jpg Nicolás Lara - ¿Dónde está Consuelo Castañeda? (Where is Consuelo Castañeda?), 2009. Mixed media on cardboard. 29 x 25 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511552175814-OHRWIBYB6WG7MSCV3905/AO248-01_mid.jpg Nicolás Lara - La ortografía de la soledad (The Orthography of the Solitude), 2008. Mixed media on wood. 36 1/2 x 28 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511552175827-GEGL371GCQI260ODLC46/AO274-01_mid.jpg Nicolás Lara - Tania Brugera Trotskista (Trotskyist Tania Bruguera), 2008. Mixed media on cardboard. 46 x 29 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511552176006-SVW0JOAUR7A3FO6UOVG0/AO275-01_mid.jpg Nicolás Lara - Untitled, 2008. Mixed media on cardboard. 46 x 29 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511552176065-BLWUSOX4088MJQHF9V2V/AO346-01_mid.jpg Nicolás Lara - Lázara Castellanos, crítico de arte (Lazara Castellanos, Art Critic), 2004. Oil on canvas. 48 x 37 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511552176208-46VBOUQARC37USVIGO03/AO642-01_mid.jpg Nicolás Lara - Colin dice: me ronca la pinga (Colin Says: My Cock Snores), 2012. Mixed media on cardboard. 42 1/2 x 29 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511552176210-P91AQWVKTS9RLCBW1LGH/AO646-01_mid.jpg Nicolás Lara - Untitled, n.d. Expresso maker, paint, doll, found objects. 17 x 9 x 10 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511552176433-AN662ATKC483244PWQZ7/AO668-01_mid.jpg Nicolás Lara - Anna Ajmatova, 2011. Mixed media on wood. 78 3/4 x 48 x 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511799088183-0WVY4Y06KM71PRPZRWBX/Lara2013_200.jpg Nicolás Lara https://www.cubanartresources.org/raul-cordero daily 0.75 2017-11-25 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511641620775-L15TRX34L8TSRU1YZDLA/AO397-01_mid.jpg Raúl Cordero - Powered By Rubens In A World Full Of Shit, 2004. Resin, pastel and watercolor on paper. 39 x 27 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511641620775-P2RTCJPPKG1Y02YB2PD2/AO398-01_mid.jpg Raúl Cordero - Untitled, 2004. Resin, pastel and watercolor on paper. 39 x 27 in. Cordero is renowned in Cuba as a pioneer due to his work with video, although the artist has always been enamored with painting. Over time the entire hyper-technological orientation of his art has led to an intense dedication to painting; but painting not as a classical genre but as a mystery. The images he uses can come from very diverse styles, periods, and visual hierarchies. He then finishes these works by subjecting them to editing, juxtaposition, and other transformations so common in the digital process. This entire cybernetic and conceptual preamble becomes the point of departure for the true act, the pictorial one, where Cordero achieves all his personal and aesthetic expectations. The artist confesses his strong attraction to the physical act of painting, by the smell of dyes and solvents, the sensuality required by the brush strokes, the blots created by the pigments, and by the physical effort required to create his large canvases and drawings. All the rawness of the pictorial act, so valued by the creator, is expected to culminate in a spectator that doesn’t attempt to decipher or read the images as if they were a strict code. Cordero hopes that the strength of his painting attracts the public and makes them communicate beyond literal comprehension. This untitled work is typical of the visual fading that characterizes Cordero’s painting. The artist is not concerned whether we can figure out the buildings he draws here, if it is an Oriental pagoda that he sees in the foreground or how it fits within the building structures in the background. Perhaps we will never know if certain small fragments were taken from a 18th century Venetian masterpiece or from a poster ad of today, as he usually does. The artist wants, above all else, for us to breathe in the atmosphere of his strange landscape and let ourselves be guided by the mystery of its colors and shapes. There will be time –he seems to say– to decipher the visual details taken from such different origins. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511799870726-M6YGWF7TXLKQDIP9C8QZ/2010.146%3Bmain%3BOverall+image%3Bmain%3BOverall+image.jpg Raúl Cordero https://www.cubanartresources.org/rene-portocarrero daily 0.75 2018-03-23 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511643739314-WVD65KMA8T88D77DHL5P/AO971-01_mid.jpg René Portocarrero - Joven bailando (Young Woman Dancing), 1947. Pastel on heavy paper laid down on board. 20 3/8 x 13 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511800217917-ZIUCJQBTXH64CEK1L8XY/Portocarrero2014_188.jpg René Portocarrero https://www.cubanartresources.org/maria-magdalena-campos-pons daily 0.75 2017-11-27 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1510432547594-G01B6YZ7F9T1DTMOIB7J/AO553-01_mid.jpg María Magdalena Campos-Pons - Study for The Magician's Tools, 2002. Polaroid Polacolor. 23 5/8 x 19 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1510432548187-CXYLQWVP8NZE3XOQLCZW/AO601-01_midA.jpg María Magdalena Campos-Pons - Songs of Freedom, 2013. Polaroid photograph. Three panels of 28 3/4 x 21 3/4 in. each https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1510432547895-4TT2EERHHRAJ2BJ0MKL0/AO604-01_mid.jpg María Magdalena Campos-Pons - The Flag. Color Code Venice 13, 2013. Polaroid photographs. Nine panels of 29 3/4 x 22 3/4 each. Weaving together disparate cultural symbols and traditions, Campos-Pons explores the fluidity of exilic identity, cultural hybridism, and racial politics. A self-portrait, “The Flag. Color Code Venice 13”, features the artist dressed as the imagined composite character, FeFa. A play on Fe (Faith), her name stands for FE: “familiares en el extranjero”, and FA: “family abroad”. She wears an antique Chinese silk robe that alludes to her Chinese heritage; her skin is painted with cracked chalk paint recalling her Yoruba ancestor’s rites of cleansing and spiritual accomplishment. She carries and wears birdcages on her head, employing imagery of contrast between containment and freedom. Nine panels, joined in a grid, visualize the unification of the scattered fragments of FeFa’s exilic identity. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1510432548149-2JRX4F5V2BDO1QSGU59X/AO621-01_mid.jpg María Magdalena Campos-Pons - Thinking of It, 2008. Watercolor, gouache, ink and pencil on paper. 61 7/8 x 44 1/8 in. María Magdalena Campos-Pons is a multidisciplinary artist who frequently portraits herself as the subject of her photographs and performances. In her work, Campos-Pons explores different versions of history and narrative, with a specific focus on the influx of African slaves to the island and the role of women in Cuban society. Her works are often intimate, rejecting the stereotypical representations of women in literature, advertising, and other forms of popular entertainment. Themes of survival and resilience are evoked in "Thinking of It", in which a woman stands on the shoreline, looking towards the unknown in the far horizon. A thin line connects the figure’s head with large, amorphous shapes that expand in the pictorial space around. These forms, reminiscent of roots, bring to mind notions of lasting memory, place, and homeland. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1510432548321-CXN11EUAJO4DKUW8D1HR/AO771-01_mid.jpg María Magdalena Campos-Pons - Freedom Trap, 2013. Chromogenic color print. 27 5/8 x 21 5/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511798732174-PMCI73XLV595VKSXD578/Campos_Pons2013_048.jpg María Magdalena Campos-Pons https://www.cubanartresources.org/nicolas-guillen-landrian-1 daily 0.75 2017-11-27 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511552731942-8KI0JQEH8702W8A3BHBQ/AO912-01_mid.jpg Niels Reyes - Big Brother II, 2014. Oil on canvas. 78 3/4 x 78 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511552731951-0QFAUBQEKWZU44QUJUBD/AO913-01_mid.jpg Niels Reyes - Monumental II, 2014. Oil on canvas. 76 1/2 x 54 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511552732194-SGO8AQG9V0AQL33EW34M/AO914-01_mid.jpg Niels Reyes - Sin título (Untitled), 2014. Oil on canvas. 53 1/2 x 44 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511552732392-YGSYKPS6BF5HJFSRH78T/AO915-01_mid.jpg Niels Reyes - Barbudo y rojo (Bearded and Red), 2014. Oil on canvas. 59 x 47 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1511799152185-2VMLPV7H8ZXDK3BCA81C/Reyes2014_152.jpg Niels Reyes https://www.cubanartresources.org/ruben-torres-llorca daily 0.75 2018-02-28 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1518895922864-FJ1DD6WYIOYW1HM9G9H6/Single_Image_Full_Page_113126455a.jpg Rubén Torres Llorca - Ceremonia (Ceremony), 1982-1983. Mixed media on cardboard. Paper: 40 1/8 x 28 3/4 in. Frame: 45 1/2 x 63 3/4 x 2 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1518895922796-XP1WSVE8GF0P74UUAM8C/Single_Image_Full_Page_113126455.jpg Rubén Torres Llorca - Secret Life, 2009. Mixed media. Overall (with base): 52 3/4 x 13 x 13 in. Base: 36 3/4 x 13 x 13 in. glass dome: 16 1/2 x 12 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1518895923027-2FZD3AVD10IAEMJAFRT6/Single_Image_Full_Page_113126455b.jpg Rubén Torres Llorca - Birds Fly Backwards, 2008. Acrylic, cut-and-pasted printed paper and found object on canvas. Framed: 23 1/4 x 23 1/4 in. Image: dia: 20 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1519834581413-LTQ1DWHFH62R64AI3M5X/Llorca2014_056%281%29.jpg Rubén Torres Llorca https://www.cubanartresources.org/stainlessinfo daily 0.75 2018-03-23 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1519513099362-EDEH1O2A70QK97KJTZ3U/Single_Image_Full_Page_113611564.jpg Stainless - One of a Kind [Times Square], 2014. Ink and pencil on paper. Paper: 57 x 50 1/4 in. Frame: 61 x 54 1/4 x 2 1/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521836604856-Y96R16M09SVKJ19CB037/Smaller+LORD+JESUSultimo_preview.jpeg Stainless - One of a Kind [Lord Jesus], 2014. Digital chromogenic print. Mounted: 77 3/4 x 58 1/2 x 1 1/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521836631377-GWPD1X8RUK43CA810GXX/Smaller+LORD+JESUSultimo_preview.jpeg Stainless https://www.cubanartresources.org/sandra-ceballos daily 0.75 2018-02-28 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1518897084505-JVK10ACRM58JR1Q8E2R0/Single_Image_.jpg Sandra Ceballos - Untitled, 2007. Colored pencil, paper, ink, acrylic and cut-and-pasted printed paper on paper. Object: 27 1/2 x 39 in. Framed: 45 1/2 x 33 5/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1518897084788-QAKE0Q1WKBY63LTYTUAM/Single_Image_Full_P.jpg Sandra Ceballos - Bandera, de la serie El Consejo and me Flag, (from the series The Council and Me), 2009. Acrylic, crayon, ink, pencil, colored pencil and collage of cut-and-pasted printed paper, paper and adhesive tape on paper. Object: 27 1/2 x 38 3/4 in. Framed: 33 3/8 x 45 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1518897085601-67RZTVQS7SWIK67JC72K/Single_Image_Full_Page_1134189211.jpg Sandra Ceballos - 100 horas con Fidel (Hora #1), de la serie Adorado Wölfli [100 Hours With Fidel (Hour #1), from the series Beloved Wölfli], 2002. Colored pencil, watercolor, graphite and ball point pen on paper. Object: 28 x 40 in. Framed: 31 x 43 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1518897084807-Z9LRGWTVXUEAA4QOOFYM/Single_Image_Full_Pa.jpg Sandra Ceballos - Sin título, de la serie El Consejo and me (Untitled, from the seres The Council and Me), 2009. Acrylic, watercolor, crayon, ink, colored pencil, marker and collage of printed paper on paper. Object: 27 3/4 x 39 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1518897085669-3HFYM072BWQ2AB3VTYCW/Single_Image_Full_Page.jpg Sandra Ceballos - Oh! My Bladder. Pages 6 and 7 of the Report to the 1st Congress of the Cuban Communist Party, 2010. Acrylic, crayon, colored pencil and marker on canvas. Object: 51 1/2 x 33 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1518897085046-OAWET1AQWJW6X2WG2HWU/Single_Image_Full_Pag.jpg Sandra Ceballos - Hey! Circulación venosa. Páginas 11 y 12 del Informe del I Congreso del PCC (Hey! Venous Circulation. Pages 11 and 12 of the Report to the 1st Congress of the Cuban Communist Party), 2010. Acrylic, crayon, colored pencil and marker on canvas. Object: 51 1/2 x 33 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1518897085069-2A70PE6ZYP4XRZ6B0YFO/Single_Image_Full_Page_.jpg Sandra Ceballos - Hey! Sistema arterioso. Páginas 1 y 2 del Informe del I Congreso del PCC (Hey! Artery System. Pages 1 and 2 of the Report to the 1st Congress of the Cuban Communist Party), 2010. Acrylic, crayon, colored pencil and marker on canvas. Object: 51 1/2 x 33 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1518897085172-3K6Z9NFLO76IEGQRZSDR/Single_Image_Full_Page_113.jpg Sandra Ceballos - ¿Quién eres tú, "Polimagú"? (Who are you, Polly Maggoo?), 2004. Box: Marker on printed paper, wood and mirror. Works: Crayon, adhesive tape, colored pencil, found objects and cut-and- pasted printed paper on cardboard. Box: 2 x 25 x 17 in. Collages within box: 18 x 21 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1518897084513-4D7CHZCHY89SNE4FU20O/Single_Image_F.jpg Sandra Ceballos - ¡Buen día, vida! (Greetings, Life!), n.d. Tempera, colored pencil, and collage of adhesive tape and printed paper on paper. Framed: 19 3/4 x 27 1/2 in. Paper: 19 3/4 x 27 3/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1518897085208-Q4U470X45FHAK40HXLTT/Single_Image_Full_Page_1134.jpg Sandra Ceballos - Untitled, 2004. Crayon and pen on paper. Paper: 19 1/4 x 25 1/2 in. Framed: 25 1/2 x 31 1/8 x 1 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1518897085403-8AVMO26P3U4066R0FA33/Single_Image_Full_Page_113418.jpg Sandra Ceballos - Sin título, de la serie Adorado Wölfli (Untitled, from the series Beloved Wölfli), 2011. Acrylic, crayon, colored pencil, marker and ink on canvas. 1/2 in. Canvas: 59 x 49 1/2 in. Stretched: 59 1/2 x 49. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1518897085372-XOP8P49MDDJ82OH599A4/Single_Image_Full_Page_1134189.jpg Sandra Ceballos - Mil razones para no creer (One Thousand Reasons not to Believe), 2005. Crayon and pen on paper. Paper: 19 1/2 x 24 3/4 in. Framed: 25 1/2 x 30 3/4 x 1 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1518897085481-MY4K35UU3FXVF89X6QAB/Single_Image_Full_Page_11341892.jpg Sandra Ceballos - Untitled, 2007 - 2008. Box: Wood, papier mache and gauze. Works: Crayon, ink, acrylic, permanent marker, paper, stickers, and cut-and-pasted printed paper on digitally printed paper. Box: 2 1/4 x 25 3/16 x 17 in. Collages within box: 16 x 24 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1519834767045-B572ZIEZPX0H9LANBVJ6/2011.008%3Bmain%3BOverall+image.jpg.jpg Sandra Ceballos https://www.cubanartresources.org/sofamaldonado daily 0.75 2018-07-20 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1519512460176-SXPZQYS7YK71XKR3GS2U/Single_Image_Full_Page_1135447.jpg Sofía Maldonado - Banned in Havana, 2011. Acrylic on canvas. Object: 60 x 72 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1519512460249-PINR0L34VWX8ESXTGNFO/Single_Image_Full_Page_113544720.jpg Sofía Maldonado - Youkali 2, 2011. Acrylic, glitter and varnish on canvas. Image: 48 x 60 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521836179099-8OGSVFVF91TABG79ZZBT/C2011.058%3Bmain%3BOverall+image.jpg Sofía Maldonado https://www.cubanartresources.org/sandra-ramos daily 0.75 2018-02-28 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1519510513833-5ZTSL46S2716OS7G5UOR/Single_Image_Full_Page_113448.jpg Sandra Ramos - Seremos como el Ché (We will be like Che), 1993. Chalcography. Paper: 19 3/4 x 25 1/4 in. Framed: 25 x 28 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1519510514006-CQ117CDWOUD9ZNRODN2E/Single_Image_Full_Page_1134481.jpg Sandra Ramos - La maldita circunstancia del agua por todas partes (The Damned Circumstance of Water Everywhere), 1993. Etching and aquatint. Paper: 28 1/4 x 39 1/4 in. Framed: 34 1/2 x 45 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1519510513842-GB90YU2LAKM2FVM7PCC4/Single_Image_Full_Page_11344.jpg Sandra Ramos - Con mi cruz a cuestas (Carrying My Cross Around), 1993. Chalcography. Paper: 19 5/8 x 26 in. Framed: 24 3/4 x 28 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1519510513644-DECIZ2O98Y9M7ZMX7DE1/Single_Image_Full_Page_1.jpg Sandra Ramos - Embarazo (Pregnancy), 2000. Pencil, mirror, porcupine quills, cut-and-pasted printed paper and collage of papers on paper. Paper: 28 3/4 x 36 in. Framed: 35 3/4 x 42 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1519510514099-NOW5LQU75AH1X7WM6X4S/Single_Image_Full_Page.jpg Sandra Ramos - Caída de Ícaro, de la serie Inmersiones y enterramientos (Fall of Icarus, from the series Immersions and Burials), 1999. "Japan" paper, charcoal, feathers and cut-and-pasted printed paper on paper. Object: 36 3/4 x 25 in. Framed: 50 1/2 x 38 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1519510514002-7NSU2EYE07Z6DHM5IA5C/Single_Image_Full_Page_113448158.jpg Sandra Ramos - Sin título, del portafolio (Contemporary Prints from Cuba), [Untitled, from the portfolio (Contemporary Prints from Cuba)] 1998. Serigraph printed by hand with five screens, seven colors with varnish overlay on Rives BFK Paper: 22 x 30 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1519510513670-THCL5LLFRHLGNFQMT0QO/Single_Image_Full_Page_113.jpg Sandra Ramos - Visión del Diablo en Broadway (Vision of the Devil on Broadway), 2010. Charcoal and acrylic on digitally printed canvas. Object: 35 3/8 x 51 1/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1519835038393-VTH31GHW5ZMM3UB4MRNJ/Ramos2014_003.jpg Sandra Ramos https://www.cubanartresources.org/vicente-rodrguez-bonachea daily 0.75 2018-03-23 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1520725298121-GBPBH8ZZ0TXEGRQB48HX/Single_Image_Full_Page_1138564.jpg Vicente Rodríguez Bonachea - Untitled, 2007. Acrylic on canvas. Object: 31 1/2 x 28 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1520725298159-K28MFAOOM69AXBXNXD67/Single_Image_Full_Page_113856471.jpg Vicente Rodríguez Bonachea - Untitled, 2005. Acrylic on canvas. Object: 39 3/8 x 31 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521836977597-RJPPJHMP5NCTOR8743R6/2008.152%281%29.jpg Vicente Rodríguez Bonachea https://www.cubanartresources.org/ruperto-jay-matamoros daily 0.75 2018-03-23 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1518896501079-9ORG14ZSKH6L7UA6KAPC/Single_Image_Full_Page_113218564.jpg Ruperto Jay Matamoros - Sus siete maderos (His Seven Timbers), 1998. Oil on pressed canvas board. Object: 12 x 15 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1518896501149-XRQBIN1TZICXTT50HHBI/Single_Image_Full_Page_113218564a.jpg Ruperto Jay Matamoros - Untitled, 1999. Oil on pressed canvas board. Image: 6 3/4 x 10 1/2 in. Framed: 8 x 11 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1519834671041-EW7J24TSNGVP7FIGY5XW/2010.136%3Bmain%3BOverall+image%3Bmain%3BOverall+image.jpg Ruperto Jay Matamoros https://www.cubanartresources.org/segundo-planes daily 0.75 2018-03-10 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1520113099372-GG5IBZ2FFLLFAUI2L5TB/Segundo2014_129.jpg Segundo Planes - Copy of Cazador de fantasma (Ghosts Hunter), 1994. Acrylic on canvas. Dimensions: 48 x 49 x 1 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1520113036907-ZT7EP6EBZ1ZF6N5Q9UCO/Segundo2014_129.jpg Segundo Planes https://www.cubanartresources.org/yamilys-brito daily 0.75 2018-03-23 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521309270939-ZT3H937MNJ7XWIVAJJ8K/Single_Image_Full_P.jpg Yamilys Brito - La Última Cena, de la serie Calorías (The Last Supper, from the series Calories), 2006. Monotype. Object: 18 1/2 x 19 1/2 in. Framed: 24 1/4 x 23 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521309271487-IOV7DOCYX45DJHFG9UGI/Single_Image_Full_Pa.jpg Yamilys Brito - Hambre vieja, de la serie Calorías Long-term (Hunger, from the series Calories), 2006. Monotype. Object: 18 1/2 x 19 1/2 in. Framed: 23 1/4 x 23 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521309271535-CSKN7RG11RWXIQYSOTHP/Single_Image_Full_Page_.jpg Yamilys Brito - Untitled, 2005. Ink on paper. Object: 12 x 16 in. Framed: 17 x 21 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521309272237-3BE7MCWYSAE1719TLOYO/Single_Image_Full_Page_1.jpg Yamilys Brito - Bacardí, de la serie Visitantes en La Habana (Bacardi, from the series Visitors in Havana), 2003. Watercolor and ink on paper. Image: 17 1/2 x 16 in. Framed: 23 x 21 1/2 x 1 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521309272879-IC0094EURSPMESVLDPMA/Single_Image_Full_Page_11.jpg Yamilys Brito - ISA, de la serie Visitantes en La Habana (ISA, from the series Visitors in Havana), 2003. Watercolor and ink on paper. Object: 15 1/2 x 17 1/4 in. Framed: 21 1/2 x 23 x 1 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521309273052-0UYL26CBEHQF5K07OTIL/Single_Image_Full_Page_114.jpg Yamilys Brito - De la serie Visitantes en La Habana (From the series Visitors in Havana), 2003. Watercolor, ink and cut-and-pasted printed paper on paper. Object: 16 x 17 in. Framed: 21 1/2 x 23 x 1 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521309273517-E7Z7FMFOYFAQPJT164IH/Single_Image_Full_Page_1140.jpg Yamilys Brito - De la serie Visitantes en La Habana (From the series Visitors in Havana), 2009. Watercolor, ink and cut-and-pasted printed paper on paper. Paper: 25 1/2 x 19 3/4 in. Framed: 31 1/2 x 25 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521309273764-SRU4FDOVYOS06H1SN83M/Single_Image_Full_Page_11402.jpg Yamilys Brito - De la serie Visitantes en La Habana (From the series Visitors in Havana), 2009. Watercolor, ink and cut-and-pasted printed paper on paper. Paper: 25 1/2 x 19 3/4 in. Framed: 31 1/4 x 25 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521309274043-RPSCHNBPGR048543LK3C/Single_Image_Full_Page_114027.jpg Yamilys Brito - De la serie Visitantes en La Habana (From the series Visitors in Havana), 2009. Watercolor, ink and cut-and-pasted printed paper on paper. Paper: 19 3/4 x 25 1/2 in. Framed: 25 1/2 x 31 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521309274260-WUWAP9MTO5SP7ROF8KP6/Single_Image_Full_Page_1140275.jpg Yamilys Brito - De la serie Visitantes en La Habana (From the series Visitors in Havana), 2009. Watercolor, ink and cut-and-pasted printed paper on paper. Paper: 25 1/2 x 19 3/4 in. Framed: 31 1/4 x 25 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521309274671-OSE6PAL2VYQB61H3SGB6/Single_Image_Full_Page_11402752.jpg Yamilys Brito - Sin título, del portafolio Contemporary Prints from Cuba (Untitled, from the portfolio Contemporary Prints from Cuba), 1998. Power woodcut on MDO printed on the etching press with two colors on Rives BFK Paper: 30 x 22 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521309275139-4RBNU5KAU13IB1UPTPFC/Single_Image_Full_Page.jpg Yamilys Brito - Obbatalá, 2003. Tempera on paper. Image: 19 1/2 x 13 3/4 in. Framed: 24 1/2 x 18 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521837261818-R2JBHUMK6J9GDRB9B40W/2009.143%3Bmain%3BOverall+image.jpg Yamilys Brito https://www.cubanartresources.org/zaida-del-rio daily 0.75 2018-03-23 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521322472479-KJJWKMK2YDUITQ7LOOR6/Single_Image_Full_Page_.jpg Zaida del Río - La dueña de la miel (The Mistress of Honey), 1997. Ink on paper. Framed: 20 1/2 x 16 1/2 in. Object: 15 3/4 x 11 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521322472587-TNDRUBDCBMOB447LXEGB/Single_Image_Full_Page_1.jpg Zaida del Río - Fe, Esparanza y Caridad (Faith, Hope and Charity), 2001. Watercolor on paper. Object: 27 1/2 x 39 in. Framed: 34 3/4 x 46 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521322473065-MMG280BNYRPPAJS5U2UM/Single_Image_Full_Page_11.jpg Zaida del Río - Trilogía Trilogy, 2008. Oil on canvas. Object: 40 1/2 x 19 1/4 in. Framed: 46 1/4 x 24 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521322473210-0A6FIHEUZ1BU3DTJBNR3/Single_Image_Full_Page_114.jpg Zaida del Río - Verano Summer, 2007. Acrylic on canvas. Object: 13 1/2 x 17 1/4 in. Framed: 14 1/2 x 18 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521322473534-1XSHTH08PLEY7OS4FTZ4/Single_Image_Full_Page_1141.jpg Zaida del Río - Colores de la vida (Life's Colors), 2007. Acrylic on canvas. Object: 20 1/2 x 9 in. Framed: 21 1/2 x 10 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521322473713-ZMYXVA77QEKVPYM0E1L4/Single_Image_Full_Page_11412.jpg Zaida del Río - Verano Summer, 2008. Acrylic on paper. Object: 22 x 30 in. Framed: 27 x 35 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521322474110-KBFXY8QPJW8CFO4WAFXR/Single_Image_Full_Page_114126.jpg Zaida del Río - La inspiración...Costa Rica (The Inspiration...Costa Rica), 2009. Ink on paper. Object: 14 x 20 3/4 in. Framed: 18 3/4 x 25 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521322474316-V10GHSXJL0MFG1GGQ1K5/Single_Image_Full_Page_1141261.jpg Zaida del Río - Oh, la la, oh, la la.... Je vais être en retard... (Oh, La La, Oh, La La... I'll Be Late), 2005. Watercolor and ink on paper. Object: 39 x 27 1/4 in. Framed: 46 1/2 x 34 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521322474638-8KP9SS33OKTUAKF57XDX/Single_Image_Full_Page_11412618.jpg Zaida del Río - Alegoría del otoño (Allegory of the Autumn), 1995. Watercolor, ink and acrylic on paper. Object: 39 x 27 1/2 in. Framed: 46 1/4 x 35 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521322474792-JJ3N6A2SNLUYAPR25FMI/Single_Image_Full_Page_114126189.jpg Zaida del Río - Hermosa vida eterna (Beautiful Eternal Life), 2001. Oil on canvas. Object: 31 x 40 in. Framed: 32 7/8 x 40 7/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521837497889-SEY8OZP8STGWW8E8PDXN/delRio2009_181.jpg Zaida del Río https://www.cubanartresources.org/servando-cabrera-more daily 0.75 2018-03-23 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1520113601238-BXBJDOVPS3SNO3K5ZTUD/2010.057.jpg Servando Cabrera Moreno - Alejo, 1974. Tempera on paper. Object: 19 11/16 x 25 9/16 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1520113600205-PI8SA9E8444DHT7OF395/CabreraMoreno2015_025.jpg Servando Cabrera Moreno - Bandera blanca para un desnudo (White Flag for a Nude Object), 1981. Oil on canvas. Framed: 51 1/4 x 32 1/4 x 3 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521834733834-PURG1VTK78Q6GUEE7APR/2010.057.jpg Servando Cabrera Moreno https://www.cubanartresources.org/victor-manuel-garcia daily 0.75 2018-03-23 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1522512128453-RDHXZXCU2UYI4VB7K6PV/Garcia2015_044.jpg Victor Manuel García - Muchacha en verde (Young Lady in Green), 1958. Oil on linen. Framed: 36 1/2 x 32 x 2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1522512128528-CYOAJFP61MVPPMJVOXYZ/Garcia2014_187.jpg Victor Manuel García - Camino al Café (The Way to the Coffee Shop), ca. 1930. Oil on canvas. Frame: 26 1/2 x 23 1/2 x 2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1522512986318-1SX2VYYUWI90XI569ZPF/Garcia2015_044.jpg Victor Manuel García https://www.cubanartresources.org/the-merger daily 0.75 2018-03-23 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1520114434412-7DWL55MN4RETKXZPLX77/Single_Image_Full_Page_.jpg The-Merger - Wave Corrector, del Portafolio No. 1 (Wave Corrector, from the Portfolio No. 1) 2013-2014. Silkscreen on Fabriano paper. Paper: 19 3/4 x 27 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1520114501705-N8TLL65X826KZ9JOPUKU/Single_Image_Full_Page_113721421111.jpg The-Merger - Iwo Jima, 2011. Stainless steel sculpture on quartz base. Object: 19 1/4 x 50 1/8 x 4 3/16 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1520114434463-M49XQ91C6LKKRLJRKJDS/Single_Image_Full_Page_1.jpg The-Merger - Zona franca, del Portafolio No. 1 Free (Zone, from the Portfolio No. 1), 2013-2014. Silkscreen on Fabriano paper. Paper: 27 3/4 x 19 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1520114435425-7R44RRGY5VQQYDB5AKB5/Single_Image_Full_Page_11.jpg The-Merger - Puente, del Portafolio No. 1 (Bridge, from the Portfolio No. 1), 2013-2014. Silkscreen on Fabriano paper. Paper: 19 3/4 x 27 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1520114435601-OW3JN8K8IZ0FK9ZJOLYP/Single_Image_Full_Page_113.jpg The-Merger - Escudo suizo, del Portafolio No. 1 (Swiss Shield, from the Portfolio No. 1), 2013-2014. Silkscreen on Fabriano paper. Paper: 19 3/4 x 27 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1520114436114-69BIZGHMMC743IHDDSR5/Single_Image_Full_Page_1137.jpg The-Merger - Cuchilla, del Portafolio No. 1 (Blade, from the Portfolio No. 1), 2013-2014. Silkscreen on Fabriano paper. Paper: 19 3/4 x 27 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1520114436268-ME38MACRUDBVIHW4Q8PO/Single_Image_Full_Page_11372.jpg The-Merger - Tensión, del Portafolio No. 1 (Tension, from the Portfolio No. 1), 2013-2014. Silkscreen on Fabriano paper. Paper: 19 3/4 x 27 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1520114436413-QLJ332N4YRTM5PYHBAB2/Single_Image_Full_Page_113721.jpg The-Merger - Centauros, del Portafolio No. 1 (Centaurs, from the Portfolio No. 1), 2013-2014. Silkscreen on Fabriano paper. Paper: 19 3/4 x 27 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1520114436656-N74XHTUUOWFEZR9TCYHA/Single_Image_Full_Page_1137214.jpg The-Merger - Cita con la funcionaria, del Portafolio No. 1 (Date with the Executive, from the Portfolio No. 1), 2013-2014. Silkscreen on Fabriano paper. Paper: 27 3/4 x 19 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1520114437063-AKQXAG4X2QCH3YYGM3K0/Single_Image_Full_Page_11372142.jpg The-Merger - Camuflaje, del Portafolio No. 1 (Camouflage, from the Portfolio No. 1), 2013-2014. Silkscreen on Fabriano paper. Paper: 27 3/4 x 19 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1520114437256-YZVFSEKZY5IOK2VXKSDF/Single_Image_Full_Page_113721420.jpg The-Merger - Fiancé, del Portafolio No. 1 (Fiancé, from the Portfolio No. 1), 2013-2014. Silkscreen on Fabriano paper. Paper: 27 3/4 x 19 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1520114437423-RCP2RJ01OF4DNXVD1W0X/Single_Image_Full_Page_113721421.jpg The-Merger - Solfeo, del Portafolio No. 1 (Sol-Fa, from the Portfolio No. 1), 2013-2014. Silkscreen on Fabriano paper. Paper: 27 3/4 x 19 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1520114437806-OYRPO227I6W2CVQFBKB9/Single_Image_Full_Page_113721422.jpg The-Merger - Corriendo por la hierba, del Portafolio No. 1 (Running on Weed, from the Portfolio No. 1), 2013-2014. Silkscreen on Fabriano paper. Paper: 19 3/4 x 27 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1520114438093-FZIXWCO5KBPGV3T8HWFV/Single_Image_Full_Page_113721423.jpg The-Merger - Jaws of Life, del Portafolio No. 1 (Jaws of Life, from the Portfolio No. 1), 2013-2014. Silkscreen on Fabriano paper. Paper: 27 3/4 x 19 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1520114438452-75XO5PRJMDBJ56GA7SPZ/Single_Image_Full_Page_113721424.jpg The-Merger - Deconstruction, del Portafolio No. 1 (Deconstruction, from the Portfolio No. 1), 2013-2014. Silkscreen on Fabriano paper. Paper: 27 3/4 x 19 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1520114439972-13Y2XEXD5BMTNHQUWE19/Single_Image_Full_Page_113721425.jpg The-Merger - Rojo Verdoso, del Portafolio No. 1 (Greenish Red, from the Portfolio No. 1), 2013-2014. Silkscreen on Fabriano paper. Paper: 27 3/4 x 19 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1520114440334-VH47RM29XG0E0LOZUARU/Single_Image_Full_Page_113721426.jpg The-Merger - Joe DiMaggio, del Portafolio No. 1 (Joe DiMaggio, from the Portfolio No. 1), 2013-2014. Silkscreen on Fabriano paper. Paper: 27 3/4 x 19 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1520114440557-0CNXE65PFZJXGW4TX0U4/Single_Image_Full_Page_113721427.jpg The-Merger - Play Merger, del Portafolio No. 1 (Play Merger, from the Portfolio No. 1), 2013-2014. Silkscreen on Fabriano paper. Paper: 27 3/4 x 19 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1520114440649-KH858EZ2ECISIFWH3C95/Single_Image_Full_Page_113721428.jpg The-Merger - Palanca de cambio, del Portafolio No. 1 (Stick Shift, from the Portfolio No. 1), 2013-2014. Silkscreen on Fabriano paper. Paper: 19 3/4 x 27 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1520114440804-PKZ9RIKPD0VNE53SFOCN/Single_Image_Full_Page_113721429.jpg The-Merger - El caso de la rubia platino, del Portafolio No. 1 (The Case of the Platinum Blonde, from the Portfolio No. 1), 2013-2014. Silkscreen on Fabriano paper. Paper: 27 3/4 x 19 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1520114440927-YKYXLIZJ9TCIH39WVS3D/Single_Image_Full_Page_1137214211.jpg The-Merger - Size, del Portafolio No. 1 (Size, from the Portfolio No. 1), 2013-2014. Silkscreen on Fabriano paper. Paper: 19 3/4 x 27 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1520723885692-FTUJ796XD0KFWZN74RNS/Single_Image_Full_Page_11372142111.jpg The-Merger - Reflejo, del Portafolio No. 1 (Reflex, from the Portfolio No. 1), 2013-2014. Silkscreen on Fabriano paper. Paper: 19 3/4 x 27 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521836868913-S4Q3RWU3AJP6U03478RG/Merger2014_159_16.jpg The-Merger https://www.cubanartresources.org/yunier-hernandez-figueroa daily 0.75 2018-03-23 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521321903968-VZGQ5LQPMPX229Y8WVRG/Single_Image_Full_Page_114048.jpg Yunier Hernández Figueroa - One goes, Two goes, Fun goes (Strike Vessel), 2013. Wood and paint. Object: 35 x 21 1/2 x 2 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521321903983-3M2FOMQBB7QIAAGDZY0P/Single_Image_Full_Page_1140486.jpg Yunier Hernández Figueroa - One goes, Two goes, Fun goes (Atomic Form), 2013. Wood and paint. Object: 35 x 7 x 4 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521321904157-SPVR579SOA1FZUQO1HSV/Single_Image_Full_Page_11404864.jpg Yunier Hernández Figueroa - One goes, Two goes, Fun goes (Wild Swing), 2013. Wood and paint. Object: 35 in. dia: 2 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521321904454-FJWLT5N7INTDW5HZOPSS/Single_Image_Full_Page_114048642.jpg Yunier Hernández Figueroa - Changed Game, 2013. Wood. Object: 29 1/2 x 21 x 21 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521837334495-2F6KDDORA1DU6LM70YSF/Figueroa+-+Changed+Game.jpg Yunier Hernández Figueroa https://www.cubanartresources.org/william-perez daily 0.75 2018-03-23 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521305403431-J88ZHT1FL9VHB85RKVVQ/Single_Image_Full_Page_11.jpg William Pérez - El nuevo cuerno verde del rinoceronte (The New Green Horn of the Rhino) 2002. Pen, pencil and watercolor on paper. Paper: 23 1/4 x 23 3/4 in. Framed: 29 1/4 x 30 1/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521305403239-I3YMPSUXDEEUHHFAU5WP/Single_Image_Full_Page_113932.jpg William Pérez - Veinte formas de amar (Twenty Ways to Love), 2005. Ink, pencil, watercolor on paper. Paper: 19 5/8 x 25 1/2 in. Framed: 25 1/2 x 31 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521305404022-828VZ169SEGEWN4BEQ3H/Single_Image_Full_Page_1139321.jpg William Pérez - Made in Cuba, de la serie Implementos (Made in Cuba, from the series Implements), 2004. Ink, pencil and watercolor on paper. Paper: 27 1/2 x 39 1/4 in. Framed: 33 3/4 x 45 5/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521305404610-BDURBQ331PG3LVHCZ2AE/Single_Image_Full_Page_11393218.jpg William Pérez - Recorriendo a la idea del interior (Drawing on the Idea of the Interior), 2000. Pencil, acrylic, cut-and-pasted printed paper and ink on paper. Paper: 11 3/4 x 16 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521305404738-E9R8NRERN0TZLMWE808C/Single_Image_Full_Page_113932189.jpg William Pérez - Untitled, 1999. Wood, metal and wire. Object: 45 x 45 1/2 x 6 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521305405155-QE8WIAMOG2HZ7TCVFT26/Single_Image_Full_Page_113932189hh.jpg William Pérez - Marti y ¿el huevo o la gallina? (Marti and The Chicken or the Egg?), 2008. Etching on plexiglass and metal. Object: 11 x 3 1/2 x 1 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521305405296-2N0ZWO08C30AGRDAUIZS/Single_Image_Full_Page_113932189wqr.jpg William Pérez - Aspecto general de una conciencia colectiva de auto-protección (General Aspect of a Self-Protective Collective Conscience), 2001. Pen, crayon and tempera on paper. Object: 11 1/2 x 15 1/2 in. Framed: 12 3/4 x 16 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521305405619-KIQDFOTC30LM1TNP2W0L/Single_Image_Full_Page_113932189www.jpg William Pérez - Nuevos campos, Absolut Arsenal (New Fields, Absolut Arsenal), 2005. Oil pastel on paper. Object: 19 3/4 x 25 1/2 in. Framed: 25 1/2 x 31 1/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521305405947-1R3O103CDV2GRXCE4AFE/Single_Image_Full_Page_11393218911.jpg William Pérez - De la serie Espacio abierto (From the series Open Space), 2011. Wire. Object: 7 1/4 x 6 1/4 x 4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521305406347-86BH70G4ZXDPD68WV9Z9/Single_Image_Full_Page_113932189123.jpg William Pérez - Acorazado (Battleship), 2011. Colored pencil and pen on paper. Paper: 18 x 24 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521305406917-NFFCDCA3I4EX3K9Y6Z82/Single_Image_Full_Page_113932189555.jpg William Pérez - Aspecto general de una conciencia colectiva de auto-protección (General Aspect of a Self-Protective Collective Conscience), 2001. Watercolor and pencil on paper. Object: 24 1/4 x 17 in. Framed: 29 x 21 3/4 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521305406737-F3D1OSTZPVU0LDZM9KQ5/Single_Image_Full_Page_1139321894444.jpg William Pérez - Untitled, ca. 1999. Wood, metal, fabric and strings. Object: 30 1/2 x 11 1/2 x 5 1/2 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1521837060401-7NCEOJ5JEBB36EQH8L3X/William2013_078.jpg William Pérez https://www.cubanartresources.org/about-2home daily 0.75 2018-04-10 https://www.cubanartresources.org/about-1 daily 0.75 2018-04-10 https://www.cubanartresources.org/tania-brugera daily 0.75 2018-03-31 https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1522513288966-JTX6I7183OVSGLHSZGYA/Brugera2015_067.jpg Tania Bruguera - The Francis Effect, 2014. C-print. Dimensions: 15 7/8 x 10 5/8 in. https://images.squarespace-cdn.com/content/v1/597b6071a5790a749433f395/1522513355383-K2XY90SF0EZQO7P037Q5/Brugera2015_067.jpg Tania Bruguera https://www.cubanartresources.org/neighborhood-bryant daily 0.75 2025-05-12 https://images.squarespace-cdn.com/content/v1/5411ffcfe4b065f40cc78e37/1410546456867-AQGOEWZCCFD3S2HMPWK6/Trade+28_0046.jpg Neighborhood https://www.cubanartresources.org/residences-bryant daily 0.75 2025-05-12 https://images.squarespace-cdn.com/content/v1/5411ffcfe4b065f40cc78e37/1410473366460-9RH4YUPKDXCMBRKFWRPA/Trade+31_0078.jpg Residences https://images.squarespace-cdn.com/content/v1/5411ffcfe4b065f40cc78e37/1410473366561-LJJRCV0RAISGKN9BY99T/Trade+31_0280.jpg Residences https://images.squarespace-cdn.com/content/v1/5411ffcfe4b065f40cc78e37/1410473366551-QL22RAQFUWVJGVEKD0UO/Trade+31_0288.jpg Residences https://images.squarespace-cdn.com/content/v1/5411ffcfe4b065f40cc78e37/1410473366634-HGRLH511WGAFFT7Q0K0M/Trade+31_0326.jpg Residences https://images.squarespace-cdn.com/content/v1/5411ffcfe4b065f40cc78e37/1410473366651-NU20R1X0TAUL10Q5XX6M/Trade+31_0364.jpg Residences https://images.squarespace-cdn.com/content/v1/5411ffcfe4b065f40cc78e37/1410473366689-6VQO29ZXYXDVCKRNUCT9/Trade+31_0416.jpg Residences https://images.squarespace-cdn.com/content/v1/5411ffcfe4b065f40cc78e37/1410473366779-QM8CIBB387D33QTA8ONJ/Trade+31_0542.jpg Residences https://images.squarespace-cdn.com/content/v1/5411ffcfe4b065f40cc78e37/1410473366894-JMIH154S4OH59CSY9FQL/Trade+31_0590.jpg Residences https://images.squarespace-cdn.com/content/v1/5411ffcfe4b065f40cc78e37/1410473366932-MOZNM0RTRXNWKN38IP4E/Trade+31_0667.jpg Residences https://images.squarespace-cdn.com/content/v1/5411ffcfe4b065f40cc78e37/1410473367096-945FC6DIPPJLS4EVPST6/Trade+31_0741.jpg Residences https://images.squarespace-cdn.com/content/v1/5411ffcfe4b065f40cc78e37/1410473367131-PJILMJ0RO56K9O645NKU/Trade+31_0753.jpg Residences https://images.squarespace-cdn.com/content/v1/5411ffcfe4b065f40cc78e37/1410473367468-UHB95M293VS6TGQMAP2F/Trade+31_0859.jpg Residences https://images.squarespace-cdn.com/content/v1/5411ffcfe4b065f40cc78e37/1410979833956-YDVGH0MJOIIMYRSI0Y6G/trade14_0205.jpg Residences https://www.cubanartresources.org/read-me-bryant daily 0.75 2025-05-12 https://images.squarespace-cdn.com/content/v1/52a74d9ae4b0253945d2aee9/1390928870858-4D9B6T9WGP8017NSS9W3/topography.jpg Read Me https://www.cubanartresources.org/2-cliffside-drive-bryant daily 0.75 2025-05-12 https://images.squarespace-cdn.com/content/v1/5411ffcfe4b065f40cc78e37/1410981356251-3CC7M3P1VFIYLY4OT150/image-asset.jpeg 2 Cliffside Drive https://images.squarespace-cdn.com/content/v1/5411ffcfe4b065f40cc78e37/1410548893710-1BID9GEWMFOQBB1307DB/1.jpeg 2 Cliffside Drive https://images.squarespace-cdn.com/content/v1/5411ffcfe4b065f40cc78e37/1410548893919-1QIW381L16JCMNOYF4R6/2.jpeg 2 Cliffside Drive https://images.squarespace-cdn.com/content/v1/5411ffcfe4b065f40cc78e37/1410548894045-HVC6J53LGHMHRAL1I3P9/3.jpeg 2 Cliffside Drive https://images.squarespace-cdn.com/content/v1/5411ffcfe4b065f40cc78e37/1410548894626-TJLWTONKK5B3JHI3HXHP/4.jpeg 2 Cliffside Drive https://images.squarespace-cdn.com/content/v1/5411ffcfe4b065f40cc78e37/1410548894253-W1Z84PNT00TRE0HXDHV7/5.jpeg 2 Cliffside Drive https://images.squarespace-cdn.com/content/v1/5411ffcfe4b065f40cc78e37/1410548894662-LWZAMN3ZPUV6TL1Z0XC4/6.jpeg 2 Cliffside Drive https://images.squarespace-cdn.com/content/v1/5411ffcfe4b065f40cc78e37/1410548894942-43K1BMZ25LCSWK8YI3ZQ/7.jpeg 2 Cliffside Drive https://images.squarespace-cdn.com/content/v1/5411ffcfe4b065f40cc78e37/1410548895047-0S8C85BLSLI50NHVTHUT/8.jpeg 2 Cliffside Drive https://images.squarespace-cdn.com/content/v1/5411ffcfe4b065f40cc78e37/1410981346001-BASJU46RQ30A5KS0O0WC/8.jpeg 2 Cliffside Drive https://www.cubanartresources.org/amenities-bryant daily 0.75 2025-05-12 https://images.squarespace-cdn.com/content/v1/5411ffcfe4b065f40cc78e37/1410544791601-7N0FZOAMW4R2QZZWPOSH/image-asset.jpeg Amenities https://images.squarespace-cdn.com/content/v1/5411ffcfe4b065f40cc78e37/1410545335020-M4SVJRAJZNO9IZD52G9I/image-asset.jpeg Amenities https://images.squarespace-cdn.com/content/v1/5411ffcfe4b065f40cc78e37/1410544810227-JV67LHV43H2VHAL9WXPH/image-asset.jpeg Amenities https://images.squarespace-cdn.com/content/v1/5411ffcfe4b065f40cc78e37/1410545313967-RN0Y5LY7YOU1S68X8Q60/image-asset.jpeg Amenities https://images.squarespace-cdn.com/content/v1/5411ffcfe4b065f40cc78e37/1410544931642-EPZ2IG63LHYCUZOA7QCU/download+%284%29.jpeg Amenities https://www.cubanartresources.org/contact-bryant daily 0.75 2025-05-12 https://images.squarespace-cdn.com/content/v1/5411ffcfe4b065f40cc78e37/1410549503016-FX7BY2QPAPQPQZPX8H5W/Trade+18_0559.jpg Contact